The prologue introduces low-level, low-brow politician Henry Lewis, who’s interrupted in his back alley business when his intended victim Davie is rescued. Allan Linton fell into the PI business after a newspaper takeover, and he pulled strong, silent street avenger Niddrie in as his “and Associates.” A mysterious man calling himself Carter hires them to find a woman in a photograph whose name is likely an alias. Then dear reader goes through a flashback on the rise and fall of Allan’s marriage to the daughter of a top dollar barrister, then back to the present where his daughter asks his help with the entitled son of her grandfather’s partner and he explains his love for the Hollies. He seeks help on the case from his best friend Michael, who just happens to be the main drug dealer in town, and dear reader goes through another flashback chapter on the origin of their friendship. There are aliases and backstories galore in this novel, with each flashback its own fascinating short story. If you like backstory woven into the fabric of a novel, this format might confound you. The unusual names and behaviors of the characters make this whodunwhat feel a bit out of time and place, like a cheeky noir film. I received a digital copy of this fantastic story from Black & White Publishing Ltd through NetGalley.
ABOUT THE BOOK
A terrible tragedy unleashes a fateful chain of events for two families from starkly different worlds in a breathtaking new tale of suspense that doubles as a razor-sharp take on class conflict in today’s America.
In his remarkable debut, THE EAST END (Park Row Books; May 7, 2019; $26.99 U.S./$33.50 CAN.), novelist Jason Allen constructs a multi-layered story about the powerful and the powerless, about love and loss, and about self-destruction and the possibility of redemption. Set in the Hamptons over one explosive holiday weekend, this immersive must-read illuminates both sides of the socio-economic divide in a place where dreams of escape drive potentially catastrophic decisions.
Unfolding from multiple perspectives, THE EAST END opens with the countdown to Memorial Day underway and recent high school graduate Corey Halpern in need of a fix. A townie, he burns off his resentment of the affluent “invaders” who flock to the community in the summer months by breaking into their lavish mansions and pulling harmless pranks. Staring down a bleak future, he sees his hopes of going away to college vanishing. He can’t disappear, not when his troubled mother, Gina, is barely making ends meet, trying to get away from an abusive, deadbeat husband, and chasing pills with too much booze. Trapped in a downward spiral, she staggers towards rock bottom as Corey and his brother look on helplessly.
Before calling it a night, Corey makes one last stop at the sprawling lakeside estate where he and Gina work. There he intends to commit his first-ever robbery but nothing proceeds according to plan. Married billionaire CEO Leo Sheffield shows up to his ultra-exclusive Gin Lane property early, accompanied by his handsome, much-younger lover, Henry. In an instant, everything changes: Drunk, high, and all alone, Henry is the victim of a fatal poolside accident. Unfortunately for a distraught Leo, Corey saw what happened—and so did someone else.
For this immensely privileged man who is not used to getting his hands dirty, his very existence now depends on containing the collateral damage. And time is running out. Leo’s overbearing wife and three grown children will be arriving soon, along with a house full of high-maintenance guests. Desperate to preserve his fortune and his freedom, Leo takes irrevocable steps that expose him to scandal and far worse. Over the next few tension-filled days, hidden entanglements, unexpected opportunities, and clashing loyalties propel Corey, Gina, and Leo to extremes—and ultimately, to shocking outcomes no one will anticipate.
Atmospheric, emotionally probing, and complexly unmissable, this kaleidoscopic narrative plunges its brilliantly realized characters into timely, all-too-relatable moral quandaries that defy easy answers and resound long after the final page.
Corey breaks into the houses of the wealthy who summer in the Hamptons, to play pranks on them as a way to vent his frustrations as a local serving these “invaders.” The night he chooses to enter the home of his mother’s employer Mr. Sheffield, he learns a scandalous secret and witnesses a tragedy, and then he falls in love. The weekend brings a multitude of challenges for the Sheffield family and Corey’s mom, who’s fighting a drug addiction and a violent ex, as well as Corey and his new love. Allen brilliantly portrays the blurred lines of integrity and honesty for the haves and have-nots in a scenario that flips dependency from one to the other and exposes everyone’s agenda. No character is truly endearing, nor is any character wholly evil, but all are complex, self-serving and compassionate in turn. Fans of “Somethings in the Water,” “Beautiful Bad,” or “Hunting Annabelle” will appreciate this story. It’s a peek at what we might do if we had the chance, and what happens when we involve ourselves in something that’s not our business. I received a digital copy of this fantastic story from Park Row Books through NetGalley.
