This book starts off with a bang, specifically a plane crash. Despite Margaret’s fear of flying, her fiance coerces her into a flight in his Cessna before his certification test. An unexpected storm causes the plane to flip, trapping her inside as it explodes. The story reads like a memoir, such is the detail of her learning process about the extent of her injuries and medical procedures. The shocking revelations don’t end with her body and its new needs, as Margaret / Maggie spends more time with her family than she would have expected, or chosen. She discovers the true nature of her beloveds: suddenly absentee fiancee Chris, estranged sister Kitty, and distant mother—secrets bursting bubbles right and left. Some of those bubbles are burst by her recalcitrant physical therapist, whose already wobbly professionalism crashes at the charm of Maggie. Center brilliantly leads the reader through a labyrinth of complex emotions and clashing dynamics on two continents to a hilarious and painful climactic scene, where Maggie cannot escape a situation more awkward than she could imagine. Then the story goes a bit over the top, ala Harlequin romance style, with the love interest taking a dangerous leap literally, and gushing about his feelings for her as though the rest of the world stopped for this moment. It’s difficult to see what is happening around them as they open up to each other in a completely inappropriate place and time.
That life constantly takes Maggie by surprise is an endearing trait that makes her relateable and encourages readers to cheer her on through her physical and emotional struggles. There was a cringe-worthy scene early on where her professor tells her to “act like a man” for her interview, and she promises to do so. It’s very much her character, though, and Center maintains the integrity of all characters as they face secrets exposed and emotions unleashed. The denouement ends up being summarized, a bit of a disappointment in such a captivating tale, but leaves the reader with a sense of humanity restored as life exceeds Maggie’s expectations. This is a novel that reminds readers fiction often has much truth, in showing unspoken, understandable motives behind seemingly hurtful actions and how communication can resolve even long-held conflicts.
Brooke Trapnell, the runaway bride in Save the Date, continues her story, having moved back to little town, Georgia, with her son, Henry. The resident wealthy socialite philanthropist of nearby Sea Island, Josephine Bettendorf Warrick, contacts Brooke to represent her against the state of Georgia, who wants her land for a state park. The secrets of nonagenarian Josephine slowly seep out as she lays out her plans to atone for her sins and defend her estate by passing it on to descendants of her long ago best friends. Brooke discovers a related family secret she would have never thought to guess.
Andrews’ description of friendships in the 50s deep South feels less like crossing a color line and more like pushing into an invisible, flexible barrier that they can’t quite break through. The re-emergence of The High Tide Club through the descendants of the original members is meant to be poignant, yet it’s hard to imagine the remaining original member at 95 walking naked into the ocean in chilly October. Though Andrews’ writing continues to be fully engaging, this novel seemed to go long, and it felt as though the author decided at one point to simply wrap up all the loose ends, with revelations coming fast and furious after the typical length of a novel, around 300 pages. There’s a contemporary would-be killer paralleling the murder mystery from decades past, and neither seems credible, nor true to character, even given the circumstances. Despite this, it’s an interesting story and worth it for a sandy good beach read.
I was fortunate to receive a pre-release copy from the publisher of one of my favorite authors.
Laura Spinella gifted me a digital copy of Ghost Gifts and an autographed copy of Foretold in a giveaway, and I loved them! So I wanted to spread the book passion. I’m pretty excited that she agreed to be on my blooming little blog. She’s supportive of other writers, no matter where they are on their journey. Some of her besties are writers.
Laura works for her web developer, so her website is “very custom!” It’s like an amusement park, with fascinating rides around every corner and tons of visual fun. She’s also on Twitter, Facebook, Google+, Goodreads, Pinterest, and Instagram.
Describe your writing environment and process, including research.
Most book writing occurs in my sunroom, which is…sunny! The room has a great vibe and it’s really where I do my best work. My desk faces the only wall in the room, so that provides a bit of built-in discipline. But the wall is covered in a collage of old postcards. They’re all of my hometown, Bayport, New York. The postcards provide a lot of inspiration. Interestingly, one card plays a pivotal role in my next book, Echo Moon.
