Category Archives: Storyteller Showcase

Erin Crocker—Novelist, Award-winning Short Story Author, Editor, Creative Writing Coach, Actress, and Women’s Advocate

Erin was born in Missouri and moved to the East Coast in 2007. She holds an A.A.S in General Studies with an emphasis in Police Science, a Certificate of Education from Germanna Community College and a Bachelor’s of English, Linguistics, and Communications from the University of Mary Washington. She enjoys writing, acting, dabbling in the stock market and cryptocurrencies, and playing instruments. An introvert to the core, Erin self-identifies as a doughnut enthusiast and in her free time if she’s not price shopping for lye, she enjoys long walks in dark forests carrying her favorite shovel.

Tell me about your writing process: schedule, environment, inspirations, magic spells, etc.

Most of the time I write between phone conferences with various celebrities while I’m traveling on my private jet. I find that it’s the optimal place to write, up in the clouds, on my way to a tropical coast. Joking…

I can’t say that I have a process. I write. That’s pretty much it—one word and then next and the next. I never force myself to write; I don’t keep a set schedule or judge myself on the plethora of days and times I should be writing and I’m not.

On warm days (spring, summer, early fall) I have an outdoor spot where I write. It serves as fantastic inspiration, but I won’t say where it is.

As far as magical spells go, the fairies keep stealing them. Every single time I concoct a new one those thieving little jerks come along and take it from me. So, I would be more than happy to divulge the spells, but I no longer have them. Perhaps interview the fairies. They will tell you…maybe.

Walk me through the publishing process as an editor of anthologies, from soliciting submissions to marketing the final product.

I wouldn’t call the publishing process ‘walking’. The better term would be stumbling. It’s not an easy feat. Publishing an anthology would be my excuse for turning to alcoholism. But really, I think it’s a matter of being very clear on the submission call…VERY clear in terms of what I’m looking for, what I expect in terms of formatting, word count, content, etc. Doing this seems to help.

It’s working with a large number of artists, all with different tastes, styles, and trying to combine everything into a single volume; it can be fun and challenging particularly because it is multi-genre. I’ve really been fortunate to have worked with extremely talented authors and poets which has helped make publishing both “Cocky-Tales” and “Rejected” wonderful experiences.

Marketing is always a tough one. I approach it a bit differently. I don’t do what they call “link drop”. I’ve always worked to build a relationship with my audience from participating in real-life events to going Facebook Live, I appreciate everyone who takes time to leave a comment or follow my page, and I enjoy interacting with them as much as possible. When I market an anthology, I want my audience to also get to know the authors here and there—bios are important to me. I loved posting the rescue pet photos that a few of our authors had sent in.

Talk about your support system online and IRL; who are your biggest cheerleaders?

I feel like I have a larger support system online than in real life. Per the last question, I’ve taken time to try my best to build genuine relationships and express my appreciation because, wow(!), sometimes the interaction blows my mind! I’ve made a number of great online friends who are also authors or aspiring authors, and they are wonderful.

In real life I wouldn’t say I necessarily have ‘cheerleaders’. Although, I’m not opposed to cheerleading uniforms (i.e. Dallas Cowboys…anyways, that wasn’t the question. Was it?) I have a handful of friends, and I think if I ever wanted to quit writing, they’d probably try to talk me out of it, lol.

Purchase series at Amazon

How does life influence your writing and vice versa? Feel free to share anything you want about When She Walked Away. Also, blatantly exploit this opportunity to advertise all your freelance work.

I think every piece of fiction is sourced from bits and pieces of reality. My life influences my writing in significant ways. While the experiences don’t exactly parallel, I think there’s parts of me in overall situations or traits in characters. If it wasn’t personal on a certain level, I wouldn’t write it.

When I write I also find I’m discovering myself. Maybe not in the initial piece, but once I am finished and I step back and see the complete picture, I find something new within me that I hadn’t recognized. Art is cool in that sense.

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What do you love most about your creativity?

It’s a good way to escape. My creativity allows me to process situations in abstract and escapist dynamics; otherwise, I don’t know that I could deal with some things through the lens of “normal society”.

Author Extra: Tell us how you get acting roles! Don’t leave out the unglamorous, hard work parts.

Luck? Accident? I turned down my first role two times. I felt I was gracious and polite about it, having recognized the opportunity to be involved in something as big as Netflix, but it wasn’t where I thought I wanted to go in life. Finally, I ended up taking it.

After that, I decided I’d do some background roles. I only ever meant to stand in the background as ‘popcorn eating patron number 137’, but at my second job which was “Unmasked”, the director pulled me and gave me a speaking role. Then and there I made an important decision: Nothing is worth doing if it doesn’t scare the hell out of me.

Acting is practice, practice, practice…it’s investing time and finances into the craft. It’s driving to audition after audition, most are spur of the moment. It’s coming home from the gym, sweaty, at ten o’ clock at night, changing my shirt, putting on makeup, fixing my hair, and self-taping an audition or several.

It’s rejection after rejection, and sometimes you don’t even hear that “no”. What I do is submit and move on. Dwelling and checking email every second of the day is like concrete. It holds you back. Submit, move on, move forward, let go, because if it is meant to be, it’ll happen. And when I do hear a “yes” (YES!) it is so worth it, the entire process is worth it.

Connect with Erin:
instagram: @authorerincrocker

Umair Mirxa—Fantasy / Sci-Fi Author

Ello. My name is Umair Mirxa. I live and write in Karachi, Pakistan. To be a published author is a dream I have long held and cherished, and it has finally, slowly come true over the past year or so. I have the honour of being published in several international anthologies, but there is much yet to achieve, including my first novel, and hopefully, an epic fantasy series. More recently, I have taken up drawing as a secondary creative outlet. When I am not writing, I spend my time on Netflix, reading, and watching football as an Arsenal FC fan.

Tell me about your writing process: schedule, environment, inspirations, etc.

The greatest and most ever-present inspiration for me is, and forever has been, J.R.R. Tolkien. I read my favourite passages from The Lord of the Rings whenever I’m stuck with my own writing or even generally if and when something has me down. Charles Dickens, Neil Gaiman, Sir Arthur Conan Doyle, and Christopher Paolini are just a few of the other authors who have inspired me.

I don’t really work to a strict schedule unless faced with a looming deadline. I do, however, make a point of writing every single day, even if what I produce turns out to be spectacularly ridiculous rubbish. If the muse is singing, I have been known to write for 14-16 hour sessions without food or sleep. There are, of course, plenty of days when even a 100-word drabble seems like the most horrible chore. I write digitally using a desktop PC, sitting at a desk which has a notepad, a pen-holder, an ashtray, several mugs of coffee, and snacks and smokes in a room which contains my bookshelf, a TV, a PS4, plenty of light, and a couple of extremely comfortable leather sofas.

Walk me through your publishing process from final draft to final product, including services hired as a self-published author, and marketing.

