All posts by laelbr5_wp

Paula D. Ashe—Educator and Writer

Storyteller Showcase, , ,

 

 

I met Paula through a writerly friend on Facebook. One story of hers and I’m hooked. She graciously agreed to an interview. As a horror fan, I’m delighted to share her work.

 

 

Describe your writing process: schedule, medium, environment, strategies / techniques, and inspirations mental, emotional, and material.

So, I used to be one of those writers who thought she had the luxury of waiting until she was in a certain setting, in a certain mood, with the certainty of uninterrupted hours available, before she could write anything. Then that writer never wrote anything, so now I write whenever I can, provided I’m mentally able to do so. My most recent short story publication was “Exile in Extremis” in the anthology Visions from the Void by Burdizzo Books. I wrote the bulk of the first draft of that story on my phone.

I wish I could tell you I have a schedule, I really do. I will someday.

It’s sweet that you think I have strategies and techniques. I mean, I’m sure I have them, I just am not self-reflective enough as a writer to know what they are.

Inspirations are abundant. I never run out of story ideas, I run out of the energy to tell them. I tend to write about the worst of humanity so, never a paucity of material, you know? Emotionally, I’m inspired by real-life stories that make me hurt. And like any sensitive/damaged person, I experience a pleasurable frisson from exploring that pain. So…a story like “All the Hellish Cruelties of Heaven,” which is about an immortal witch who falls in love with a serial killer (the story is much cooler than I’m making it sound), gave me the chance to play around with figuring out why people—or at least I—have such a fascination with humans who wantonly destroy other humans. It also gave me the opportunity to incrementally articulate the belief system / mythology that has been pocketed in most of my fiction without much fanfare.

Talk me through the publishing process from final draft to final product and selling—who’s involved, what they do, and how much you contribute, especially to marketing.

So the process is basically like this (a flowchart would work exceptionally well here):

– An editor invites me to sub something.

– I review the guidelines, especially the deadline, because I am the slowest writer on planet Earth.

– I scan my ‘stories in progress’ folder, to see if there’s anything I’m working in that fits the anthology’s theme. Rarely do things match up.

– I cogitate.

– I write. I’m sure this is supposed to be more exciting, but it’s just not. But it’s also the most exciting part.

– I inevitably miss the deadline because I’m me.

– I ask for an extension and am usually granted one (read: several).

– I submit the final draft, knowing it’s the final draft only because I’ve prodded that exposed nerve of a tale until it’s a bloodied pulp. All that’s left is the thrill of knowing the story will (likely) go on to intrigue and/or hurt other people. I honestly have no idea why I’m like this and I don’t want to know.

– Rarely, edits are requested. When they are, I generally comply. It’s the only benefit of being the slowest writer on Earth; I tend to do a thorough job of proofreading.

– Publication day! I post about it on social media, predominately Facebook. I’m really terrible at marketing.

– I let the editors ask for reviews because I feel weird asking people to review my work. If they want to read it and review it, they will. This is also why no one knows who I am..????‍♀️

Who’s your support system, online and IRL? Does it shift as you progress from writing to publishing to marketing?

First of all, my wife is amazingly supportive throughout the process. I’m in several FB writing groups that offer support—Colors in Darkness and Ladies of Horror, and individually: Chris Ropes, Brian Barr, Crystal Connor, Suzi Madron, Eden Royce, and Christine Sutton, to name a dear few (I’m forgetting so many people and I’m sorry).

How does your writing influence your life and vice versa? Did this change when you became a mother?

So, I am a maudlin MF (I don’t know if I can curse in this interview…). I have…a multitude of mental illnesses—have had them since adolescence. My worldview is reflective of that. I write terrible stories about terrible people doing terrible things because…that’s how I have (by degrees) experienced the world. Now it’s not all been horrible, but the stuff that lingers…skews towards the dark. So, I love horror. I write horror, I read horror, I watch horror movies, I listen to true horror and true crime podcasts, I listen to dark and violent music (I listen to all sorts of music but there’s a theme here, yeah?).

I am a writer of the ‘nothing is off limits, provided there’s a reason’ variety. I’ve written about childhood sexual abuse, incest, necrophilia (all in one story!), serial killers, hate crimes, infanticide, mutilation, matricide, racism, patricide, ableism, religious cults, genocide, misogyny, xenophobia, etc. However, since my son was born, if I have a story where something…bad…happens to an infant or small child, my brain immediately substitutes him as that infant or small child. So, I have a sequel to “All the Hellish Cruelties of Heaven” in the works titled, “All the Heavenly Mercies of Hell” and something…bad…happens to an infant in that story, and although I’ve had most of the full story in my head for years, I just can’t bring myself to write it.