ABOUT THE AUTHOR
Jason Allen grew up in a working-class home in the Hamptons, where he worked a variety of blue-collar jobs for wealthy estate owners. He writes fiction, poetry, and memoir, and is the author of the poetry collection A Meditation on Fire. He has an MFA from Pacific University and a PhD in literature and creative writing from Binghamton University. He currently lives in Atlanta, Georgia, where he teaches writing. THE EAST END is his first novel.
At her local drugstore, Amy Byler runs into her husband, who went on a business trip to Hong Kong and stayed for three years. He’s returned to make things right and be the father his children deserve. School Librarian Amy signs up to present her reading program at a conference in NYC, where she plans to reconnect with her college roommate, during the kids’ week with their father. She meets a hot librarian, makes a new friend, and starts a movement. Harms cleverly uses the modern-day epistolary of email and texting in this humorous exploration of a single mom becoming her own woman. Fans of Ann Garvin, Katherine Center, and Kerry Anne King will appreciate Harms’ voice. I received a digital copy of this wonderful story from Lake Union through NetGalley.
What happens when an overworked, underappreciated single mother of two
gets an opportunity to spend a week away from reality in NYC? What
happens when that week turns into an entire summer? And, what happens
when this rare gift of personal freedom, self-reflection, and fun comes
to an end?
These are the questions at the heart of former editor and literary agent Kelly Harms’ delightful and empowering new novel, THE OVERDUE LIFE OF AMY BYLER (Lake Union Publishing; May 1, 2019; hardcover), about a middle-aged woman’s much-needed Momspringa.* Full of wit, heart, bookish-references, and romance, THE OVERDUE LIFE OF AMY BYLER is next year’s feel-good read!
*Momspringa (n.): A period of time when moms are given time away from the demands of daily life, including their children, so they can recharge and reconnect with themselves as human women. Inspired by the Amish term Rumspringa.
Daphne Maritch inherits the yearbook that the class of 1969 dedicated to her mother, their teacher. Attending every class reunion of that year’s class, her mom dashed off judgment calls in that yearbook, while alienating her family further. Daphne has no use for it and tosses it in recycling, only to discover her neighbor has rescued it and has documentary plans for it, focusing on her mother’s life. In her attempt to repossess it, Daphne learns exactly how much she didn’t know about her mother, and how much better her father knows her than she realized. Secrets explode, Daphne explodes…romance ensues.
Lipman creates a character whose complexity makes her less endearing than interesting, leading dear reader to enjoy her ups and downs from outside the emotions, yet still root for her as she makes terrible life decisions. Choices made by all family members in the past reverberate in the presence, causing confusion and offering challenging choices. The integrity of the characters remains resolute as they fluffercate over “9/10 of the law” and “right to know.” This is an absolutely FUN story, whipping back and forth in allegiances, and up and down in storyline. I was fortunate to receive a copy of this fabulous book from the publisher Houghton Mifflin Harcourt through a Goodreads giveaway.
Bhima recovers and moves on after her friend Sera’s betrayal, though she cannot think evil of her, even if her granddaughter Maya holds Sera in contempt. The sequel to The Space Between Us follows Bhima in her struggle to keep her emotions and memories from derailing her plans to put Maya through college. Her new jobs open up opportunities for both of them, and expose Bhima to a new Mumbai. She ends up with partners in a new venture. Bhima is always evolving and accepting new paradigms in her desire to remain relevant in her granddaughters’ world. Umrigar brilliantly represents a woman who holds herself above the slum in which she lives, who believes if she hasn’t dignity, she has nothing, that circumstances do not define her. This next chapter in the life of an Indian woman whose life has unraveled delves deeply into the cultural mores of socioeconomic levels and the caste system, and the slowly shifting philosophies of those mores that question the caste system. Secrets come to light and Bhima goes with the flow. She truly is an extraordinary character, and a continuation of her story would be a joy. A trilogy would perfectly round it out (hint, hint Thritty). Readers of Lisa See, Isabel Allende, and Louise Farmer Smith will appreciate Umrigar’s work.