While I have been published in nearly three dozen anthologies recently, I have yet to self-publish a book. Once it is ready, and hopefully the day is not too far off, I plan on seeking out a couple of author friends to beta-read the final draft, and then upload the final product to print-on-demand platforms like Amazon and Lulu. I am lucky enough to have professional experience as a graphic designer and a digital marketer, thus eliminating the need for hired services. I hope to create a decent cover myself, and I will definitely be doing my own marketing, at least for a while yet.

Talk about your support system online and IRL, especially your biggest cheerleaders.

I feel I have been truly blessed when it comes to having a support system as a writer. My wife does everything possible to facilitate my process and schedule, and has been the greatest, most constant source of motivation and encouragement. My mother, both sisters, brother, mother-in-law, and sisters-in-law and even their husbands have all cheered and spurred me on, and I have the greatest group of friends a guy can ask for in my corner, always. They have supported me, encouraged me, chastised me when necessary, and contributed ideas and advice for my stories.

Lastly, and most certainly not the least, I have been incredibly fortunate to have a rather remarkable group of author and publisher friends online who have beta-read my work with honest feedback, shown me submissions opportunities, encouraged me to write and submit, and given me excellent advice not only for writing but for life as well. They include, and I apologize in advance if I fail to mention someone I should, authors such as Steve Carr, Shawn Klimek, David Bowmore, Bruce Rowe, Mark Kuglin, Patt O’Neil, Mehreen Ahmed, Pavla Chandler, Aditya Deshmukh, Nerisha Kemraj, Ximena Escobar, Kelli J Gavin, Arabella Davis, and Dawn DeBraal, and publishers/editors Grant Hudson, Dean Kershaw, Zoey Xolton, Madeline L. Stout, and Stacey Morrighan McIntosh.

How does life influence your writing and vice versa?

In every way possible, I imagine. For most of my life, reading fantasy stories has been a way of escape, and now I write them myself, more often than not, for the very same reason. Yet no matter how fantastic a landscape I portray or how outlandish my characters, the essence of my own personal experiences permeates all of my writing. My characters, therefore, and much like I do myself, will generally hate racism and discrimination in any form with a vengeance, and they’ll tend to be quiet and introverted, with only a small group of close friends. They will have experienced loss and adversity, will enjoy books and food and travel, music and solitude, and the all the simple pleasures of life.

Simplicity is perhaps the greatest lesson taught to me by the art and practice of writing. Too often, we complicate our lives beyond reason by chasing after material and financial gain at the cost of all that is good and pure in our time on Earth.

What do you love most about your creativity?

The ability to bring to life characters and things and places, and entire worlds which I can visit and explore at leisure. To be able to have conversations with people I would never actually meet, to give them lives and loves, experiences and friendships. To dream of a world which has never been and might never come to be but still be able to envision and set stories within, and then to share them with the world that is.

I love how my creativity means I am never, ever bored and can comfortably be alone for days, even weeks on end if necessary. I enjoy discovering potential stories when I’m out at a restaurant, mall or park, and can create characters of the people I see and meet. More recently, since I have taken up drawing, there is the additional joy of studying light and shadows, form and shape and perspective, and then to try and apply all of it to a blank canvas.

Most importantly perhaps, and I know all authors crave an audience, but I absolutely love when someone tells me they enjoyed reading one of my stories. It is one of the greatest pleasures in life, I believe, when your work is the source of joy for another.

Connect with Umair:








Author Extra: Write a 50-word story right here, right now!

Brynhildr withdrew her sword from the fallen warrior’s chest, swayed, and collapsed herself. Slowly, the dark descended, and she felt herself ascending. Strong arms around her. A gentle caress. The weight, the pain, the fear. All of it, gone.

She opened her eyes, and with a smile walked into Valhalla.

Author Extra Extra: Art Gallery

Katie Rose Guest Pryal—Non-Fiction Author, Novelist, and Advocate

Katie Rose Guest Pryal is the bestselling author of novels, including Entanglement, Chasing Chaos, and Fallout Girl, and non-fiction, including Life of the Mind Interrupted: Essays on Mental Health and Disability in Higher Education and Even If You’re Broken: Essays on Sexual Assault and #MeToo. She writes for Catapult, the Chronicle of Higher Education, and other magazines. She lives in North Carolina.

Tell me about your writing process: schedule, environment, inspirations, and how you determine whether you’re writing a non-fiction book or a novel, and if that changes your process.

Thank you for asking me such thoughtful questions. First—I’m very lucky because I get to write full time. I do teach one course a year at our law school here in Chapel Hill, and I give talks (about one per month). But otherwise, I’m writing. I write lots of different things: I have three different regular magazine columns. I write books for academic and professional audiences (mostly on professional writing). And, I write trade books: novels and nonfiction books. Basically, I’m writing all of the time. I don’t have a choice.

What all of this means is that I have to plan my time very carefully to account for the many deadlines I am responsible for, and to be sure that the important parts of my personal life are also taken care of. I’m a wife and a mother of two young children. I also have discovered (way too recently) that it is important to take care of myself as well.

I tend to focus on one project at a time. On my calendar, I will mark out a period of time to work on one project until it is finished, and then I will move onto another project. Right now, for example, I have edits back on my next novel. The editorial process will go much better if I do them all at once without lots of breaks. So: I will clear my calendar for a week or two (however long it takes), and I’ll do this revision until it’s done. Stopping in the middle means I might lose threads or forget important things that I need to fix. That’s not efficient. Essentially, this process is just a writer’s version of “no-multitasking.” Once I get my 4 hours of efficient writing in, though, I will still have time for daily tasks, like answering emails and pitching stories, things that must happen to keep the ship afloat. But I won’t try to write two books at the same time. That’s not efficient, at least not for me.

Walk me through your publishing process from final” draft to final product, including who does what when, and marketing that you do as the author.

On average, I publish one trade book a year.

(Note: I usually publish more than one book a year because I’m also publishing academic/professional books, too. However, my academic/professional book publication schedule depends a lot on other people because I work with co-authors and because the publication dates depend a lot on strange things like the academic calendar. The point is, sometimes I publish more than one book a year, but let’s not worry about those other books right now.)

Back to what I was saying: I usually publish one trade book a year. I’m not unusual in this. Many excellent authors and author teams publish 2-3 books a year (and I wish they’d publish more, Ilona Andrews). I’m on a one-book-a-year schedule. How I write, though, is in bursts. I’ll write my first draft (70-80k words) in a matter of weeks, maybe 6 weeks. I realize that sounds fast, but you should see the steaming pile of nonsense that comes out in 6 weeks. Then, I set it aside for a while. I go back to it, take some anti-nausea medicine, and revise. After that first revision, I send it to my most trusted editor-friend. I trust her because she’s a great editor and also because she won’t share with the world how terrible my early drafts are. Then I wait a while more to let the book “sit” (think: aging whisky), and then I revise again with her comments. I usually send it back to her to make sure I did it right (mostly because I’m neurotic and worried) and she sends it back (with lots of encouragement and few more comments), and then I revise once more and send it out to my beta readers, people I trust to read it on their e-readers and give me their honest feedback on the story. ONE MORE REVISION with that beta feedback (or maybe three or four), and I’m done. Again, I think my process is pretty normal. I want to emphasize how group-oriented writing is. I literally could not do this without my trusted people.