But I’ll have to.

 

What do you love most about your creativity?

I rarely meet an idea I don’t like. I mean, there are plenty of half-started stories that I’ve abandoned for one reason or another, but there’s always some part of it I can appreciate. For that reason I save everything I write, because it often will work its way into another, more promising tale.

Author Extra: Write a flash fiction piece right now! 50 words, ma’am!

Someday she’ll remember. Now there’s only waiting. For what, she also can’t remember. This dim, cold, aching place has no secrets. Others like her—more patient, smarter—hidden in apartments with devoted lovers. She dosed there in the hall. Alone. Paralyzing pain.

Now she sits. Forgotten and forgetting.

 

Connect with Paula:

Facebook

Twitter

Goodreads Author page

Amazon Author page

 

 

A small selection showcasing her talent:

7Magpies anthology

The Witness

Aspects of Emptiness

Wool by Hugh Howey

Books Books Books, ,

Sheriff Holston wants to go outside—outside of the underground silo system where people migrated after the world became toxic for humans. His wife went outside three years ago, after winning the lottery to become pregnant and failing to do so. Maybe her decision was based on digital records she discovered of the founders’ secret. In any case, Holston prepares himself to go outside the silo.

Howey depicts dystopia in a brutally honest way, exposing the deepest, darkest emotions of humans trapped like the animals they used to place in cages, with pragmatic regulations culminating in inevitable population control methods. Holston’s inner thoughts once he reaches the outside zig and zag, his emotions sliding low and soaring high, based on his observations and conclusions about why the people leaving always clean the cameras that let the people inside observe the devastated world.

There’s no mention in the story of what apocalyptic event sent them underground, or the infrastructure of the silo system, but only hints of hierarchy (mayor, sheriff, etc.) and attempts to limit reproduction through an annual lottery. Perhaps these are addressed in the following books of the series. This first one is free on Amazon for Kindle.

Something Like Family by Heather Burch

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Rave Wayne meets the grandfather he thought was dead, and he comes to appreciate the solidity and sincerity of Tuck Wayne, who does his best to convince Rave to forgive his drug addict mother. While settling into a new life in a small town with his grandfather, disruptions force Rave to grow and learn unconditional love as he plans a war memorial in tribute to his veteran grandfather.

Though a bit repetitive throughout, this is a touching story of complex family relationships, where ties are severed, dynamics shift, and regrets are lived out. Burch’s writing flows like rich hot chocolate, assuring the reader that no matter what the circumstances, warmth will bring the characters home, where they belong. Fans of feel-good, coming-home-to-roost, family-oriented stories, with emphasis on military veterans, will enjoy this book and this author’s work.

I received this heartwarming novel from the author for an honest review.

Flash (Essay) Friday: little town, oregon

Flash Fiction Friday, ,

We lived in a tiny town on the coast of Oregon for only a year, but I miss it a lot. It seemed to rain all the time, yet I never used an umbrella. Clouds sat on the ground, so walking to work was hazy and misty, like a dream. Sometimes the wind whipped the rain right up your nose and you had to cover your face to avoid choking. We lived a five minute walk from the beach, down a steep hill that at the end of an hour’s walk we had to climb back up. At the beginning of the year, I thought I would die. At the end, I was chattering all the way up to the house. I forgave that little town everything for the tidal pools, the ocean vistas, and the consistently cool weather.

Katherine Center—New York Times Bestselling Author

Storyteller Showcase,

I received an ARC of How to Walk Away from the publisher St. Martin’s Press and fell in love with Katherine’s writing. Although never having had to face such a challenge as the main character, I could definitely relate to her constant bewilderment at other people’s actions. After following Katherine’s book tour online, I gathered my courage and asked her for an interview. She graciously stuffed my little blogblogblog into her bursting schedule. I’m excited to share a little insight into the life of this bestselling author. Check out her website (below) and follow her on social media.

Tell me about your writing process, including schedule, environment, and strategies, techniques, and nuances that keep you moving forward in the craft.

