Zadie crushes on her best friend, the hero of the village, who has saved more than one person from the labyrinth that borders her village, a labyrinth full of booby traps and deadly creatures, including a boogeyman named Dex. When her friend disappears into the labyrinth and becomes history to the village, Zadie is the only one willing to risk the labyrinth to rescue him. Tate spins Dear Reader’s head with unlikely allies, exploding expectations, and astonishing revelations. YA fantasy fans will add this author to their list of favorites. I received this wonderful story from Flux through NetGalley.
Caitlin Cording wants to live in a world where love letters are always handwritten, ice cream vans come round in the winter, and watching funny cat videos online every day is a legal requirement.
From the foot-swelling world of retail, to the back-aching world of call centres, Caitlin has worked a variety of jobs. She began her writing carer by posting her work on Wattpad under a pseudonym. Now having had a number of short stories published within anthologies and literary magazines, as well as securing a first place within an international competition, she is working on her debut novel for young adults.
Describe your writing process: schedule, environment, inspirations, etc.
I write the first two drafts of anything in my voice, then I channel the character whose POV it is, and rewrite it using their voice (far more interesting.) My debut novel is written from the POV of a 15-year-old pickpocket/graffiti artist from south London and, boy am I having fun with it!
In terms of environment, I began writing at a time when my commute to work and back took a total of four hours each day. I’d sit in bus stops in December with trembling hands and numb fingers, jabbing out flash fictions on my Smartphone. Nowadays, I prefer to write indoors (usually while sitting on my sofa sipping coffee.)
As far as inspiration goes, I’m afraid my answer is cliché: books, music and art. There’s just something about appreciating another artist’s work that makes my creative juices spit and sizzle!
Tell me your submission and marketing strategies.
At the moment I’m focusing on my debut novel, so I’ve been a tad neglectful on the marketing front lately, but usually I book blog on Instagram and shout about my new publications on my Facebook page. I also have an email list and make a point of mentioning my publications to everyone I meet, and by mention I mean, I snatch their phone from them, bring up the links and force them to read out loud! 🤣
In terms of submissions, I always make a point of reading the magazine/anthology to determine whether my style/stories are a good fit for the publication. I also double-check the guidelines, find out the name of the editor-in-chief to address the submission to, oh, and make sure I personalize every cover letter.
Talk about your support system online and IRL, especially your biggest cheerleaders.
Oh wow, there are so many!
I love my real life writers group, especially our monthly open mic nights! I’m also a big fan of the Fiction Writing, Writers Helping Writers, and Inner Circle Writers Facebook
Groups—they’re the platforms through which I’ve met some of my greatest beta readers.
I’ve been lucky enough to converse with many best-selling authors online too, but I have to say, author of On a Scale of One to Ten,Ceylan Scott gave me a massive boost of confidence when she gave me a fantastic review of my short story, “The Art of Deception.”
A little while ago, Redixon Photography asked to interview me regarding my short story, “No Regrets,” which was a great honor. http://www.roguesportal.com/caitlin-cording-interview-one-of-those-writersofintagram/
But most of all, I’d say my biggest cheerleaders are my readers, particularly the ones who regularly reviewed my earliest work on Wattpad. They are the people who gave me belief in myself to persue this career.
How does life influence your writing and vice versa?
I suffered a lot of abuse as a child/teenager; I was in foster care and have spent time in psychiatric wards. I now volunteer at a homeless shelter and work with young people in foster care. All that stuff has shaped who I am as a writer. I like to get down and dirty, expose taboos, and be bold when talking about the nitty, gritty subjects.
What do you love most about your creativity?
It’s a great excuse to get crazy and writing is cathartic!
Connect with Caitlin:
Alexis goes on the biggest adventure of her life, and finds her true calling, right after she dies. She finds love, monsters, and opportunistic ghosts in her quest to save the world. This is a super silly story, but it’s Hart’s signature silly style reminding us to be ourselves no matter how different we might feel. The main character Alexis finds her tribe and fulfills her dream, albeit in an unorthodox way. Although explained by details in the story, the dialogue, with its repetitive references to bodily functions, reads more middle grade than YA, except for those swear words. The romance is credible, sweet, and written really well by an author who can never have that exact experience. Kudos, Marcus! And thanks for an early copy to review.
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Amber goes on a blind date. Her date is blind. Literally blind. This she knows. What she learns is that he’s in trouble, and she gets pulled into it, dragging her two friends along by texting. At first, she desires advice from two friends with wildly different personalities. As the evening takes her to shady places she’d never otherwise be, the story turns into a narration of unexpected events, including druggie roommates, pill parties, and police evasion—all through texts. It’s funnier still when the two friends argue via texts. This is a clever story portraying the ubiquitous nature of current technology use by those who grew up with it. It’s a fun read for a little respite from the tedium (or tragedy) of life.