And, because I publish one book a year, I am always writing a book. Always, always writing. I’m grateful that I have time to do it. But also, I’m working on setting some boundaries. Maybe one year I’ll go crazy and skip publishing a book.

Talk about your support system online and IRL, especially your biggest cheerleaders and how you became a beautiful blooming Tall Poppy.

I have a great support system. My husband and kids are incredible. I also have some great hobbies (including a new one!) that are both outside-hobbies and physical so I’m sure to get away from my desk. My support system of fellow writers and readers I described in my writing process. And of course, the Tall Poppy Writers is a wonderful community of supportive writers. I’ve made some of my best friends through that group.

Dear Readers can clearly feel your essence in your writing, especially your essays; how does your writing in return influence your life?

I figured out when I was very young (like, age 12) that writing things down would help me figure things out. I still have my journals from back then—somehow they survived all of the moves and purging I’ve done over the years. I still using writing to help me gain perspective on my world. A lot of my essays began as me trying to solve a problem in my life. Often, the problem seemed so huge and unsolvable. And then, after writing about it, I was able to find a way to intervene, to make things better. And after I was able to make things better for me, the essay became something I could share with others. In fact, my non-fiction books (on mental health, on career changes, on sexual assault) all started that way. Me: “I feel like I don’t know what to do. I think I’ll write about it.” *scribbles a lot.* “I think I have an answer. Let me share it with literally everyone.”

In fact, being able to write myself out of problems is one of the things I love most about being a writer in the first place.

What do you love most about your creativity?

[I just got to this question, and I answered it in my last one!]

Connect with Katie:


Mike Chen—Sci-Fi Author

Mike Chen writes science fiction with feelings. His debut novel Here and Now and Then was part of Bookbub’s Best Science Fiction of 2019 and the Goodreads Choice Awards shortlist. His upcoming book A Beginning at the End (January 14, 2020 from Mira/HarperCollins) has received multiple starred reviews from Publisher’s Weekly, Library Journal, and more. Mike also covers geek culture for outlets such as,, and more, and posts many photos of his dog on social media. Follow him on Twitter/Instagram @mikechenwriter.

Tell me about your writing process: schedule, environment, inspirations, magic tricks, etc.

Well, I have a day job and a feisty 5-year-old daughter, so my writing process is basically whenever I can around that. I write a lot on my phone (and I read a lot of ebooks on my phone) because Google Docs allows for anywhere/anytime access. This works in whatever block of time is available, so if I’m waiting at a doctor’s appointment, I can edit a short section, and if I’m in bed, I can draft for 30 minutes or so. At some point, I imagine I’ll have a little more structure to my schedule, but I think it’ll have to wait until my daughter is a little older and doesn’t want my company anymore! As for actual process, I just need quiet (only video game soundtracks or instrumentals if I have music), though someday I’d love to have a dedicated home office just for writing.

Walk me through your publishing process from “final” draft to final product, including who does what when, and marketing that you do as the author.

It’s pretty standard. There’s the editorial process with my editor; then the marketing/publicity side gets involved. I do a lot of freelance writing for geek and pop culture media (e.g.,, so I’m always game if I need to write an essay or something specifically for publicity purposes, but it’s generally out of my control; I just nod and smile when asked to write something or show up to an event.

A few steps back from that, I find that I’m not one of those writers who can sell with just a sample chapter and an outline. Writing a full novel from that is far too daunting, but you don’t want to sink too much time and energy into a manuscript that won’t go anywhere. For my second contract, I’ve found a good happy medium to be writing a fairly polished first half and a detailed synopsis for editorial acquisition. That way I get a good sense of character and world but I haven’t worked through the time necessary for a full manuscript. And if/when they buy it, I’m in a good starting point to finish it off because so much of the groundwork is already done.

Talk about your support system online and IRL, especially your biggest cheerleaders.

My agent Eric Smith is my biggest industry cheerleader. He’s probably the biggest cheerleader in publishing, honestly. He cheers everyone on, which is always good to have in those moments of self-doubt (there are many). He’s also very editorial, which I appreciate in an agent. He lets me bounce ideas off of him and provides early critique reads, even for projects he’s not involved with. Oh, and he lets me know when there are good sales on video games, which is very important!

My wife and non-writer friends are all very supportive but the logistics of this industry are so unique and weird that it’s hard for them to empathize with the specific minutia of it all. I think for all writers, it’s really important to get peers whom you can vent to in private, and I am lucky that I have those. There are too many to name, and I’m afraid I’d probably accidentally leave someone out, but if you follow me on Twitter, you’ll see me interacting with a lot of them—cheering each other on but also talking about geeky stuff like Star Trek and video games.

How does life influence your writing and vice versa?

Well, I realized the other day that many of the relationships and characters I’ve written about are lifted unknowingly from personal experience. There are moments when you draw on that intentionally, like a scene that looks like the coffee shop you like or the character that tells a joke that your spouse did. And then there’s the realization that a shade of a character is totally someone you know. I think every writer deals with that, so everyday life certainly influences my writing. I think it’s impossible not to.

From a conscious perspective, a friend told me a few weeks back that my writing was “hopepunk,” which is a term I recently discovered. A lot of my worldbuilding choices and character demographics stem from crafting a world that I want to see. As creators, we have a choice to bring some level of normalization into the real world via exposure in our imaginary world—I think that’s very vital. Even if a story isn’t overtly political, the messages imbued in it are inherently charged with a political point of view.

What do you love most about your creativity?

I remember the first creative writing class I took at UC Davis. I’d already done some journalism at that point in my life, but I felt this strange sense of freedom creating a fictional world. That creativity was unlike anything I’d ever felt, and I ran with it. My teacher told me to keep writing at the end of that class, and obviously I did.

That teacher, by the way, is named Wendy Sheanin and she’s an executive at Simon & Schuster. She’s the first person I sent an advance copy of my debut.

Connect with Mike:

Linda Niehoff—Author and Photographer

Linda Niehoff is a portrait photographer by accident and chronic notebook scribbler by choice. Her flash fiction has appeared in numerous publications both online and in print. She lives in a small Kansas town where she is probably right now looking outside to study the light or watching an old episode of Scooby Doo.

Describe your creative process—schedule, environment, inspirations, etc.—compare and contrast writing with shooting.

I write daily—almost without exception, though I’ve grown a little lax in the last few years and will occasionally take a day off. This means I write on holidays, weekends, and while on vacation. I’ve written in hotel lobbies, waiting rooms, moving cars, trains, planes, surrounded by crumpled up wrapping paper. And I don’t do that out of some weird puritanical discipline. I do it because I love it. I do some of my best thinking, analyzing, and daydreaming on the page with a pen in hand. For me, writing is a blanket fort I build daily and climb inside.

