Tag Archives: sisterly

Jorja DuPont Oliva—Author of Chasing Butterflies trilogy

 

Jorja sent me a friend request last year, and after looking at her page, I accepted. She’s a brilliant storyteller who is always supportive of other writers. She’s mystical and magical in an unseen universe (see what I did there?), and chaotically creative. I’m privileged to have a connection with Jorja and wished to share her stories—about her life and in her fiction. She’s a lovely human.

 

Tell me about your writing process, including environment, inspirations, schedule, strategies, and muse (if you have one!).

Is there ever a process for anything when you have kids? I try to steal time to write, but I do it every day. I journal, I write ideas when they pop up, and I write poetry. I am an emotional storyteller, because in all honesty, I struggle with my emotions, so in turn I heal. I don’t write from a desk or have an office. I write from my laptop, which is portable, so I can take it places, but mostly I write from my couch. I have been known to write in my car while my son is at football practice, I would say a third of Sisterly was written or edited there. It is for me, really, no different than reading a good book, an escape, but I get to choose the ending. As for a muse, this is the concept that I thought only I experienced. When I write I do feel as though I am channeling many muses. I like to think of them as my writing angels. My grandmother (my mother’s mother) was, in her lifetime, the best storyteller. When I was a child, she would tell us a story that I would visualize so vividly. I would like to think that she is still telling me those stories I loved to listen to as a child. Our stories are very important to generations to come. They learn from our mistakes and gain knowledge to what works. Life is not easy.

I love the story of how you started writing—elaborate upon that and how the relationship with your mother encouraged you in this direction.

My mother wrote for our local paper. She loved to write and would always talk about wanting to write a book. She could come up with stories that conveyed a message about love, friendships, and all the good things life has to offer (Hallmark channel was her favorite). Sadly, I lost my mother this year, February 2018. She unfortunately never published any of her works. She lived that dream through me I suppose. Let me step back and explain,–I talked my Mother into taking a class to teach you how to write a book. At that time I had no interest in writing a book. I just thought it was something we could do to spend time together and possibly help her achieve one of her dreams. I found a love for writing—it was my purpose, and looking back, I was always a writer. My Mother wrote many short stories through our adventure in this class, but my Mother always put her kids first. She became my biggest fan. By the end of the class I had created a book—Chasing Butterflies in the Magical Garden (2013). By the way, I plan to publish her work in the coming year. I see it like this—I have gained another writing angel during her time on earth and in her after life.

What finds its way into your stories and why?

I try to teach lessons or convey wisdom we learn through our lifetime by using every day stories. I love to entertain while doing this, which may be possibly why I add a little magic to my stories (I think I get that from my grandmother). I love to read stories that make you question or wonder, or have a spiritual aspect. I also love surprises. Metaphors are always welcome in my writing as well, and I like to hide them throughout my stories. So why not write what I enjoy reading?

Describe your support system—your team, everyone who works with you or gives you props.

Gosh, I have a lot of support, sometimes so much support, I will never be able to retire from writing. My family supports me with my writing the most. When my mother passed, I have to say, my emotions held me back from taking her writing. They were the first to tell me that they were mine. I got the whole box! There is something very connecting reading someone’s writing. It is the truest form of them. I am truly blessed. I also have a wonderful writing community. We meet once a week to discuss our writing endeavors. We do not critique. We only motivate and challenge our own abilities. That is the best kind of writing community to have. I’ll tell you why—each of us is different, we learn in many ways, and we have different interests. Readers are the same, are they not? Don’t get me wrong; we do at times read each other’s work and give suggestions, which in turn gets our own creative juices flowing. Last is a good editor, but not for typos, because let’s face it, typos happen! During final edit we worry about those. I have been fortunate to have two wonderful and patient editors. I spend most of my time on editing and rewriting. I am not going to tell you it is my weakness. I am just going to say I don’t edit while I write. Editing interferes with my creative process. When most people think of an editor, they think of someone who comes in and cleans it all up. I’m sure there are some editors out there that do that, but that isn’t my case. I have two supportive editing coaches. They show me things I missed or need to elaborate on and we work together to prefect it. It is usually a 4 to 6 time go-over on the story. While this is happening, I send my story with a WARNING to everyday people to read and send me feedback. Usually I have at least 4 to 5 people of different ages and opinions. I have even sent one of my first drafts to my 4th grade English teacher, who is now retired. I can’t express the importance of having many people working with you to produce the best you are capable of producing.

What do you love most about your creativity?

I love creating! I love everything about the process of creating. I’ll admit, with my first book, I wasn’t fond of rewriting and editing, because it was work. Now after 4 books, 2 anthologies, many short stories, and a screenplay, I enjoy the rewriting and editing process as much as I do creating the story. The only thing I do struggle with is the ending to a creative project, the moment it is published. I’m like a lost puppy looking for a new story to write.

 

Follow Jorja on social media and buy her books here:

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A Night Like This: A Flagler County Anthology benefiting Christmas Come True

Creative Chaos Anthology

Sisterly by Jorja DuPont Oliva

Janie returns to her hometown to make things right with her sister, and her ex-boyfriend who married her sister, by revealing her secret to them. She stays in the yellow house run by Mrs. Francis, where the otherworldly seems to creep in, everything is too connected for reality, and Mrs. Francis forbids her to enter the mysterious, yet beckoning, backyard. Though the dialogue is stiff—no contractions are used, and can sound unrealistic—Mrs. Francis’ dialect is over the top, the characters’ interactions with each other and Janie’s “episodes” are vivid. When Janie’s missing time and chaotic, dreamlike events are explained in the final scenes, the brilliance of Oliva’s storytelling skills burst forth like fireworks. Though hints are sprinkled like candy throughout the story, the reveal is surprising, and the reader can only be impressed by the descriptive details and timeliness of those “episodes.” References to the inciting incidents are well placed in the story, with emphasis in the reveal for a satisfying ending.

The author offered this novel gratis in March and I was fortunate to pick it up and read it, posting a review for the book gift and for my delight in the story. Thank you, Jorja!