Ruth has a dynamic persona online; she’s friendly, smart, and funny, supporting other artists with her wit and wisdom. She also happens to be multi-talented, sharing her writing and artwork on Facebook. Links to connect with her to commission artwork / illustrations are at the end of the interview.
Tell me about your writing process: schedule, environment, inspiration, tools, magic spell, etc.
Sorry, I’m still grinning from ear to ear at the description you’ve given. She sounds pretty amazing, actually. Quite like to meet her.
I started properly writing about two years ago whilst going through a very difficult time in my personal life. I woke up at 4am in the usual panicked state, picked up my phone and began to write a scene which had been hanging around in my head for a while. It started an escape from reality; I discovered that I could immerse myself in the safety of words and the worlds they create. It not only got me through that challenging situation; it secured my way out. The piece I wrote was fan-fiction (Discworld, if you’re wondering), imperfect but a decent story nonetheless. It hooked the interest of a fellow fan who ended up marrying me. Words are important!
After that I tried a sequel, but a story idea I had from twenty years before was rather insistent I get back to it and so, on my daily commute, I would feverishly tap into my phone. It made what was essentially dead time bearable and productive. I would aim for a minimum 200 words a day, but usually made 400+, which wasn’t bad for an hour’s work.
I’m now working from home as an artist, primarily, and this has meant no commute time. I’m still coming to terms with that, and so writing has been a little bit neglected. It’s not that I get writer’s block, but that I get involved in other projects and need to reign myself in every so often! Flash fiction often helps get me back on track and there’s nothing so good as reading to promote the need to write.
I am inspired by anything and everything, but as some wise person once said, write what you know. So, as I’ve had a strong interest in the paranormal since I was very young (I used to think I was a werewolf, but I’m alright nowOOooOOOooo!) and an undying love of comedy, I had to push the two together. My current project is a paranormal comic fantasy mystery novel. Four genres are better than one, right? And so the dark comedy of Pemberton and Shearsmith, combined with all the true crimes and hauntings I’ve read about over the years, have definitely played a part. I also listen to music for inspiration and there are several references to tracks by 80s ska band, ‘The Specials’ and the ‘Fun Boy Three’, although those references are for my enjoyment; the reader may not necessarily spot them.
Describe your art process: similarities / differences to writing process and just how much time, energy, effort, and personal essence goes into each piece.
I describe both writing and painting as ‘flow’ activities in that, when I’m in the process I lose myself and the subconscious takes over for me. I become unaware of my surroundings and totally focused on pinning down what I see either in words or lines. When I write I visualise very strongly and so I see the characters interacting—I see the scene play out in my mind’s eye, hear their voices. It’s like a big game of pretend where I’m in charge of everything, but there is a feeling of really only being a scribe for these imaginary people. When I paint, and it’s predominantly portraiture that I do, I usually have a reference to work from so I’m trying to capture what’s in front of me, but more than that, the spirit of the person I’m replicating. I write about the dead and oddly my subjects are often no longer with us, but whether I’m literally channeling anything I couldn’t say. But again, I think my subconscious picks up on the features or the expression of the subject and seems to know what bits I should downplay or accentuate to put that likeness across. For the time I’m working on it, I pour my whole self into it.
When you let your conscious mind take the backseat it’s a very calming and cathartic experience. It does wonders for mental health and staving off depression and anxiety and you don’t need a prescription from a professional!
Explain your support system online and IRL; who are your biggest cheerleaders?
My husband, Graham, is my biggest cheerleader, although the visual that just inspired will haunt me. He’s not really the build for a leotard and pompoms. If it wasn’t for his encouraging words when I first started writing, I certainly wouldn’t be where I am now. He is in the process of designing, then building, my workshop where I’ll be doing all things creative. At the moment my kitchen table is my studio!
Online I’m predominantly on Facebook as a platform and I love it because, aside from the inevitable bots and trolls, you’re meeting and interacting with real people. Through groups and pages I can explore and share my special interests, as well as test out gags. I’d say half of the jokes in my novel are inspired from my need to outdo others in the witty riposte stakes. All of my commissions have come from Facebook, which again, has been due to my taking part in Inktober and continuing this with a Daily Drawing. Regular content is a must. These aren’t anonymous people—these are actual people and genuine connections which I find infinitely more fulfilling than some of my real life friendships (not you, Louise—my bestie if she’s reading!)
How does your life influence your work (writing / art), and vice versa?