First, let me say thank you for having me, Lael! I love visiting with reader friends and new readers who may not know me yet!
Describe your writing process, including subject, schedule, environment, inspirations, and techniques / strategies.
I have an office in my home that is the backdrop for most of my writing. It’s a large space filled with things I love. But I do change up and write outside sometimes or cart my computer to Starbucks. Change is good. As for my schedule and process, I am an early riser so I do my best work in the mornings before the world is awake. I usually write for a few hours, then take a break. Sometimes I go back to the computer; sometimes I get busy with social networking. When I’m working on a book, I try to stay really close to the project—it’s never far from my thoughts and is always working in the back of my brain. I don’t let it totally dominate, but I do allow that creative magic to flow so that it’s there when I need it!
Walk me through your publishing process, from final draft to finished product; include your publishing team, who does what.
I’m always amazed at how many hands are on any particular project. I send the final draft to my editor (each publishing house has their own way of doing things, but these steps are fairly universal). The editor will read, offer suggestions, give feedback, then it’s back to me to decide which elements help make the book stronger and which may not. Round two, she reads again, then passes the project to another editor who will also read—this time for smaller content issues and continuity. A third editor will read for typos and the like. Each editor may go through a manuscript more than once, and the author will tweak with each editorial pass. (By the end, we’ve read our books 6-8 times.)
In the meantime, a creative team is working on items like cover, back jacket copy, marketing strategies.
The author has their hands in each of these processes—which is fascinating! It’s incredible to see your project come to life with so many talented people doing what they are gifted to do!
How did you get your novels in so many different languages? That is awesome! I want to know step-by-step and who does what for that to happen, and how your work sells in other countries.
I started getting contacted by international publishers when my book, One Lavender Ribbon released. It’s a contemporary story, but has a WWII tie-in, in the form of love letters from a soldier. Well, the book released over the 70th anniversary of D Day, and I think the world really came together over the events of WWII.
The first time I was contacted, I thought it was a joke. But I sent the email on to my agent and she sent it to my US publisher. Next thing I know, I’m signing a foreign contract. I’m now in about 12 languages—which is just surreal. I sell extremely well in Italy and was named one of the top authors in three Italian cities. Crazy! I’d love to go to Italy and do a book tour! I also sell quite well in Turkey. Fun fact: My book titled In the Light of the Garden is titled The Willow Tree in Turkey. What is fun about that fact? My original title was The Weeping Tree, but the publisher felt like it wasn’t the right title.
Tell me how your art (writing) and life influence each other; what other talents do you have?
I spend a lot of time “searching” for the perfect story. Everything that comes into my mind is viewed through a writer lens. There are tiny seeds of ideas lurking everywhere! We just have to look around and notice them.
I love to cook, but I wouldn’t call it a talent. My husband and I love to travel. We spend our leisure time dissecting movies and talking about what could have been done differently to strengthen the story. If the story is perfect, we talk about why.
What do you love most about your creativity, and how does it play into teaching the craft of writing?
Freedom! When you’re writing, you’re free. Free to change the world or create a new world. Free to roam through the tunnels of time and land anywhere you choose. Reading is the same way. When you’re reading, you’re free. One of the strongest points I make when teaching about writing is to never ever, ever lose your childlike wonder. View the world through a different lens, then write it so we can all come along on the journey with you.
I’d love to stay in touch. Here are the places you can find me.
I hope you’ll add your name to my newsletter list on my website. There are usually at least one of my books on sale for $1.99, and I give the direct links for those in a monthly newsletter. Also, when you sign up, you can request a link to a free book! It’s a story that was written for Princess Cruise Lines.
Other ways to stay in touch…
I met Brandi Reeds through the Lake Union Authors Facebook page. She also writes YA under her pen name Sasha Dawn. As you’ll see, she’s truly dedicated to her writing. I’m fortunate that she agreed to allow a peek into her writing life on my little blog. Her adult debut novel “Trespassing” just came out in April.
Describe your writing process, including schedule, environment, and inspirations.
SCHEDULE: Writing isn’t my only career. I have another full-time job, two busy teenagers, three dogs, and an incredibly busy husband, so I have to use every second wisely. I write whenever I have a free moment. A typical day:
● I wake up around 2 or 3 a.m., thinking of something that won’t quit. I’ve been an insomniac most of my life.
● Often, my laptop is open and on my lap, and my fingers are tapping keys before I open my eyes.
● I’ll write in bed for a couple of hours, close the laptop, and catch a quick nap before my day begins. My alarm goes off at 6. My goal is to have 1,500 words written before this moment. I usually meet my goal.
