Paula D. Ashe—Educator and Writer

 

 

I met Paula through a writerly friend on Facebook. One story of hers and I’m hooked. She graciously agreed to an interview. As a horror fan, I’m delighted to share her work.

 

 

Describe your writing process: schedule, medium, environment, strategies / techniques, and inspirations mental, emotional, and material.

So, I used to be one of those writers who thought she had the luxury of waiting until she was in a certain setting, in a certain mood, with the certainty of uninterrupted hours available, before she could write anything. Then that writer never wrote anything, so now I write whenever I can, provided I’m mentally able to do so. My most recent short story publication was “Exile in Extremis” in the anthology Visions from the Void by Burdizzo Books. I wrote the bulk of the first draft of that story on my phone.

I wish I could tell you I have a schedule, I really do. I will someday.

It’s sweet that you think I have strategies and techniques. I mean, I’m sure I have them, I just am not self-reflective enough as a writer to know what they are.

Inspirations are abundant. I never run out of story ideas, I run out of the energy to tell them. I tend to write about the worst of humanity so, never a paucity of material, you know? Emotionally, I’m inspired by real-life stories that make me hurt. And like any sensitive/damaged person, I experience a pleasurable frisson from exploring that pain. So…a story like “All the Hellish Cruelties of Heaven,” which is about an immortal witch who falls in love with a serial killer (the story is much cooler than I’m making it sound), gave me the chance to play around with figuring out why people—or at least I—have such a fascination with humans who wantonly destroy other humans. It also gave me the opportunity to incrementally articulate the belief system / mythology that has been pocketed in most of my fiction without much fanfare.

Talk me through the publishing process from final draft to final product and selling—who’s involved, what they do, and how much you contribute, especially to marketing.

So the process is basically like this (a flowchart would work exceptionally well here):

– An editor invites me to sub something.

– I review the guidelines, especially the deadline, because I am the slowest writer on planet Earth.

– I scan my ‘stories in progress’ folder, to see if there’s anything I’m working in that fits the anthology’s theme. Rarely do things match up.

– I cogitate.

– I write. I’m sure this is supposed to be more exciting, but it’s just not. But it’s also the most exciting part.

– I inevitably miss the deadline because I’m me.

– I ask for an extension and am usually granted one (read: several).

– I submit the final draft, knowing it’s the final draft only because I’ve prodded that exposed nerve of a tale until it’s a bloodied pulp. All that’s left is the thrill of knowing the story will (likely) go on to intrigue and/or hurt other people. I honestly have no idea why I’m like this and I don’t want to know.

– Rarely, edits are requested. When they are, I generally comply. It’s the only benefit of being the slowest writer on Earth; I tend to do a thorough job of proofreading.

– Publication day! I post about it on social media, predominately Facebook. I’m really terrible at marketing.

– I let the editors ask for reviews because I feel weird asking people to review my work. If they want to read it and review it, they will. This is also why no one knows who I am..????‍♀️

Who’s your support system, online and IRL? Does it shift as you progress from writing to publishing to marketing?

First of all, my wife is amazingly supportive throughout the process. I’m in several FB writing groups that offer support—Colors in Darkness and Ladies of Horror, and individually: Chris Ropes, Brian Barr, Crystal Connor, Suzi Madron, Eden Royce, and Christine Sutton, to name a dear few (I’m forgetting so many people and I’m sorry).

How does your writing influence your life and vice versa? Did this change when you became a mother?

So, I am a maudlin MF (I don’t know if I can curse in this interview…). I have…a multitude of mental illnesses—have had them since adolescence. My worldview is reflective of that. I write terrible stories about terrible people doing terrible things because…that’s how I have (by degrees) experienced the world. Now it’s not all been horrible, but the stuff that lingers…skews towards the dark. So, I love horror. I write horror, I read horror, I watch horror movies, I listen to true horror and true crime podcasts, I listen to dark and violent music (I listen to all sorts of music but there’s a theme here, yeah?).

I am a writer of the ‘nothing is off limits, provided there’s a reason’ variety. I’ve written about childhood sexual abuse, incest, necrophilia (all in one story!), serial killers, hate crimes, infanticide, mutilation, matricide, racism, patricide, ableism, religious cults, genocide, misogyny, xenophobia, etc. However, since my son was born, if I have a story where something…bad…happens to an infant or small child, my brain immediately substitutes him as that infant or small child. So, I have a sequel to “All the Hellish Cruelties of Heaven” in the works titled, “All the Heavenly Mercies of Hell” and something…bad…happens to an infant in that story, and although I’ve had most of the full story in my head for years, I just can’t bring myself to write it.

But I’ll have to.

 

What do you love most about your creativity?

I rarely meet an idea I don’t like. I mean, there are plenty of half-started stories that I’ve abandoned for one reason or another, but there’s always some part of it I can appreciate. For that reason I save everything I write, because it often will work its way into another, more promising tale.

Author Extra: Write a flash fiction piece right now! 50 words, ma’am!

Someday she’ll remember. Now there’s only waiting. For what, she also can’t remember. This dim, cold, aching place has no secrets. Others like her—more patient, smarter—hidden in apartments with devoted lovers. She dosed there in the hall. Alone. Paralyzing pain.

Now she sits. Forgotten and forgetting.

 

Connect with Paula:

Facebook

Twitter

Goodreads Author page

Amazon Author page

 

 

A small selection showcasing her talent:

7Magpies anthology

The Witness

Aspects of Emptiness

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