Read Like Magic Waiting in TriQuarterly

Photography (even though it’s my money-maker) is like a bratty kid brother who doesn’t eat vegetables, who doesn’t take a bath when he’s supposed to. I never had the dreams for photography that I’ve had for writing, and so I’ve always had an ease with it. Much of what I shoot is done on my phone. I like the idea of keeping it a game. Of fooling around. When I shoot clients, I use my big expensive camera, but I’ve dreamed of doing an entire photo shoot with just my phone! I think that’d be so fun to try! I’m also in love with instant photography and have a (growing) collection of Polaroid and toy cameras. I love the hazy, nostalgic look of instant film.

Read Elsewhere in WhiskeyPaper

I’m mostly a morning writer (I like to make sure it actually gets done!) though sometimes I squeeze it into other areas like late afternoon or late at night. And I almost always shoot in the golden hour when the light is low and slanted and mellow. (I could shoot early mornings, but that’s writing time!)

I’m interested in the same types of themes in both writing and photography. I love old timey. I love nostalgia. I love graveyards and the woods and tiny towns with silver water towers and old run-down motels. I love places that feel haunted with old, imperfect memories. Things that are slightly unkempt and almost forgotten. And I love that shadowed time that’s halfway between light and dark.

Read Rock Creek in New South Journal

I love writing and photography because they are the same, and they are opposite. One is words and one is wordless. But writing is, hopefully, painting a picture, and photography is , hopefully, telling a story. It’s all about the story. That’s the key for me and why I love both so much.

Tell me how the final products—stories or photos—reach the consumer, including marketing.

Mostly online! When I shoot for clients, I use an online gallery or I share images I take on social media. The stories I’ve had published have mostly been in online venues—though a few were print only. As for marketing, I’m a big believer in just sharing what you’re doing. My entire photography business was built simply because when I first joined Facebook, I uploaded pictures I took. People started asking me if I’d do portraits for them. Or asked if they could buy things I’d posted. I’ve always loved photography and would be taking pictures regardless of whether or not I made money from it. But Facebook is what got it started as a business.

Initially, I was a lot shyer when it came to writing, and a lot of people didn’t even know I wrote. It was easy to share pictures. You could just upload something to Facebook and have instant feedback. I wanted a similar experience for writing, so I decided to start a blog. I figured it’d be an easy way to get used to having people read my words. And it did help. I got more confident about sharing my work and submitting it for publication.

Read We Do Not Need Wings in Pea River Journal

I really do think that if you put yourself out there and share what you’re doing, you’ll find your people. And most people, when they love what you’re doing, want to help you—by hiring you or buying or sharing your work. Probably I could be way more successful if I took out ads or ran specials or really worked at marketing or even indie published some of my writing. But for where I am in life right now, this works.

Talk about your support system online and IRL, especially your biggest cheerleaders.

First and foremost, I’m very lucky to have been raised by an artist and a physicist. My mom taught me to love words and layers and symbolism. My dad taught me to love the mystery of it all and to dream. They were my first cheerleaders.

Read The Way of Things Now in SmokeLong Quarterly

And now, I’m also lucky to have married someone that has never once questioned why—even in motel rooms on roadtrips or at home on holidays—the very first thing I do is write. He’s made sure that regardless of any success or failure (99% of what I work on won’t ever be published—so much of it is either practice or first drafts or just for me) I have the time and space to get writing done. And he’s helped me guard it. My kids (who are older now) are the same way.

Read When You Carry Him Home in Necessary Fiction

I also have a great writing group that I met online almost 5 years ago in a writing workshop. We all stayed writing together after the workshop and have stayed in touch both online and in real life. I’ve gained a couple of really close friends through that. It helps to have others sharing in the same struggles and (hopefully joys and successes) as you.

How does life influence your creative work and vice versa?

Sometimes this is a danger zone. Because for me, it’s too easy to let my self-worth get tied up in something I’ve created. There’s always a natural ebb and flow and there are always days where the work is easy and days where the work is hard. I fail often in separating how I feel about myself based on how the work is going, but I’m trying to improve! Even so, everything I do is setting up for the creative work—how I spend my time and how much I schedule all revolves around leaving enough space to make stories and art. And often, places I go and things I do are done with an eye toward asking myself, “How would I write about/photograph this?” I’m always looking for an opportunity to be inspired.

What do you love most about your creativity?

With creativity, I’m never bored. Everywhere I go, I’m watching the light and shadows, I’m framing something in my mind. Now that phones have cameras, it’s easy to snap quick pictures and edit them on the fly. But even before that (or if I’m without my phone), I am always looking at the picture of something. How it could be framed. And I love that. I love being an audience of one and finding secret moments that maybe everyone else has passed by.

Read It Wasn’t Supposed to Snow in Literary Orphans

But stories are the same way. Sometimes I’ll see a stand of trees against a purple fading sky and think, why does that make my heart ache? And I know only a story will answer the question. So I start casting about for character to go into the darkening trees. To turn it into a story and answer it for me.

Writing and shooting are a way to stay inside moment just a little bit longer. A way to hold onto something that is, every second, slipping away. It’s finding something to fall in love with. To swoon over. That’s why I love creativity; it makes the ordinary important. It makes everything you see a possibility. And when you have that inside you (and I truly believe we all do in some form or another), it’s like having the best stories and the best photographs with you all the time.

Connect with Linda:




Photography website:


Tal Garmiza—Poetry, Words

Photographer: Idan Aslan

Tal Garmiza is an Israeli artist who creates in two different fields—writing poetry & dance. She started dancing when she was 4 and wrote her first poem when she was 9, and the world of creation feels like an extension of her ever since.

In the past few months she is exploring new platforms in which she can make her art more accessible to people, and one of them is ‘speaking’ her poems and recording them.

Loose translation:
Some Space on a Blank Page
Tal Garmiza

Tell me about your writing and video process: schedule, environment, equipment, software, inspirations, etc.

Oh, it is hard to set a schedule for writing; if only it was that easy. Sometimes you have 10 different ideas per day and in others none. But, when you start publishing either written or recorded poems—and you do need to have high quality poems to publish in fixed times—you learn to search for ideas and poems in ways that inspire you: a word, sentences that people say, thoughts that go through your mind, dance (all kinds of sports are great for clear mind and creativity) or even music you love.

I will later on talk about my ‘theory’ of where you can ‘find’ poems, but the inspiration for me when I ‘speak out’ my poems comes from the words of the poem. They tell me how the poem should be read out, where to have a pause, where to be determined. Before the video was created, it was a written poem with words, telling a unique story of time and place, and of me.

Technically, the very first thing you need to do in order to record is to get a good video camera with a microphone and stand. It’s time to step away from you cell phones—the result just won’t be good enough. I can only advise you to film videos with a bright background around you, standing up, in a place where the viewer can understand your words, and always do a few shots because you never know which one might be the magical one!

For editing, every simple movie editing software could work, because you need to remember that your goal is to get the message through and not be a video photographer.

I make sure that I film and publish one poem in Hebrew and one in English per week.

Walk me through your publishing process from written to spoken product, and marketing that you do as the artist.

I publish in a few different platforms: I publish written poetry in Hebrew & English via Facebook and Instagram. These are two platforms in which I publish almost everything I write. When I choose poems for a poetry book (I published a first poetry book in Hebrew two years ago) and for open calls, I choose the ones I feel have a story that shines out from within them. When I record videos, I choose again, because now I must choose poems that make sense when you speak them out and publish on my Facebook page, Instagram and YouTube.