I’m just always thinking about stories. Whether I’m working on one of my own, or reading someone else’s, or watching a movie, or reading a news story, or talking to my kids—stories are just kind of the lens that I bring to everything that I do. When I’m not writing, I’m reading fiction, or reading about fiction, or writing about it in a journal. It’s fun for me to take stories apart and figure out what makes them work (or not work). As for schedule, I’m not a person who writes every day. When I have a story going, I write obsessively, but then I take breaks in between to focus on something else and let the well fill back up. I am very chatty and sociable, and I find hanging out with my cute family almost irresistible, so when I have a big deadline, I leave town for several days so I can really concentrate. My mom has a sunny little beach house on Galveston Island in Texas, and I’ll spend four or five quiet days there several times a year so I can get big bursts of writing done. But I think the time when I’m not writing is as important as the time when I am—letting the story “drain,” and letting myself get distance from it, is important, too. My main strategy for getting better—and I am always trying to get better—is to try to get clearer and clearer about what I love in a story, myself, as a reader, and then to get smarter and more skilled at how to do those things for readers when I write. Whenever I read a story that I fall in love with, I try to figure out what I loved about it and teach myself how to do that. I really find, in writing and in life, that it’s best to focus on what you love.

I love your philosophy of resilience, always getting up no matter what happens. This makes me think of Sophie Kinsella’s work, with the feel good, happy, yet realistic and pragmatic, endings. How do you maintain that sense of joy and positivity, and trust in your work—what inspirations do you have in your work environment and in your head?

Humor is a coping mechanism for me, and I’ve always had a wry sense of humor, but I wouldn’t say that I’m naturally sunny, exactly. I’ve had to really work at it. Growing up, I had a strong tendency to focus on everything that was wrong in any situation—usually out of an earnest desire to fix it. I had this idea that we could only be happy if nothing was wrong. But of course, the older you get, the more you realize that you can never fix everything. Things are always going to be wrong—and right—all at the same time. The trick is to learn to savor life’s joys even among all the hardship. It’s never just one or the other. It’s always both at the same time. So the way I embrace joy is hard-won—and very deliberate. And that’s what I do in my stories, as well. I try to put joy on the page. I try to write stories that are infused with pleasure and laughter—even among all the struggles and troubles. In fact, you can’t write about joy without also writing about suffering. You need the contrast. We tend to think of comedy and tragedy as being opposites, but I think they’re two sides of the same coin. They live side by side—in real life and in fiction.

Describe the process of publishing, from final draft to final product, including your publishing team and all your cheerleaders, and all the promotional work you do yourself.

That’s a big question! Honestly, it’s different for every book. For How to Walk Away, my publishing house worked very hard to get the word out. They printed a gorgeous tri-fold brochure and a first chapter sampler. They designed a phenomenal cover that was so eye-catching and totally captured the book’s vibe. Then they printed up Advance Reader Copies (ARCs), which are like a paperback version of the final book, to send to reviewers and book bloggers and Instagrammers. With How to Walk Away, I was very lucky to get some beautiful blurbs for the ARC from many bestselling authors, including Emily Giffin, Nina George, Elinor Lipman, Karen White, Graeme Simsion, Jill Santopolo, Brené Brown, and Jenny Lawson. In the months leading up to pub date, my publicist and marketing team at St. Martin’s Press (The most amazing, fun, hardworking people!! Love them!!) sent out advance copies and worked to get the book out there as much as possible! My part of it has been to say YES to everything! I visit book clubs, chat with readers on Instagram, post on Facebook, answer Q&As, do podcasts, write guest posts. It’s very busy around book launch time—we call it “book season”—but I just go and go, because I want to do everything I possibly can to help my books take flight and find the readers who will love them.

I can imagine that you’re a powerful and inspirational speaker; I’ve enjoyed following you online on your book tour for How to Walk Away. Who arranges your speaking engagements, where do you speak, and what specifically are your speaking topics?

I love to speak! I’m a talker from a long line of talkers, and going up on stage is one of my favorite parts of my job. Sometimes I set up the details of speaking events myself, and sometimes it’s a speaking agent, depending on the kind of event it is! When folks email me, I route them to the right person. I usually talk about some aspect of stories—how they work, why they matter, how they make us better at life. I’ve also spoken about why telling great stories helps businesses, how failure is good for you, and how to learn to look for the good stuff in life. I gave a TEDx Talk this spring about how stories teach us empathy—and why we need to encourage boys to read stories about girls.

How does your life influence your writing, and vice versa, and what do you love most about your creativity?

Creativity is joy for me. I am always happy when I’m making things. And I love to make lots of different things. I love stories and writing, but I’m also very visual. I almost went to art school, and I love making collages, doing hand-lettering, doing embroidery, and painting. I did black and white darkroom photography while I was in grad school for creative writing. In college, I made art books—using art papers and sewing my own bindings. Leave me alone for any amount of time, and I’ll start making things. As for how my life influences my writing and vice-versa, I’d say that both my books and my life exist as a kind of search for joy. Not short-term thrills, but the slow deepening pleasure that comes with understanding and wisdom. My characters are always struggling to learn the same things that I am struggling to learn—what really matters in life and how to savor every disappearing minute.