● After my girls are at school, I go for a run if my schedule permits, then work begins. I balance my home design and renovation business with writing. Both are on-demand and involve irregular hours. I have a design office in my home, and my laptop is my mobile writing office. Sometimes I write a sentence here, a sentence there; other times, I carve out blocks of time in a slower design day to write.
● Evenings are for family: dinner, walking puppies, jogging (if I missed my earlier run), and time with my girls—helping with homework (though they rarely need it anymore, they still humor me) and getting them to the dance studio or to the theater, or voice lessons, or wherever else they need to be.
● By the time everyone’s evening activities are over, it’s usually about 10 and time for bed.
● I sleep for a few hours, and repeat.
PROCESS: I outline a book on a high-level basis before I begin to write. The outline isn’t carved in stone; I often find that the book shifts a bit in drafting. But this helps to keep me on track. I don’t always write in order. I find that writing what I’m feeling helps keep me productive. There’s no reason to stall simply because I don’t feel like writing a particularly challenging scene. I’ll come back to it when I feel better about it. Some days, I write only dialogue. Others, I write only setting. I can’t afford not to stay on schedule, as I have deadlines looming.
At present, I have 6 weeks to write a Brandi Reeds book, contracted less than a month ago, a Sasha Dawn novel due in early November, and Brandi’s third release due by July of next year…as well as edits due on other works already in progress I revise as I go, and once I finish the book, I revise twice more before sending it to my agent and editor for commentary.
ENVIRONMENT: I prefer to write in places without distraction, but my schedule doesn’t permit me to be too particular. I’ve written in the car while my husband is driving, in parking lots waiting for my girls, in hospital waiting rooms, in cafes, on trains. I will write anywhere, but I’m most productive between the hours of 2 and 5 a.m., when the world is still asleep.
INSPIRATION: Much of my inspiration comes from dreams (I often dream plots), from places I’ve been, struggles I’ve endured, and my wonderful family. I recently returned from Spain, for example, and I’d love to create a story set on the island of Majorca. That said, I’m a firm believer that writers are not born of safe keeping. I’m a survivor of many battles, and I think that helps me when it comes to creating worlds in which my characters live. My mind goes to crazy places due to what I’ve been through.
Tell me about your support system: beta readers, publishing team, and any other cheerleaders.
My daughters and my best friend and her daughters read much of what I write before I send it to my agents and publishers. They’re my system for reality-checks and often tell me when something doesn’t ring true (i.e., a teenager wouldn’t use this word here; or wouldn’t she be thinking about her kid at this moment?). I also have a great friend in writer Patrick W. Picciarelli, retired NYPD, who is often my sounding board when it comes to plotting, criminal activity, and the business end of publishing.
My agent, Andrea Somberg of Harvey Klinger Agency is incredible. She often offers suggestions and advisement for books before we send them to my editors. I’ve been blessed to work with some incredible editors and publishing teams. I think every editor I’ve ever worked with will tell you that I’m open to criticism. I’ve never been hung up on a book being solely mine; it’s a team effort, and editors offer brilliant advice.
My mother, siblings, aunts, cousins, friends, and grandmother are cheerleaders AFTER they’ve read my books, which is equally as important. My husband, Joshua, does not read. He says that if he wants to know what happens in my books, he’ll just ask me. This doesn’t offend or bother me in any way, as he’s still an integral part of the process. I discuss plots with him, and I often tell him at the end of the day what my characters managed to accomplish. He and my girls are constant supporters and I am endlessly grateful for them.
Take me through your publishing process, from final draft to published product.
After we submit a final draft to my editors, the waiting begins. Some weeks later, I receive an email full of praise for what I’ve accomplished and created…and an attached edit letter detailing everything wrong with what I’ve done. My most intense experience with the edit letter entailed about 14 single-spaced pages. (Me at this point: “Ummm….you said you liked the book, right?”) So, after I cry for a few hours (kidding, I’ve never actually cried), I get back on the horse and revise.
Usually a book will go through 2 or 3 rounds of developmental edits. During this process, I’m filling out forms and giving input on cover design, depending on the publisher. Next, we go through a couple of rounds of copy-edits, and then a final polishing for interior design. Around this time, I receive final cover design and copy. And then suddenly, the book is real, tangible, and exciting. Sometimes, as an additional step, a publisher will ask me to check the ARC for errors.
How does your life influence writing and vice versa?
When I’m writing for the teen audience, I draw on my tumultuous teen years for emotional content. There is a little bit of me in every character I write, but I’ve never told my life story through a character. I’ve been writing for as long as I can remember, and for as long as I’ve been writing, it has kept me sane and balanced. As a teenager, I wrote as a sort of therapy. Other kids my age weren’t going through the things I was experiencing—or maybe they were, but back then, we sure didn’t talk about it—and I felt less alone because my characters went through much of what I did.