The technological world we live in today allows us to publish our creation in various accessible ways, which is great. Having said that—because you can find so many things online today, you need to make sure that your creation stands out, that you know your own voice, and that you have a professional product to give your audience, within understandable limitations of course.

If you work with social media—decide on fixed days on which you publish new things; apply for open calls; read your stuff on poetry nights—do everything you can to make sure that your creations don’t stay in the drawer; and if you can afford to fund this—consult with social media experts and do some promotion. In the marketing department, all of us artists need some help 

Talk about your support system online and IRL, especially your biggest cheerleaders.

My parents are by far the biggest supporters I have! They come to every poetry event and every dance performance, and they never told me that my dreams are too crazy, or that creating is a waste of time. After every event they ask me: So what will you be presenting next? It’s a huge drive to create.

My friends are also amazing cheerleaders and you might be surprised, but the cheerleaders will appear as you keep pushing forward your art, believe in it and stand behind it. Remember that poetry touches very sensitive human feelings, so some people will read and watch everything and won’t say a thing; and some will come to you quietly one day and will say: ‘I follow what you do and that last poem—I felt it.’

How does life influence your poetry and vice versa? Your presentation is intense, riveting; how did you come to the decision to produce spoke word poetry?

I feel that poems already exist in the world. As a poet, what you need to do before you write them, is to find them; and they wait inside and outside and between people, in the moments between the moments, on the way home, late at night, in the questions that are waiting to be asked and between the lines. They are waiting to be revealed and to be written. I can say that, weirdly enough, I write many of my poems on the bus on the way to somewhere.

I use a clean language, but with very accessible down to earth words, and I feel that with time I came to realize that fewer words sometimes say much more. Since my first language is Hebrew, it definitely takes more effort in English, but I think it’s the same in every language.

I wanted people to start making the connection between my words and the person standing behind it—I was ready. I wanted to reach more people that might be in need of some poems and the need for someone else to speak their emotions and their experiences for them. I knew that this would be a good reach out to them. The right poem at the right times makes you feel that somewhere out there there’s someone who understands you. It’s happening to others as well.

I believe that poetry should be spread out to people, because a poem in a very few words contains so much of the human experience, that it might just remind us things about ourselves and about the world that we almost forgot.

What do you love most about your creativity?

Its very existence.

Connect with Tal:




Mary Wallace—Author of The Praetorian Saga

Mary is the author of The Praetorian Saga, a highly rated romantic sci-fi series. She’s a sucker for romance in stories and believes that any good story needs some love thrown in. Prior to her writing career, she had lots of jobs she wasn’t cut out for, the most infamous of which was airport security. When asked why she didn’t enjoy that job, she’ll tell you, “Those guys have no sense of humor.” Mary lives on the Alabama Gulf Coast with her husband and sons, two fat lapdogs, and a cat she’s convinced is part velociraptor.

Tell me about your writing process: schedule, environment, inspirations, maintaining character integrity through a series, etc.

I work a full-time day job, so writing is a second career for me right now. I also have two kids still at home, a few pets, and a husband. So, I keep pretty busy. I’m somewhat terrible with schedules, but over the last year or so I’ve managed to come up with something that works for me. I generally wake up at 5am, regardless of what time I have to be at the day job. I get myself dressed and ready for work and write until it’s time to leave for work. I try to write again in the evenings after the house quiets down for the night, usually from about 9pm-11pm. The weekends are for family time.

I have a home office that’s full of my books, tarot cards, Funko pop figures, and a photo board of friends and family. I have a massive desk that’s forever cluttered with anything and everything. I like to listen to music while I write, but I keep the volume low so I won’t get too distracted and start singing along.

I believe inspiration is everywhere, if you look for it. Music is one of my biggest inspirations. Sometimes I can imagine a scene or short story out of a song lyric and sometimes that can become a whole book. Sometimes I can plot out a whole book series from a random side character in a TV series. It’s about allowing your mind to get a little carried away, I think. Basically, the things I used to get in trouble for in elementary school.

I’m kind of a sucker for a story that rips your heart out, at least a little. I prefer happy endings, but I need my characters to struggle a little along the way. I try to write stories I’d want to read, so that’s definitely reflected in the things I write. When it comes to a series, you kind of go into it knowing that your characters are going to change along the way. Or, they should, if you’re doing it right. Not who they are at their core, but as they learn and grow throughout their journey, they adapt and change somewhat. I keep a file on every character I write and add to them along the way. I always want to make sure that whatever I put my characters through, their reactions and interactions make sense to who they are. I also lean toward character-driven plots, so it’s really important to keep who these people are firmly in my mind as I go.

Walk me through your publishing process from “final” draft to final product, including who does what when, and marketing that you do as the author. Do you market the series as a whole with each new book? Will there be more in the series, or do you start a new one?

So, this is my least favorite part of being an indie author. The part that comes after the writing part is over. I’ll reiterate what I’ve said before, which is that when I started this whole thing, I had no idea what went into writing and publishing a book. I’m still learning and trying to improve as I go. Every day I’m finding things I’m doing wrong or not doing enough. I jumped into this thing head first and I’m slowly figuring out how to swim. That said, I’ll share what I do.

I try to start promoting the book a couple months before release date. I share the blurb, cover, excerpts, etc on my social media sites. I try to mix it up from Twitter to Facebook to Instagram. Not every social media site has the same type of reader and it’s important to understand that when you’re making posts.

I market the series as a whole as well as individual books within the series. Obviously, I want to bring in new readers, but I also want my established readers to keep coming back. I’m constantly learning which ads work on which platforms and which don’t. This seems to change frequently and I’m always playing catch-up.

I have a cover artist who designs all my covers based on a bit of input from me. Once the book is formatted and I know a page count, I have the cover commissioned and I do a cover reveal in my newsletter, including a link to the pre-order. I always do pre-orders for a new book. I try to have those go live around two months before the release date.

As for more Praetorian books, I never say never. For now, Bree and Declan’s story is finished. I feel like I gave them their due and wrapped their story up nicely. I’ve thought about coming back to the Praetorian world sometime down the road, but I’d have to have the right story to tell. Right now, I’m in the beginning stages of a whole new story set in a dystopian America. I’m pretty excited about it. I don’t know yet how many books it will be.

Talk about your support system online and IRL, especially your biggest cheerleaders.

I consider myself really lucky when it comes to support. Writing is kind of a solo job and it can be isolating if you let it. You spend hours on end alone with nothing but the stories in your head to keep you company. It helps to have others in your life who understand that and who have your back, so to speak. I have several friends who are also writers. They’re always down for a plotting session or to help me bounce ideas around, even if I’ve never met some of them in real life. They’re always there to encourage me when they get a text at midnight or 6am saying, “This is all shit and I’ll never finish this book. Shoot me now.” They’re the ones who keep me pointed in the right direction.