Rachel wished her brother would get lost. And he did. So lost that their parents forgot him and explained him away as Rachel’s imagination, and then as her illness. Having repressed her wish-giving ability through to adulthood, Rachel runs away from her life when the wish-granting bursts forth to affect her best friend’s family. She ends up in Nowhere, NC, where she discovers others’ magic and how to control her own. Crispell’s talented in creating complex characters, with their roller coaster emotions and love-hate relationships with their talents. Like Sarah Addison Allan, the magic is a part of everyday life, including emotional trees and sometimes challenging townspeople. Readers who daydream of having magical capabilities can live out their fantasies through Crispell’s stories. Check out her website http://www.susanbishopcrispell.com/ to learn more about her and purchase her books.
Vashti Alcindor inherits her aunt’s B&B in Catalina Cove, where she grew up, and where she ran away from over a decade ago. She wants to sell the business and put her hometown behind her for good. Enter the sexy, widowed sheriff. Then secrets come flying out of the past, changing Vashti in ways she would never have expected. The secrets are not so surprising, and some are a bit too coincidental, but in the end, a good story is hidden among the unnecessary repetition by multiple characters of Vashtis’ background and overly emoted revelations. A good beach read, a nice weekend romance read, Catalina Cove also shares a bit of Creole history, as it’s set on the coast of Louisiana, with a creole main character. I was graciously given an early copy by Harlequin through NetGalley.
I met Diane in person at a book signing in Topsail Beach at Quarter Moon Books. In my overzealous fangirling, I crashed a book club photo and had to be gently shooed away. I’ve been her most awkward fan since, and she’s been the most gracious literary star. I show up for each new book’s signing / reading like a middle-aged stalker who looks so innocent (muahaha), and Diane keeps smiling and signing my new books. If only she could write super fast; I know I will love each new story. I was fortunate to receive an early copy of The Dream Daughter—my review—coming out October 2.
Tell me about your writing process—any tricks / nuances to keep you on track, inspirations material or abstract, where you write (Topsail!) and when.
I usually write either in my Raleigh area sunroom or at my condo on Topsail Island. I generally have a year to write a book. The first few months, I think about my idea and start doing research, often visiting the area where the story takes place. I begin picturing scenes and putting them on post it notes that I move around on a big presentation board until I like the arc of the story, thus creating an outline. At the same time, I think about my characters, specifically what type of person will have the hardest time dealing with whatever dilemma I’ve come up with for the story. If there is no personal struggle, there is no story. I think about which characters will have a point of view in the story and will they have a first person or third person point of view and will I write the story in present or past tense. I sometimes look on the internet for pictures of people who make me think of my characters. I find this a huge help in creating characters who feel very real to me and hopefully to my readers. These are all decisions I make before I start writing.
Finally, I start writing about 6 months before my deadline. I usually listen to movie soundtracks as I write because I like the emotional ups and downs of the music. I’m always doing research as I write. Also, I listen to my characters because they frequently go astray from my outline and I’ve learned to pay attention to them. I write three to five drafts. Finally, often a bit late, I turn in the book. That’s where my dynamite editor comes in. She reads the book, looking at the big picture. What works and what doesn’t? She makes many suggestions, sometimes requiring a big change in the book. I’ve learned to listen to her, and I rewrite. And perhaps rewrite yet again.
Lead me through your publishing process, as in who does what when, and your marketing responsibilities (book tours! What else?).