I wrote a story that had two characters fall in love, in the midst of a dramatic backdrop. I was in the midst of a dramatic backdrop in my real life; then a man not unlike the lead stepped in and we fell in love. Thankfully, I didn’t kill either of those characters off because I do think that what we write, whilst inspired by our experiences, can also influence our experiences. I’m weird like that. A specific example is that the climax of my novel is set in a real place, The Secret Nuclear Bunker, which I visited with my husband before we married. It is undoubtedly the most unpleasant place I have ever visited and at some point I’ll need to visit it again for writing purposes. As we were leaving there was a sign on one of the doors that said ‘No Paranormals’ and in my head I heard Geoff (werewolf archivist and anal retentive) say, ‘Well, that’s just prejudiced!’. On the drive home the cogs whirred and by nightfall I had the entire end of the book worked out. Poor Graham then had to listen to this before either of us were going to get any sleep.
As for art, I like painting people because they fascinate me. That sounds as if I am not a person, but faces and expressions and trying to capture that I simply love.
What do you lost most about your creativity?
Love? I am never able to just do nothing. I’ve always got something I’m thinking on, working out, planning to do next. Often before the last project is done…What if this? What if that? The majority of my heroes were creatives and so I’ve spent a lot of time learning about their processes and what drove them to do what they do. Buster Keaton is an unlikely inspiration for my writing, although he was quite a writer himself. I have a character specifically based on him and I’ve really enjoyed the challenge of writing for a character that can’t, the majority of the time, speak. I like those hooks, I wouldn’t call them gimmicks, but I enjoy writing most when I’m restricted. So for instance, having a character literally written into a situation so difficult you wonder how you’ll get them out of it. That’s when we’re at our most creative, when we have limits to work within, so I’ll often self-impose these. It’s a good writing exercise too, like, write a 100 word piece on being a parent without using the words child, kid, responsibility, mother or father; go! Go on, you should try that.
Author Extra: novel-in-progress teaser
Maddie Webb’s life was at a dead end but, for some, being dead is just the beginning. When she inherits the family business she doesn’t bargain on inheriting her late Uncle Stan too. Teaming up with his ghost, a demonic cat, a painfully cool vampire and an anally retentive werewolf, she unwittingly finds a purpose.
WEBB PARANORMAL INVESTIGATIONS: serving the supernatural community. The Devil’s in the details.
Connect with Ruth:
Brian Barnett is a Central Florida artist and designer who specializes in fine line abstract ink and pencil drawings, painting and other mediums. He is also the SO of my high school friend, and though I only know him online, he’s friendly and interesting, and his work is astonishing. I have to share it. After learning about him, follow the links at the end to contact Brian, scope out more of his work, and purchase pieces.
Tell me about your artistic process, from ideation to finished product, including medium / material, schedule, environment, and inspirations tangible and abstract.
The process for my art can take a second or be meticulously planned for weeks months or even years. For example, if I’m working with pens, the process is almost instant. I don’t have a pre-planned route or image I am seeking when I create using the pens; it’s just free and letting the ink flow as it wants to create the images. 
But if I’m working on a sculpture, I may have thought and planned it for months, looking through the bins of mixed media for that certain piece that make it perfect. I don’t have a preferred medium. I tend to draw mostly as it is most accessibleof my mediums at any time. I prefer lately to work with my hands, sculpting or building creations, with my next step being woodcarving and the eventual goal of teaching myself and being able to carve my wife’s face out of wood or sculpt from clay. I’m constantly challenging myself with new mediums.
How do you find buyers—short-term and long-term strategies and venues; do you create art from your own vision and / or commission art?
I do markets and online sales, hang in local galleries. and sometimes I post randoms for sale, but when I found this talent, I didn’t find it for fortune. I found it for sanity. I am always honored to sell a piece. To me, it means that person liked something that came from inside of me enough to spend money on it and hang it in their house. To me, that’s amazing. To me, it means I touched them; they connected with the image or the sculpture. That’s a priceless payday for an artist to see the viewer connect. I have done and am available for commissions—I love to work with a client to reach the perfect piece.
Describe your support system online and IRL—who are your biggest cheerleaders?
So, when it comes to my support, my art is my release that allows the people who support me to connect to me in a way they wouldn’t have been able to before. If it weren’t for the Orlando art community’s support, and that of my family and friends, I couldn’t have as much joy on this mission of art as I do.
How does your life influence your art and vice versa?
Connect with Brian:
Photography artist Mia Warren moves to Shaker Heights, OH, bringing a new element into the staunchly middle-class, by the rules neighborhood, changing dynamics of two families, her own as a single mom, and her landlady Elena Richardson’s properly planned one as third generation Shaker Heights. Into this volatile blend is thrown teenage hormones, a King Solomon dilemma, and outside the box thinkers, culminating in “something’s gotta give.” Wisdom comes from unlikely sources.