My husband has probably been my biggest source of support. After more than 20 years together, he gets me better than anyone and he knows how important writing is to me. He’s always understanding when I tell him I need to write at night instead of watching a movie or catching up on our Netflix list. He never judges me when I take my laptop on trips to run errands so I can peck away while he drives. He’s a quiet guy, so he’s never going to be the one shouting things from the rooftops, but he always shares anything he sees about one of my books on social media. It’s his quiet way of showing his support, but it never fails to make me smile.

How does life influence your writing and vice versa?

The thing about creating things is that if you care at all about it, you’re going to put part of yourself into it. It’s hard for me to stand back and point out specific elements without delving too deeply into my own history and life. I write characters who have experienced real tragedy and loss and come out the other side. That’s probably because it’s something I’m familiar with. I don’t think I know how to write a character who’s never had anything bad happen to them. Could be a fun challenge, I suppose.

Since I started writing, I think I’ve become more open and honest with myself and the people around me. I’ve told this story before, but I kept the fact that I was writing a book a complete secret until a couple of months before the first book was set to release. When someone asked me about the book directly, I was terrified. I stumbled over my words, turned bright red and wanted to run from the room. Now, nearly two years since the first book’s release, that’s gone away and I’ve gotten to a place where I’m comfortable talking about my writing. With that comfort, I think I’ve become at peace in my own skin when I didn’t realize I wasn’t before. It’s going to sound cheesy, but I feel like I’ve found what I was supposed to be doing all along. I’m proud of myself and happy with what I’ve done so far, though I know I have a long way to go.

What do you love most about your creativity? What prompted you to write a series?

I think the thing I love most about having a creative mind is that it’s never boring. I don’t remember ever being bored as a child. Part of that was because I loved books from a young age and spent most of my time reading them. Because of that love for stories, I wanted to create stories of my own. I’ve always been a daydreamer. As a kid, it got me into trouble because I’d get lost in my head instead of paying attention to whatever it was I was supposed to be doing. As an adult, that still happens sometimes, but I’ve gotten better at muti-tasking. Or maybe I’ve gotten better at pretending I know what’s going on while I’m lost in my own head. I’m not sure.

When I first began writing The Praetorian Saga, I had no idea if I had enough story for a book, let alone a series. I had a vague idea of a scene with a girl running down a dark street. That’s it. Somehow I got four books out of it. That makes it sound much easier than it actually was, I know. I think somewhere along the way, I realized that I had more story than one book would allow. Originally, I’d planned for a three-book series. I thought I could tell the story I needed to tell within that structure, but after I’d finished the first draft of the second book, I realized that there was a lot missing. There was a lot of character development, but not as much propelling the story along (character-driven writer, remember?) So, I cut out the back half of that book, made a lot of revisions, and wrote a whole new ending that drew back into the larger series plot. What that meant was that I’d basically added another book to the series. So, it came out to four. That suited me fine, because as a reader I prefer longer series to standalone books. It didn’t make things any easier when I was fighting my way through the fourth book, cursing my past self who thought it was a good idea to add another book to the series.

Connect with Mary:


Amazon author page



PA O’Neil—Storyteller and Short Story Author

Originally from Southern California, P.A. O’Neil, spent her teen years in a small town in Washington State. Her Mexican and Irish heritage has provided a lifetime of inspiration, as well as compassion for others, which comes through in her stories. She understands what it means to be in the minority as well as the majority and has always given voice to the underdog. She lives in Olympia, Washington, with her husband and two grown children nearby. Her life is full of love from family and friends from around the world, and this love is reflected in her writing.

Tell me about your writing process: schedule, environment, inspirations, decision to focus on short stories, etc.

I’m a genuine sloth in the morning, so my writing is best done between 11:00 am and 5:00 pm. I do have a part-time job outside the home with a varied schedule, so I don’t often have the availability to write every day. I like to think of my writing as an actual profession, which means you must take days off in order to stay fresh. I don’t write on the weekends in deference to my husband, who prefers my attention be away from the computer.

I’ve always been a storyteller, writing off and on since I was a child. In college, I wrote and produced a radio play. I thoroughly enjoyed that, which makes me think I might’ve been born about forty years too late. The greatest inspiration comes from vivid dreams; I’ll keep notes and do my best to fit the premise into a workable plot. I did this in August of 2016 when I found myself unemployed for the second time in two years. I thought I could either sit on the couch and watch old movies, or I could sit at the computer and write out a story, which turned out to be a novel called, “Finding Jane.”

The story did not turn out half-bad and was praised by those who read it, but of course, it was extremely raw, being compared to “a beautiful runway model with nothing to wear.” Thanks to Facebook, I connected with people who were in groups I belonged to; they were published authors, and I asked where I should go from there. They put me onto Facebook pages that were writing oriented, and with the help of a friend who has since also become my editor, fourteen months after I typed END on my novel, my first short story was published in an anthology. It was called, “Sara Hemming, Psychic Redecorator.” Since then, my short stories have been accepted for publication in over thirty publications, both online and in paperback.

I enjoyed writing my novel but have since found a preference in writing short stories, flash fiction, and even drabbles. The challenge of making every word count and having a purpose is fulfilling to both the writer and the reader. I want to take readers, drop them into a scene that’s already in motion, make them care about the characters, given them a plausible conclusion, yet leave them turning the page at the end wanting to know more. That’s what I believe makes for a good short story.

Walk me through your publishing process from submission to marketing.

The process for submission was something I had to learn for myself. I watched other Facebook group members comment about how they did it, what worked, and what didn’t, and put together a submission letter that I thought would meet the criteria for a standard submission. Some worked, and some didn’t, but what did work gave me the idea to create a template that I use for each submission. It is always being refined but helps to keep the project running smoothly. I even wrote an essay that was printed on the Writers Unite! Worldwide webpage, “The Submission Process for a Short Story or What I Wish Someone Had Taught Me.” I have shared it often on my own Facebook professional page so others can find relief when wondering how to go about making a submission. To have your work bounced by the submission editor because of a technicality in your letter, before the story has ever been read, is an avoidable shame.

I have used Submittable, Duotrope, and Submission Finder, along with word- of-mouth to find submission calls. As a way of keeping track of submissions for individual stories, I made another template which lists the basic information [story name, word count, date written, editor] as well as information about the publication [name, publisher, editor, closing date, payment, reprints, etc.]. This way when I submit it, I have the date of contact (to and from) and even publication date if accepted. It suits me as far as efficiency because it tells the history of each story towards publication.

So far, my advertising has all been through Facebook pages. I do have an Amazon author page that I refer to, but I have yet to pay for an advertisement. That may change if I get more involved in the publication process of some of these anthologies or my own collection.

Talk about your support system online and IRL, especially your biggest cheerleaders.

I have absolutely the best of friends in the virtual world thanks to the Facebook groups I have joined in the past three years. They’re from all over the world and are always willing to help, encourage, and even give solace when needed. My sister though has been my strongest supporter since day one. Yes, she laughed when I told her I had written a novel and wanted to write professionally—I would’ve laughed too, but she has become my sounding board and official record keeper as she has all of my original manuscripts in hard copy. My kids have been supportive in a, “yeah, yeah, whatever you say, Mom,” kind of way. My son though gave me a book for Christmas about how make money as a self-publisher, so I guess he’s coming around. My husband acts as if he has no interest, but I have learned from his co-workers, he does speak proudly of my accomplishments.

