Tell me about your writing process: schedule, environment, strategies / techniques, and inspirations material and abstract.
I’m an organic writer—I think a lot ahead of time about the characters and what my story’s central questions will be, but don’t outline in detail or swear by any particular tools or strategies, beyond reading voraciously, as much as I’m able. I’m very disciplined, with daily and weekly goals, and believe firmly in the power of forward momentum once I get going on a manuscript.
I wrote my first two novels by night, as my babies/toddlers slept, while working a demanding day job as editorial director for Writer’s Digest magazine. Not long after signing the contract for Forget You Know Me, I scaled back my role at the magazine and shifted to writing by day as my primary focus. A writing career involves a fair amount of evenings and weekends for things like book clubs, conferences and festivals, so this is a much more workable focus for my family, which always comes first.
Describe your publishing process, from final draft to final product, including publishing team and timeline. How did your work in the industry prepare you for the writing world as an author?
It’s been a little different for every book, particularly as staffing changes at my publisher have led to a few editorial team transitions, but I’m working at the pace of about a book a year. I refine a draft until I think (hope) it’s close to working as what I envisioned for the story, then get feedback from a few trusted readers and revise yet again before turning it over to my editor. Then comes another round to incorporate the excellent suggestions from her professional eye.
My work in the industry taught me what a team effort publishing is; I have enormous respect for my editors, having been one, and deep gratitude for the efforts of the hardworking support teams—marketing, publicity, design and beyond.
Who are your biggest cheerleaders online and IRL, and how did you get into the Tall Poppies (beyond being an excellent storyteller)?
My family and friends—who’ve seen firsthand my dedication to this craft since long before I ever got published—are my biggest cheerleaders, and their warm support means the world to me.
Also, at the start, were my colleagues at Writer’s Digest—we were all writers with a genuine love for the work we were doing there, and it was humbling to have them so enthusiastically in my corner—as well as a debut author group called 17 Scribes—it was invaluable to be tapped into a network of other authors publishing their first novels in 2017, and many of us remain connected today.
I’d met some of the Tall Poppy Writers through conferences, WD, the Women’s Fiction Writers Association, and online, and had admired their collaborative spirit and talented body of work for years; I was elated when they invited me to join.
How does your life influence your writing and vice versa? Please share fun details about being the 2019 Writer-in-Residence for Public Library of Cincinnati and Hamilton County.
While I don’t write directly from life experiences, of course we all are heavily influenced by the phases of life in which we find ourselves and the beautiful (and not so beautiful) aspects of human nature that turn our heads. I’d find it impossible to separate the two!
It’s a wonderful honor to be serving as the newly minted Writer-in-Residence for the Cincinnati library system this year; it encompasses more than 40 branches, and I’ll doing community engagement with local readers (visiting library branch book clubs and hosting a podcast) as well as aspiring writers (teaching free workshops and holding office hours, for instance).
What do you love most about your creativity?
Through dreaming up a story from pure imagination, somehow, I end up feeling more like me.
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