Here’s how it works. First I write a book. Then I have an agent who is responsible for finding the publisher she thinks will do the best job with that book. She is also responsible for negotiating the contract with that publisher. You can see in my answer above some of the work the editor does with regard to my book. The publisher then, of course, publishes the book. If the publisher feels strongly that they can make the book a bestseller, they will give it a lot of advertising and other support before and during publication. My publisher for the last six books, St. Martins Press, does a great deal of promotion for me. I try to hold up my end by keeping up with social media (which I enjoy), giving interviews, touring to speak to groups and do book signings, where I get to meet my readers, the best part of the process!
Before the Storm series
Describe your support system: groups online and IRL (MKA, another favorite author of mine)—your biggest cheerleaders…
My biggest supporter is my significant other, John. He’s a photographer and understands the creative process and doesn’t complain that once a year, as deadline nears, I disappear from real life into my imagination, 24/7. Aside from him, I have many local writer friends who I get together with often. And then I have my “official group.” We call ourselves The Weymouth Seven because we originally met up at the Weymouth mansion in Southern Pines, NC, where authors are invited to work for up to two weeks each year. Now we usually meet up on Topsail Island. You’re right that Mary Kay Andrews is a big part of our group. She’s our ringleader, the one who keeps us on track during the week that we meet. Other members are mystery writer Margaret Maron, historical mystery writer, Sarah Shaber, horror and thriller writer Alexandra Sokoloff, and mystery writers, Brenda Witchger and Katy Munger. We have fun but we work hard at the same time.
Keeper of the Light series
You’ve always had touches of history in your novels. Recently, you’ve opened up to historical fiction, and now sci-fi / fantasy with your latest book about time travel. How did this come about; in what ways do your life and work influence each other, and how did your previous profession prepare you for fiction writing? Also talk about secrets, their importance to you and your work, and what kind of secrets you like best to weave into your stories.
When I heard about the eugenics (forced sterilization) program in North Carolina, I knew I had to write about it. That meant setting the story during the years of the program, so I selected 1960 and thus wrote my first novel (Necessary Lies) with a totally historical setting and I found I really enjoyed it. Two books later, I decided I wanted to write about the 1944 polio outbreak in Hickory, NC during which the town built a functioning polio hospital in 54 hours (The Stolen Marriage). So I would say, if the idea that comes to me is historical, I will happily write it, but I am still perfectly happy writing contemporary books as well.
When it comes to The Dream Daughter, that is a whole different subject! For years, I had the idea that’s central in The Dream Daughter: a woman is told that her unborn baby will die, but she learns that if she’s willing to take a huge risk and travel to the future, her baby could very well live. I put this idea off for years because it is so unlike my other books, but finally, I talked to my editor and she gave me the go-ahead. The book was tremendous fun to write and the early reviews have been amazing. I’m grateful to readers who dislike time travel for giving this book a try because it’s still “vintage Diane Chamberlain” and people seem to be loving it.
I think your question about my previous profession (clinical social work) and secrets actually go together. I worked in hospitals and then in a private psychotherapy practice with adolescents and their families, and one thing I learned is how destructive secrets can be in a family. I was fascinated by that topic, so it often appears in my stories.
What do you love most about your creativity?
I’m very grateful for my imagination. It got me into tons of trouble as a kid, but now pays off. I might be stopped at a traffic light and see a woman pushing a baby carriage across the street and within 30 seconds, I imagine a car hitting them, and the police discover it was on purpose and there was a connection between the woman and the driver, or maybe even between the baby and the driver . . . it’s exhausting having a brain like this, but it often pays off in the end if it means I can entertain my readers.
Connect with Diane:
First, let me say thank you for having me, Lael! I love visiting with reader friends and new readers who may not know me yet!
Describe your writing process, including subject, schedule, environment, inspirations, and techniques / strategies.
I have an office in my home that is the backdrop for most of my writing. It’s a large space filled with things I love. But I do change up and write outside sometimes or cart my computer to Starbucks. Change is good. As for my schedule and process, I am an early riser so I do my best work in the mornings before the world is awake. I usually write for a few hours, then take a break. Sometimes I go back to the computer; sometimes I get busy with social networking. When I’m working on a book, I try to stay really close to the project—it’s never far from my thoughts and is always working in the back of my brain. I don’t let it totally dominate, but I do allow that creative magic to flow so that it’s there when I need it!