I do have to thank Facebook, because it has allowed for me to connect with friends and relatives who are always there to cheer when the next story get published. I have the best coworkers, who are proud of my accomplishments, and some of them are writers themselves, so we always give encouragement.

How does life influence your writing and vice versa?

In as much as life influences my dreams, actions and events oftentimes spark my imagination enough to write a story about it. My story, “The Obelisk,” is one of these, whereas “Pink and Gray Ash” came from a true story as told by a friend of a friend of the man who died.

What do you love most about your creativity?

I joke about needing to write to “silence the voices in my head,” but really, it’s being able to arrange my thoughts in way that can entertain, or possibly even enlighten, the reader enough. I want them to be glad they took the time to read my story.

Connect with O’Neil:

Amazon author page:


Dete Meserve—Best-selling, Award-winning Novelist and Film/TV Producer

Dete Meserve is an accomplished creator and producer of independent movies and award-winning television shows as well as a best-selling and award-winning novelist. As a key member of the executive team at Wind Dancer Films, Meserve has been one of the industry’s major players in independent film and television production. She currently oversees worldwide business and creative properties for the film development, finance, and production company that has generated over $4 billion in revenue from its properties, which include hit television series Roseanne and Home Improvement and feature films including What Women Want (Mel Gibson), Where The Heart Is (Natalie Portman), Bernie (Jack Black), What Men Want (Taraji P. Henson) and Good Sam (Netflix).

Meserve is also leading the company’s growing kids and family brands, including the PBS KIDS series Ready Jet Go!, created by Craig Bartlett (Hey Arnold!, Dinosaur Train) with Meserve as Executive Producer, the stop motion series “Storywoods” with Lil Buddy Studios and Head Writer Carin Greenberg, and Not A Box, the animated TV series based on the award-winning book by Antoinette Portis.

Meserve has produced numerous films and TV series and her list of credits span award-winning television series such as Home Improvement and Saint George with George Lopez (Executive Producer) as well as hit movies What Men Want, the award-winning comedy Bernie (Executive Producer), The Keeping Room (Executive Producer), What Women Want (Executive Producer) and Good Sam (Producer).

Meserve is also the author of the best-selling and multi-award-winning novel, Good Sam, as well as its sequel Perfectly Good Crime, which won the Living Now Book Awards for “books that change the world,” and the international bestseller The Space Between (July 2018). Meserve adapted her first novel, Good Sam, into a screenplay and produced it as a Netflix Original Film starring Tiya Sircar (The Good Place). The film was released worldwide in May 2019. Her book, Random Acts of Kindness, co-written with award-winning journalist Rachel Greco, was published in March 2019. Meserve is at work on a fifth book entitled The Good Stranger for Amazon Publishing/Lake Union (Spring 2020).

She lives in Los Angeles with her husband and three children.

Tell me about your writing process: schedule, environment, inspirations, etc.; and how you balance your careers of producer and author.

I write whenever I can! My job as a producer and CEO of a studio takes up much of my daylight hours, so I have to find writing time at night after my family’s asleep or on weekends when my family is busy with other things. When I’m on deadline to deliver a manuscript, I have to set aside specific time to write—often in the daylight hours—but other things in life invariably interfere and suddenly my three-hour block of writing time gets reduced to, say, ninety minutes. It can be frustrating, but I keep juggling and shifting to make it happen. I know my priorities and family always comes first.

Hod did you “found” your Random Acts of Kindness stories, and what is it like to co-author?

After posting literally thousands of stories about the good things people do for others, I wanted to write a book to capture some of the best stories and looking through a very specific lens: how were the givers changed by helping others? Since these were true stories, I wanted to collaborate with a journalist who had the right sensitivity and sensibility for these “softer” stories. I read an article about a woman who was given a new van by a stranger and loved the poignant way journalist Rachel Greco approached the story, so I called her and told her I wanted to write a book of these stories. I was overjoyed when she said yes. Initially we didn’t meet in person because I’m based in Hollywood and she’s in East Lansing, Michigan. Instead, we’d regularly get together for calls to talk through what stories we’d seen that had resonated with us and which ones might be good candidates for the book. We had tremendous resources to draw from: thousands of stories on my Facebook page at and countless others that readers were sending in. We wanted to make sure the book reflected all kinds of givers: rich, poor, age nine-year-old to ninety-nine, city folk and people who lived in rural communities, bikers and fraternity boys. Our idea was not to reprint what others had already written. Instead, Rachel spoke with the people in the stories and we developed a chapter from there. I have to say those hours working with Rachel were some of the brightest for me because I knew we were both doing something we were meant to do.

Walk me through your publishing process from “final” draft to final product, including who does what when, and marketing that you do as the author. As you wrote Good Sam, did you imagine the story as a film? Are you planning to take your other novels to the big screen?

When I wrote Good Sam I never imagined it would become a film. I only set out to tell a story where we’re searching for someone doing extraordinary good and exploring how looking for that kind of person actually changes all of us. I wanted to explore the reasons why people do good things. From the countless stories told about murders and violence, we already know why people commit crimes but how often do we stop to think about why we help others and why some put their lives on the line so that others can live? Maybe thinking about that will allow us to become our better selves. There are moments when I still can’t believe it’s a Netflix Original Film, even though I wrote the screenplay and was a producer on the film. It still feels joyously unreal.

When I begin writing, I like to have lots of time for what I call “play.” This is when I’m writing ideas into a notebook, doing research, playing around with an idea, discovering the characters. It’s truly the most carefree and easy part of writing. Then there becomes a point where the story starts to form: I hear snippets of character dialogue, I can see scenes of what’s happening, and I’m beginning to have an inkling of what themes I want to explore. That’s when I start a draft which I title: Things I’m Seeing. If ideas start flowing, then I know I’m ready to write the manuscript. Otherwise, I stop and go back to “playing” and researching until I’m ready to begin.

Once the manuscript is finished, I like to send to beta readers before sending to the publisher but the deadlines on the last novel were so tight that no one but me had read it before I sent it in. That was a nail biter of a process for me. After that, the editor will send me notes and I’ll make revisions addressing notes until we all get a draft we’re all happy with. Then off to copy editing and proof reading all while writing ideas for marketing, working on the cover with designers, thinking about book club questions, writing acknowledgments, etc. It’s a huge wonderful process to bring a book to life and I’m always grateful for the privilege of doing it and for the talented and committed people around me who make it possible.

I’m adapting some of my other novels to the screen. I’m particularly intrigued by SVOD platforms like Netflix because they allow you as a creator to reach massive audiences around the world, which is very rewarding. But, for me, all ideas begin with story. It’s only after you know the story that you can ask: Where is the best place—what is the best way—to tell that story? A novel? A TV series? A movie? I’m open to wherever that leads me.

Talk about your support system online and IRL, especially your biggest cheerleaders.