Now that I’m older, I like to think my writing reaches audiences who need it…and letters from readers support this thought. It means something to tell unconventional stories, because life is not normal. It means something to write people as they truly are, even if they’re often flawed and unlikeable. While some readers hate this about my work, there are more who write and thank me for telling a story through an authentic narrator. I don’t write fairy tales because life is dark and messy, and no person I’ve ever met is all good or all bad. Flaws are what make us interesting and varied, and so these are the stories I tell.
What do you love most about your creativity?
I’ve never considered facets of my creativity as something to love, and even thinking about this question now, I don’t know that I can answer it. Both my careers (writing and designing) require heightened levels of self-awareness, however, and through that awareness, I’m able to dissect struggles, learn from them, and project them onto a bigger canvas. Being a published author certainly puts me in a position to reach others, and I definitely appreciate all that accompanies the connections.
Ergo, due to my creativity, I’m able to extend my reach. For example, last spring, I visited my alma mater (Antioch Community High School in Antioch, Illinois) for writers week. I do this sort of thing whenever I have an opportunity, and I’ve visited high schools all over my home state. I tell my story to captive audiences, who are experiencing the same types of challenges I’d endured as a teen. While I’m sure a few high school students in every crowd are bored with me, or even asleep, the majority walk away from my presentation inspired to overcome whatever it is they’re dealing with. And I LOVE this part of my job.
It’s also pretty fun to name characters after people I know. Emily and Andrea in TRESPASSING are named for my nieces; Samantha in SPLINTER is named for my eldest daughter, and all the male characters in SPLINTER are named after my nephews; the main character in BLINK is named for Joshua, and his sisters are named for my best friend’s daughters, Margaret and Caroline; and my upcoming teen release (currently known as PANIC) stars a spunky introvert named Madelaine, for my youngest daughter. I tell people that if they don’t want to find traces of themselves on the pages of my books, they shouldn’t stop by for a chat. I can’t help it. It’s an occupational hazard. 🙂
Brandi Reeds also has a story on the HOOKED app, entitled OFF LIMITS:
Brandi Reeds website (under construction—please be patient)
Lani Sarem spoke at a writers’ conference to give her side of the story about being the only person booted from the NYT bestseller list. She’s a good speaker–engaging, humorous, and credible. From this encounter and her summary of the story, I decided to purchase her book. Hmm…..
I don’t believe anyone edited this book. There are strange errors that are not just typos and cut and paste issues. Although this distracts from the story, it doesn’t affect the coherency, but becomes more of an interesting side note. The narrator of the story learns a secret of her mother’s, but the readers are maddeningly left to figure this out, and only at the end can connect it. The writing doesn’t flow as well for me as I would have liked. Zade (the narrator) joins a magic show in Las Vegas, keeping the true magic of her “illusions” to herself and the show’s founder. The whole idea of a real witch (Sarem doesn’t use the term) in a magic show is fascinating. Unfortunately, Sarem spends the majority of the book on the love triangle, endlessly lamenting over which one Zade should choose.
About 2/3 of the way through the novel, Zade experiences a huge glitch in her “illusion” and must be rescued by none other than her real witch mother. The scene in her home seems to go on and on while Zade lay dying, the timing of which is only explained after the fact. Zade can see everything that happened from the memories of those involved, and this fact is mentioned many times throughout that part of the narrative to remind the reader how she knows. It seems Sarem doesn’t trust her readers. She also spends too much of the story telling the reader how to feel instead of showing the characters’ emotion through behavior. I know she originally wrote this story as a screenplay and it feels like it.
I liked the story. The writing / characters need development, and Sarem needs a good editor and to move beyond obsessing over romantic interests. A writer can show that a character does this without doing it with the writing itself. Two things that stood out: a new character attacked Zade at the mall and barely featured again, with only two slight references; Zade met Carrot Top and Wayne Newton at the mall, for the sole purpose, apparently, of name-dropping in the book, as they simply had cameos in that scene. I expect that Sarem was setting up the attacking character for the next book in the series, but it was oddly glossed over by the main character, who only mentioned it casually after she recovered. The name-dropping was silly. It’s a book.
Teenage Amanda ups the ante in her online mystery game with diverse, global players by introducing a real murder for investigation, using her grandpa as her game “henchman.” Amanda convinces her father, San Francisco’s Chief of Homicide, that the following murders add up to a serial killer. When her mother disappears, the gamers link her to the murders and assist in finding her. As riveting as this story is, a police detective sharing vital information with civilians, especially a teenager, doesn’t make sense. Amanda’s parents, who are divorced, alternate between frustration with her inappropriate efforts at police work and aiding in her investigation without realistic transitions, often changing their attitude from one sentence to the next. That being said, if one can suspend judgment, the characters of Amanda and her grandfather are compelling and humorous, with a unique, quirky relationship, and worth the read. (less)