Connect with Katherine:

Website

How to Walk Away

Facebook

Facebook Author page

Instagram

Twitter

Baby Teeth by Zoje Stage—pub date July 17, 2018

Books Books Books, , ,

Suzette is convinced that her 7-year-old daughter Hannah is trying to kill her. The child is non-verbal, talking only through an invisible friend, the last “witch” burned in France, a piece of trivia she researched online. Alex, her husband—Hannah’s father, struggles to believe that anything beyond selective mutism is wrong with his beloved daughter, who adores him as much as she abhors her mother. An incident forces him to confront the truth, and they must take drastic measures to save their daughter from herself.

Alternating perspectives of mother and daughter show exactly where communication is misconstrued, and the mother’s Crohn’s disease is woven into the story well as a contributing factor to her fear of being a bad mother. Though the author represents the main characters well, the father is flat and comes across as whiny and simplistic. A sense of ambiguity as to the child’s true problem and the mother’s true feelings is not achieved; rather, it feels made of conflicting storylines, with vague references left unexplored. The therapist recommended by the pediatrician seems to be poor at her job, crossing ethical lines (specifics here would be spoilers). The last line is killer!

I received a digital ARC of this story from the publisher through NetGalley.

The NeverMind of Brian Hildebrand by Martin Myers—pub date July 17, 2018

Books Books Books, ,

Brian Hildebrand becomes conscious a few days after a bizarre car accident involving him and his car after he stepped out of it. However, this conscious state does not equate to him awaking from a coma. Though psychic, his mother cannot reach him, but her mother’s intuition tells her that he’s in there, aware and listening. An unreliable narrator, he enlightens the reader upon his favorite caregiver, a mysterious stranger, ghosts, psychic connections, and the various new and unorthodox treatments to unlock him.

Myers creates a colorful character, haphazard in his sharing, building tension as a man locked in with his constant thoughts, seeking aid everywhere, even psychically and through spirits of the recently and not-so-recently deceased. His supporting cast comes through his tunnel vision—well-developed characters as seen through the lens (literally, as his eyes are open, doubtful in real life) of his limited vision: mom, mysterious stranger, amaaaazing caregiver, and various possible saviors. Having invested oneself in the possibility of recovery for this locked in protagonist, and slogged through the frustrated attempts and helplessness of him and his cheerleaders, the morphing of this story into metafiction disappoints. I was fortunate to receive this fantastic story turned metafiction from the publisher through NetGalley. Maybe it was all a dream after all.

Heather Burch—Bestselling International Author of Contemporary Fiction and YA

Storyteller Showcase, , , , , , ,

First, let me say thank you for having me, Lael! I love visiting with reader friends and new readers who may not know me yet!

Describe your writing process, including subject, schedule, environment, inspirations, and techniques / strategies.

I have an office in my home that is the backdrop for most of my writing. It’s a large space filled with things I love. But I do change up and write outside sometimes or cart my computer to Starbucks. Change is good. As for my schedule and process, I am an early riser so I do my best work in the mornings before the world is awake. I usually write for a few hours, then take a break. Sometimes I go back to the computer; sometimes I get busy with social networking. When I’m working on a book, I try to stay really close to the project—it’s never far from my thoughts and is always working in the back of my brain. I don’t let it totally dominate, but I do allow that creative magic to flow so that it’s there when I need it!

Walk me through your publishing process, from final draft to finished product; include your publishing team, who does what.

I’m always amazed at how many hands are on any particular project. I send the final draft to my editor (each publishing house has their own way of doing things, but these steps are fairly universal). The editor will read, offer suggestions, give feedback, then it’s back to me to decide which elements help make the book stronger and which may not. Round two, she reads again, then passes the project to another editor who will also read—this time for smaller content issues and continuity. A third editor will read for typos and the like. Each editor may go through a manuscript more than once, and the author will tweak with each editorial pass. (By the end, we’ve read our books 6-8 times.)

In the meantime, a creative team is working on items like cover, back jacket copy, marketing strategies.

The author has their hands in each of these processes—which is fascinating! It’s incredible to see your project come to life with so many talented people doing what they are gifted to do!

Italian
Italian
Italian

 

 

 

 

 

 

 

 

How did you get your novels in so many different languages? That is awesome! I want to know step-by-step and who does what for that to happen, and how your work sells in other countries.

