Erica excels as a publicist in NYC. Her love Warren is under contract in DC, while pursuing his true love of jazz whenever he can. They vow their weekends to each other in good faith, but family and work overspill their boundaries. Erica’s alcoholic mother is an emotional vampire, constantly requesting her time and money. Warren’s father is an emotionally inaccessible, strict disciplinarian, whose second marriage exposes a family secret that rips Warren out of time and space. As Erica tries to move up the ladder in her company, special projects snatch her away from her special time with Warren, who renews his contract in DC without discussing it with her. He breaks up with her, setting Erica on a downward spiral. She confronts her mother about her childhood, prompting her mother to reveal her own tragic background. She and Warren must come to terms with the families that they have and find their way back to each other.
This is so much more than a long-distance romance novel. Both main characters are well-developed, complex individuals placed in impossible situations with no clear resolutions. They learn more about their families than they wanted to know, but this helps them to evolve and move toward each other.
Lovey allows herself to be chased from her childhood home in Oxford, Mississipi by her older sister Bitsy’s inexplicable animosity. Though she calls foul on sibling rivalry, her parents don’t back her up, making Lovey feel damaged. When their mother’s garden shed burns to the ground after their friends Fisher and Finn barely make it out, Bitsy blames Lovey and no one protests, leaving her alone for years wallowing in the injustice. Bitsy uses Finn’s injuries to fuel Lovey’s guilt, prompting her move to another state, another life, away from his brother Fisher, who asked Lovey to marry him. Emotions run rampant through Lovey as she tries to balance her current life and the one she ran scared from decades ago. Her parents convince her to return home for their 50th wedding anniversary party. She complies, facing her lost love and antagonistic sister. When she’s called to return to work to resolve a hostile takeover by the boss of her ad campaign project, her father changes her mind when he confesses that her mother is terminally ill. She stays, determined to treasure every last moment with her mother, making a truce with her sister, and dealing haphazardly with Fisher’s current “it’s complicated” relationship status. Lovey continues to bond with her mother over their shared love of gardening, with life lessons inspired by gardening and favorite local writers Welty and Faulkner sprinkled throughout the book by both parents. Religious themes run a bit strong in this story and can be distracting, assuming that readers are Christian and accepting of religiosity as part of the lessons. Lovey makes a breakthrough with her father after a particularly hurtful encounter with Bitsy, which starts her healing process. She is home. This is her home. Everything comes together, albeit some of it a bit too easily, as there are decades of pent-up hurt to be worked through, especially for the sisters.
Single mom Sarah starts day shift in the dementia ward of the healthcare facility Tranquilty, moving from nights in palliative care. Her new co-worker Tracey immediately befriends her, introducing her to the “cast of characters” for whom she will be caring: Sam, who randomly prefers nudity, gentle, inquisitive Rose, the bickering twins Lily and Beth, the wheelchair menace Mrs. W, who remembers a concentration camp more vividly than contemporary events, quiet Mrs. Sellers, Italian immigrant Mrs. Gallo, whose husband visits her daily, Alfred, who has a tendency to call for a once beloved cat named Hairball, and Mrs. Amaral, a sweet Portuguese immigrant. Gardiner’s work in such a facility inspired the story, and to ensure accuracy, her research included interviewing employees in all areas of the facility, from bathing to housekeeping. New residents to Tranquility bring a professional dilemma, a dangerous situation, and potential romance for Sarah. Edie, with her soft Scottish brogue, does not appear to be suffering from dementia, but when she fakes it to expose an abusive employee, Sarah keeps an eye on her. After two violent incidents, endangering staff and residents, John is quickly moved again, to the psych ward. With Georgia comes a big family, including her great-grandson Jay, who lights a fire in Sarah. Along with all this, Sarah’s own grandma suffers a second stroke, and her mother must deal with end of life choices, a struggle for a woman who hasn’t really gotten over her husband’s death a decade earlier. The brightest light in this story is Kayla, Sarah’s daughter, who gives her grandma life, and handles great-grandma’s struggle with surprising grace for a 4-year-old. Sarah and Tracey execute a not-quite-legal plan to prove the co-worker’s abuse, but it’s waylaid by Edie’s plan to do the same. Everything comes together in the end in a complicated, bittersweet resolution, just like in real life. Characters learn and grow, while others astonish, but most of all, the ones who need to find themselves do so.
Aubrey Ellis grew up learning to control the physically ravaging and emotionally draining interactions with ghosts who insist upon her assistance, ghosts who always leave tangible evidence of the encounter. As an adult, she’s settled into a position as a real estate columnist that gives her the opportunity to connect with and aid those who have passed on to continue their journey without too much damage to herself. Then she’s sucked into a decades old unsolved murder after new evidence emerges. Her reluctant partnership with fellow journalist Levi St. John takes her in new and unexpected directions, personally and professionally, and she comes fully into herself.
Photography artist Mia Warren moves to Shaker Heights, OH, bringing a new element into the staunchly middle-class, by the rules neighborhood, changing dynamics of two families, her own as a single mom, and her landlady Elena Richardson’s properly planned one as third generation Shaker Heights. Into this volatile blend is thrown teenage hormones, a King Solomon dilemma, and outside the box thinkers, culminating in “something’s gotta give.” Wisdom comes from unlikely sources.
Christine and Marcus want a baby so much that they use a sperm donor. Pregnant Christine sees their donor on the news being arrested for multiple murders. Against Marcus’ wishes, she visits him and helps him with his defense. She vacillates between thinking him innocent and guilty, believing he is her sperm donor and desperately wanting him to be a good person.
While looking in the attic for something, Cecilia finds a letter from her husband to be opened upon his death. Her life becomes intertwined with the secretary of the school who lost her daughter to murder 30 years and a young mom who separated from her husband and came home to care for her mother with a broken ankle. Cecilia discovers the limits of her endurance and her loyalty to her family.
John Husted picks up his brother from prison with his mother, whose dementia charms her into thinking he’s coming home from vacation. The good son, John cared for his mom after his dad died, is now building his own family, continuing to monitor his mom in her home, and settles his ex-convict brother in with mom. It’s no surprise then that his father’s colleague, succumbing to a terminal illness, turns over his clandestine responsibility to John, who now must make a final, impossible decision.
Someone died at the Pirriwee Elementary parent’s trivia night. Just who, how, and why are explored throughout the story, beginning months earlier with new mom Jane and son Ziggy introduced to the kindergarten community. Madeline and Celeste befriend her as their frenemies waylay her with accusations. Secrets worm their way out painfully slowly, personalities clash, and life decisions are made. The parents of Pirriewee Elementary learn more about each other this year than they ever wanted to know: bullying, adultery, abuse, etc.