Walk me through your publishing process, from final draft to finished product; include your publishing team, who does what.
I’m always amazed at how many hands are on any particular project. I send the final draft to my editor (each publishing house has their own way of doing things, but these steps are fairly universal). The editor will read, offer suggestions, give feedback, then it’s back to me to decide which elements help make the book stronger and which may not. Round two, she reads again, then passes the project to another editor who will also read—this time for smaller content issues and continuity. A third editor will read for typos and the like. Each editor may go through a manuscript more than once, and the author will tweak with each editorial pass. (By the end, we’ve read our books 6-8 times.)
In the meantime, a creative team is working on items like cover, back jacket copy, marketing strategies.
The author has their hands in each of these processes—which is fascinating! It’s incredible to see your project come to life with so many talented people doing what they are gifted to do!
How did you get your novels in so many different languages? That is awesome! I want to know step-by-step and who does what for that to happen, and how your work sells in other countries.
I started getting contacted by international publishers when my book, One Lavender Ribbon released. It’s a contemporary story, but has a WWII tie-in, in the form of love letters from a soldier. Well, the book released over the 70th anniversary of D Day, and I think the world really came together over the events of WWII.
The first time I was contacted, I thought it was a joke. But I sent the email on to my agent and she sent it to my US publisher. Next thing I know, I’m signing a foreign contract. I’m now in about 12 languages—which is just surreal. I sell extremely well in Italy and was named one of the top authors in three Italian cities. Crazy! I’d love to go to Italy and do a book tour! I also sell quite well in Turkey. Fun fact: My book titled In the Light of the Garden is titled The Willow Tree in Turkey. What is fun about that fact? My original title was The Weeping Tree, but the publisher felt like it wasn’t the right title.
Tell me how your art (writing) and life influence each other; what other talents do you have?
I spend a lot of time “searching” for the perfect story. Everything that comes into my mind is viewed through a writer lens. There are tiny seeds of ideas lurking everywhere! We just have to look around and notice them.
I love to cook, but I wouldn’t call it a talent. My husband and I love to travel. We spend our leisure time dissecting movies and talking about what could have been done differently to strengthen the story. If the story is perfect, we talk about why.
What do you love most about your creativity, and how does it play into teaching the craft of writing?
Freedom! When you’re writing, you’re free. Free to change the world or create a new world. Free to roam through the tunnels of time and land anywhere you choose. Reading is the same way. When you’re reading, you’re free. One of the strongest points I make when teaching about writing is to never ever, ever lose your childlike wonder. View the world through a different lens, then write it so we can all come along on the journey with you.
I’d love to stay in touch. Here are the places you can find me.
I hope you’ll add your name to my newsletter list on my website. There are usually at least one of my books on sale for $1.99, and I give the direct links for those in a monthly newsletter. Also, when you sign up, you can request a link to a free book! It’s a story that was written for Princess Cruise Lines.
Other ways to stay in touch…
Adrienne leaves an abusive relationship and divorce in Chicago and buys a fixer-upper in Florida, where she starts her new life of independence on the Gulf. A box of eloquently written letters from a WWII soldier in her attic sets Adrienne on a journey to friendship, potential romance, and matchmaking. She exposes decades-old secrets, changing lives and mending relationships while building strong bonds with her new “family.”
Burch’s novel reads like a Lifetime or Hallmark movie, with the romance of a soldier’s yearning juxtaposing the horror of his experience in war. The story veers away from the trope of the emotionally intelligent woman succumbing to the stubborn man, when Adrienne informs the romantic interest that his controlling behavior isn’t acceptable, a feminist move proving she learned from her previous relationship. Adamant in this assessment, she continues to nurture the friendships of (his) family. Read this novel to discover a treasure chest of secrets and to find out if the romantic interest redeems himself. I was fortunate to receive a copy from the author for an honest review.