I started getting contacted by international publishers when my book, One Lavender Ribbon released. It’s a contemporary story, but has a WWII tie-in, in the form of love letters from a soldier. Well, the book released over the 70th anniversary of D Day, and I think the world really came together over the events of WWII.

Turkish

 

The first time I was contacted, I thought it was a joke. But I sent the email on to my agent and she sent it to my US publisher. Next thing I know, I’m signing a foreign contract. I’m now in about 12 languages—which is just surreal. I sell extremely well in Italy and was named one of the top authors in three Italian cities. Crazy! I’d love to go to Italy and do a book tour! I also sell quite well in Turkey. Fun fact: My book titled In the Light of the Garden is titled The Willow Tree in Turkey. What is fun about that fact? My original title was The Weeping Tree, but the publisher felt like it wasn’t the right title.

Spanish
Slovenian
Serbian
Norwegian

 

German

Tell me how your art (writing) and life influence each other; what other talents do you have?

I spend a lot of time “searching” for the perfect story. Everything that comes into my mind is viewed through a writer lens. There are tiny seeds of ideas lurking everywhere! We just have to look around and notice them.

I love to cook, but I wouldn’t call it a talent. My husband and I love to travel. We spend our leisure time dissecting movies and talking about what could have been done differently to strengthen the story. If the story is perfect, we talk about why.

What do you love most about your creativity, and how does it play into teaching the craft of writing?

Freedom! When you’re writing, you’re free. Free to change the world or create a new world. Free to roam through the tunnels of time and land anywhere you choose. Reading is the same way. When you’re reading, you’re free. One of the strongest points I make when teaching about writing is to never ever, ever lose your childlike wonder. View the world through a different lens, then write it so we can all come along on the journey with you.

 

I’d love to stay in touch. Here are the places you can find me.

Website https://www.heatherburchbooks.com/

I hope you’ll add your name to my newsletter list on my website. There are usually at least one of my books on sale for $1.99, and I give the direct links for those in a monthly newsletter. Also, when you sign up, you can request a link to a free book! It’s a story that was written for Princess Cruise Lines.

Other ways to stay in touch…

https://m.facebook.com/heather.burch.50

https://www.facebook.com/heatherburchbooks

https://twitter.com/heatherburch

https://www.bookbub.com/authors/heather-burch

https://www.goodreads.com/author/show/4983102.Heather_Burch

https://www.instagram.com/heathereburch/

Ana Rocha: Shadows of Justice by Ammar Habib and Detective Glenda Mendoza

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Ana believes the only way to move past her sister’s murder is to find her real killer, the powerful figure behind the cartel’s low-level felons who went to prison for it. Feeling invincible, she joins the police force to clean up the streets, with the secret agenda of tracking down the mysterious murderer. In this endeavor, she misleads her family and oversteps her rookie authority with her new partner. Everyone has their own way of working through grief—Ana’s is exceptionally brutal and insular.

Again, the author partners with a field professional to ensure accuracy, so that the larger-than-life Ana stays within the boundaries of a law enforcement role, called on her maverick behavior by her partner and superior. Tension created by Ana’s personality elicits sympathy for her, even as her actions make the reader cringe. It is a bit of a stretch that she takes out three drug cartel criminals on her first day, but when it comes time to take down the leader, her superhero persona takes the reader beyond the realm of pragmatism. The story flows well, with writing sufficient to evoke imagery, but it could have gone another round with a more diligent proofreader. It’s a good read for fans of kickass heroines, and I was fortunate to receive a copy from the author for an honest review.

One Lavender Ribbon by Heather Burch

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Adrienne leaves an abusive relationship and divorce in Chicago and buys a fixer-upper in Florida, where she starts her new life of independence on the Gulf. A box of eloquently written letters from a WWII soldier in her attic sets Adrienne on a journey to friendship, potential romance, and matchmaking. She exposes decades-old secrets, changing lives and mending relationships while building strong bonds with her new “family.”

Burch’s novel reads like a Lifetime or Hallmark movie, with the romance of a soldier’s yearning juxtaposing the horror of his experience in war. The story veers away from the trope of the emotionally intelligent woman succumbing to the stubborn man, when Adrienne informs the romantic interest that his controlling behavior isn’t acceptable, a feminist move proving she learned from her previous relationship. Adamant in this assessment, she continues to nurture the friendships of (his) family. Read this novel to discover a treasure chest of secrets and to find out if the romantic interest redeems himself. I was fortunate to receive a copy from the author for an honest review.