This collection opens with a tale so convincing dear reader will be googling Count Darlotsoff of the Russian Revolution. Roorbach’s stories ramble along pleasantly, with wit and wisdom, from a unique perspective. Then BOOM! Something astonishing happens, sometimes indicated by a simple line, “And fell into a basement hole,” and sometimes portraying a much larger concept, such as patricide. The tales delve into history—the aforementioned Russian Revolution; plunges deep into socio-political culture—“His father was an important king or chieftain in an area of central Africa he refused to call a country, an area upon which the Belgians and several other European powers had long imposed borders and were now instituting ‘native’ parliaments before departing per treaty after generations of brutal occupation;” and parses human emotions and relationship dynamics—“sharks unto minnows.” There’s even a ghost story, with elements of land conservation, familial squabbles, and burgeoning love. As diverse as the themes are, and as broad the representation of people, one story stands out for its LGBT ignorance, as a main character tells the benefactor of her theater, a widower asking for a kiss, “Marcia had politely allowed just one, then explained that while being a lesbian might not mean she was entirely unavailable, her long-term relationship did.” He then proceeds to win over her wife, and they merrily cavort about town, all three holding hands, doing everything as a threesome. Lesbian relationships are real relationships, and lesbians are not toys for a man’s pleasure. That being said, this is a blemish on a set of otherwise fascinating and weird and brilliant stories. The book is dedicated to Jim Harrison, whose fans will likely appreciate Roorbach’s work.
Steve Carr’s first collection of short stories is fantastic. His work is intense, reaching into the reader’s head and twisting emotions, shattering logic and reason. The first story Tenderloin is—pun intended—a punch in the gut, as the reader sees the grittiness of the setting and feels the coiled tension in the main character, a veteran of the Iraq War. With journalistic expertise, Carr displays monstrous humanity in a brevity of words, as in The Saguaro Two Step, in which the woman wins the loot in the end, and exposes desperation, as in The Festival of The Cull, wherein Shamina can no longer vote on who is to be terminated. Reality bends as one ventures further into the book, as in the self-explanatory The Girl in a Mason Jar, gets fishy in Strange Water, and disappears in When Wizards Sing, where animals and men blend. The stories are diverse, with main characters of various genders, sexual orientations, ages, cultures, and even species. The book ends with stories of the afterlife on a never-ending train ride for incorrigibles, a man’s struggle for gravity, and the misplaced hope of a senior citizen. Definitely a must-read! Follow Steve on Facebook and Twitter. Purchase Sand at Lulu.com or Amazon.com.