My readers are the best! Truly. Every day I wake up to countless stories about good people that they’ve shared on my social media platforms or sent to me via messenger or email. They are wonderful supporters of my writing, sharing their recommendations through reviews and talking about the books online. When I have moments where a current novel I’m writing is difficult, I take a peek at what people are saying—their reviews, comments on posts, the emails and letters they send me—and I’m reminded how fortunate I am to have such loving, thoughtful, kind readers in my life. I feel like I know many of them even though we’ve never met in person. I never take that for granted and try to respond to every reader. That can be difficult to juggle when I’m already working long days, but it’s important to me to connect with readers.

In real life, my husband and family are the best support system. I often begin work early in the morning and my husband brings me a chai latte and a breakfast so I can keep working. My daughter Lauren patiently listens to me, read scenes aloud, and gives me feedback. And my older sons are incredibly understanding when I run off after dinner to get back to writing. And I’m fortunate to write in the beautiful Southern California light, which is partly why much of my writing is optimistic and hopeful.

How does life influence your writing and vice versa, especially the response to Random Acts of Kindness and the Good Sam film? How has your background in film prepared you for a writing career?

Sometimes my workdays can get intense—disappointments, failures, surprises, gut-wrenching events that steal my breath away. I try to channel that into my writing. Even if what I’m writing about has nothing to do with what’s happening in real life, I find a way to convey the complex emotions that come with working with others all day long. People often ask me how I can write such optimistic stories when I work in the rough and tumble world of Hollywood. But the truth is, that’s why I started writing stories where Kate Bradley seeks out people doing good, without ulterior motive. I honestly questioned if such people existed, so I sent Kate Bradley on that exploration. And along the way, I discovered that good people are everywhere – you just have to look past those who are getting all the attention for bad stuff and you’ll see them everywhere. All the time.

What do you love most about your creativity?

I love that creativity allows me to follow my passions and curiosity. I’m interested in so many things, so writing allows me to bring all those things together. I’m always researching and learning new things in order to accomplish a novel. I’ve learned a lot about journalism, firefighting, Russian linguistics, opera, online videogames, and security systems from writing the Kate Bradley mysteries. And when I wrote The Space Between, I immersed myself in astronomy, a little physics, and secret codes. I also learn a lot about people—the way we think, how we make decisions, the way we interact with others, how we acquire belief systems.

What I didn’t expect—and which is always a wonderful surprise for me—is that my explorations are embraced by so many and become meaningful to others too. That connection with readers—when they say they’ve experienced the same feelings as my characters have—is priceless. Writing is a way to share the human experience and makes me realize that I’m not alone in the things I love, wonder about, question or struggle with. That is a gift of a lifetime.

Connect with Dete:





Twitter: @DeteMeserve

Instagram: @DeteMeserve




Wind Dancer Films:


G. Allen Wilbanks – Horror/Fantasy/Sci-fi Author

G. Allen Wilbanks is a retired police officer living in Northern California. For twenty-five years he wrote collision and crime reports during the day to pay the bills, and short fiction during his off-time to stay sane. In 2016, he retired from real life to devote his full attention to fantasy. He has published two short story collections, and the novel, When Darkness Comes. His short stories have appeared in Daily Science Fiction, Deep Magic, The Talisman and dozens of other magazines and anthologies all over the world.

Tell me about your writing process: schedule, environment, inspirations, black magick spells, etc.

I live on five acres of property in a rural neighborhood, so I spend most of my day isolated from other people. I’m okay with that, though, because it gives me time to write with minimum distractions. I’m also a bit of a hermit if I’m being honest. I like the isolation. Most of my days look pretty similar. I wake up in the morning about 7 AM to say goodbye to my wife as she heads out the door to go to work. I start my morning with a four or five mile walk through the pastures and farmlands surrounding my home while I listen to audiobooks (since I rarely have to time to sit and read a book anymore). Back home, I work in my yard tending the garden and fruit trees for a couple hours (still listening to a book), and then about 11 o’clock I settle into my den to write. My wife gets home about 6 PM each day and usually finds me at my desk still working on whatever WIP I’ve chosen for that day.

Walk me through your publishing process, from “final” draft to final product, and marketing strategies.

I have published three books: two collections of short stories and one novel. I published each of them through CreateSpace (which has since been bought out by KDP Select). The software was very user-friendly and made the process as simple as possible for a newbie like myself. There is software for making your own cover and creating your own layout for the cover of the book, but I would actually recommend reaching out to a professional cover artist or designer. It makes a world of difference and your book will look much more appealing to a potential reading audience.

Marketing is the hard part. I am a bit of an introvert and am much more comfortable writing stories than trying to convince others to buy them. This is still an area I am working on improving. If you are publishing traditionally, there are usually people working for the publishers who are responsible for marketing, but if you are an indie writer like me, you need to get the word out on your own. Social media is the key to attracting readers. It is more than just telling people you have a book for sale; you need to get people interested in you personally first—then they might get curious enough to purchase what you have written. Building a following is a slow, gradual process. I wish I could give you some secret or tip to sell a million books, but I haven’t figured it out myself just yet.

Talk about your support system online and IRL, especially your biggest cheerleaders.

My biggest supporter in my writing is my best friend and fellow writer, Wes Blalock. Our paths have paralleled each other’s in many ways. We both had careers in law enforcement before focusing on writing full time. Although we tend to write in different genres, we beta read much of each other’s manuscripts, offer editing advice, and encourage one another with our projects. We have even attended writing events together.

Online, I have joined several writing groups on Facebook and have connected with writers all over the world on Twitter. I find I get to know people a little better and interact more with them on Facebook, but the groups you join are important. Many of them are looking for people to sell books and writing services to rather than provide support and help. Choose carefully. Look for the groups that support one another, share publishing opportunities, and offer advice when you have serious questions about the process of writing or publishing.

How does life, and career in law enforcement, influence your writing and vice versa?

While I was working in law enforcement, much of my writing was very dark. It focused on human cruelty and personal suffering. My ideas frequently came from real life incidents I had investigated, then I would twist the tale to give it a more suspenseful feel or add supernatural elements. Writing was cathartic for me then, it helped me process all the ugliness and violence I dealt with in my job. Now that I’m retired, I still love writing horror stories, but I have found myself moving more into the realms of dark fantasy and surrealism. I guess as my life has become less chaotic, so has my storytelling.

What do you love most about your creativity?

When I was working as a police officer, writing was one of the ways that I dealt with stress. Writing (and reading) short stories helped me deal with some of the harder emotional aspects of my job in a healthier way than drinking or trying to ignore them. Creating a story allowed me to decompress and to process my feelings.

Although I am no longer dealing with the same level of stress in my life, writing is still a great outlet. I take pieces of dreams, ideas, and feelings and try to create something complete and wonderful out of them. I keep notebooks all around the house because I never know when a thought or somebody’s comment might trigger a new story idea. I absolutely love seeing a published final version of a story that started out as just a bunch of fragments of ideas and emotions. It is even more rewarding when I hear from someone who enjoyed reading something I created, but that is not the main reason I write. I think even if I never published another piece, I would continue to write just for the peace and enjoyment it brings me.

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