Lots of writers like to work in coffee shops, libraries, or other people-oriented locations. That’s just not my style…or maybe I’m just lazy. I’m most comfortable in my own space, but I can and have worked in some unusual spots. When my middle daughter was a teenager, she was quite ill and spent a lot of time at Children’s Hospital in Boston. (She’s fine now!) I wrote most of my first novel, Beautiful Disaster, in various hospital rooms, sitting on linoleum floors, or in waiting rooms.
As for my research team? Mmm…that’d be the renowned team of Me, Myself & I. Naturally, I reach out to experts when necessary, but I do all the leg work. Last summer, I traveled to NYC to research early 20th century tenement housing, as well as making a trip to Coney Island. A portion of Echo Moon takes place in Luna Park, an incredible amusement arena that was a singular sight back in the day. Getting a place so rich in history right took a lot of research. Luckily, Coney Island’s museum curator couldn’t have been more helpful.
Talk about the publishing process.
My first novel was published in 2011—Beautiful Disaster. The book did well and went on to be a RITA finalist. I always say I wrote the first draft in about six weeks. From there it was about six years to publication. That included the learning curve of writing a novel, to securing a literary agent, to actually selling the book. The book was published on the cusp of e-books, so it was a very different world in terms of publishing.
Echo Moon, my latest, is due out May 22nd. It’s the last installment (after Foretold) of the Ghost Gifts Novels. Ghost Gifts was a Kindle First, which is an Amazon program that opens your book up to a huge audience. I really had no intention of writing any more “ghost stories.” Ghost Gifts did very well and Montlake, my publisher, asked me to continue with the main character, Aubrey, Ellis, for two more books. I hadn’t anticipated anything like this.
Contractually, my next book was slated to be a women’s fiction novel, Unstrung. Looking back, I wish we’d put Unstrung on hold; the book kind of got lost in theGhostGiftsshuffle. But Montlake has a fantastic publishing team in place—I really couldn’t ask for more in terms of a team effort, particularly the editing folks. They are top shelf.
As far as in the moment publishing, we’re just gearing up Echo Moon marketing. I have a brand new street team, accessed via Facebook. I’ve always loved visiting with book clubs, and I thought this would be as close as I could come to creating an environment like that—a place to chat and chill with readers.
Tell me about your support system and reciprocity.
Naturally, readers are everything. You start with two or three readers and hope your writing attracts a larger audience. It’s an ongoing process in an extremely competitive market. I have a small group of published authors who are also close friends. One of them is my critique partner, so we trade a lot of publishing stories and share the stressful moments.
I had no author support when writing Beautiful Disaster—no real beta readers or other writers to share my work with. In fact, it’s kind of surprising I succeeded on any level! I learned, I think, from reading. I did end up with an extraordinary agent who gives incredible editorial advice. That said, I’m still a fairly private writer. I’ve grown in terms of a public persona, and I really do enjoy that part. But the writer in me is drawn to the solitude of the craft.
Elaborate upon life influencing writing and vice versa.
I’m not sure that my everyday life influences my writing all that much. When I go in that sunroom, it really feels like a whole other world. Writing, on the other hand, largely influences my everyday life. I’m fortunate to have an extremely supportive family. That’s code for they let me do my thing without a lot of fuss. Unless it’s crunch time, probably when I’m three months out from deadline, I try to keep to set writing hours. Those deadline months can get stressful because no matter how much time you have, it never feels like enough.
What pleases you the most about your chosen career?
Ha! Well, this would be easier to answer if I felt like I chose writing. I think writing chose me. It’s a strange life, a writing life. It’s isolating, exhilarating, frustrating, and fits into very few boxes. It can be difficult for other people to relate to, which is frustrating in an entirely different way. But that’s not what you asked, is it? Every time I finish a novel, there’s a brief moment where I sit back, look at the thing, and say, “Geez. How did that get there?” I like that moment a lot.