I don’t generally relate to the main character, so I don’t care if they’re unlikable, and Dana is not endearing. She’s a mess, but not a charismatic mess, just a mess. When she appeared to be a murderer, I didn’t hold my breath, because she was too obvious (and I found out this is a series, which NetGalley doesn’t mention). The real murderer was unlikely and brought in at the moment of reveal, when the murderer lingered while they discussed the whys and hows. Up until that point, the book was moving along swiftly, albeit with a mess of a main character (how does she have friends?), and even the last minute climax doesn’t make it a dealbreaker. It’s a fun read if you don’t need clues / hints in a whodunit. I received a digital copy from the publisher Mira through NetGalley.
There are secrets galore amongst the employees of Serenity Acres. Ruth’s anticipated promotion disappears when the owner sells the company due to, unbeknownst to Ruth, incredible debt. When she discovers a secret society planning deaths of seniors in her care, she hires her former detective neighbor Zach to investigate undercover as security. Even Ruth must give up her secrets eventually. Riggs brilliantly builds tension within several aspects of the multi-thread storyline, intriguing Dear Reader, serving up the satisfying secrets in a timely manner. I received this excellent story from the publisher Thomas & Mercer through NetGalley.
A serial killer leaves a little chestnut man at the site of each murder. Also left are fingerprints of a government minister’s child, kidnapped a year previous. Sveistrup portrays well a family on the edge of grief clinging to a tiny ray of hope. The police investigation gets a bit detailed, leaving Dear Reader hanging desperately to any investment in the story. The climax and denouement are sufficiently twisty and well-written. It’s worth the effort to slog through the slow parts to get to the revelation. I received a digital copy from the publisher Harper through NetGalley.
In the first of a new series, exotic pet-sitter extraordinaire Belinda Blake moves into a carriage house in Greenwich, Connecticut, meets the owners’ charming son, and discovers a body in the garden. As she wrangles the python in her care, she cannot resist involving herself in the murder investigation, with revolving suspects and potential danger everywhere. Gilbert imbues humor throughout the tale as Belinda alternately falls for and suspects the charming son, cares for pets the way she takes care of herself—sufficiently to survive, with mishaps, and keeps falling into the middle of the police investigation. This looks like a fun series to begin! I was fortunate to receive this lovely story from Lyrical Underground through NetGalley.
Eddie Flynn reluctantly takes on a celebrity client on trial for murder based on his belief in the man’s innocence, while a murderer sits on the jury, gleefully watching the process. Cavanagh cleverly plays the murderer’s presence against the brilliance of the conman lawyer. I received a copy of this crime thriller from the publisher Orion through NetGalley, and although it’s a decent standalone, I wish the publisher would include on NetGalley the fact that a book is part of a series.
Abbie knows something is different about her when she awakes in a hospital facing a stranger calling himself her husband and informing her that they have an autistic child. The more she learns about their life, the more disturbed she is by that stranger, her husband. She is determined to discover how she ended up in the hospital, who she is exactly, and how to protect their son. Delaney blends technology into the story so well that at one point it’s challenging to determine who is who and who has done what to whom. The moral of the story seems to be beware human megalomania rather than the technology they produce. I was fortunate to receive this well-written, accessible sci-fi story from the publisher Ballantine Books through NetGalley.
Dixie Wheeler was known as Baby Blue for the song playing when she was discovered at the crime scene where her father murdered their family and killed himself. She seeks understanding and closure in purchasing her family’s house and recreating her childhood home. Things happen that make her question her sanity and her own propensity for violence, and eventually her father’s guilt. Vandelly did a superb job evoking sympathy for Dixie through graphic descriptions of the family’s murder, her memories, and the weird occurrences in her family home. But she includes a supernatural element that wasn’t explored well enough to invoke speculation from Dear Reader. I was fortunate to receive a digital copy of this marvelously macabre story from the publisher Dutton Books through NetGalley.
Rachel North finds herself in a precarious situation, interning for Assistant DA Martha Gardiner, the nemesis of her defense lawyer husband Jack Kirkland, who warns his wife about the woman’s sketchy tactics to win at all costs. Gardiner in turn hints to Rachel of her husband’s ulterior motives, placing Rachel in a quandary as to whom she can trust. Gardiner then thrusts her into a cold case, the death of a young woman who worked under Rachel in her previous incarnation as a Senator’s Assistant. Alternating between the present and the past, Phillipi Ryan develops an intriguing, complex tale of trust, relationships, and marriage, and how a person’s breaking point can lead to murder. Fans of Andrea Bartz’ “The Lost Night” and Megan Goldin’s “The Escape Room” will appreciate the writing style and the wild ride to the finish. I was fortunate to receive a digital copy of this compelling murder mystery from the publisher through NetGalley.
Carla has been writing a long time but was given the greatest gift by her husband in 2016 when he encouraged her to take a sabbatical from teaching special education in order to write her first book, Lily Barlow: The Mystery of Jane Dough. She enjoyed the experience so much, she resigned from teaching to start the second book in the series, Lily Barlow: The Mystery in the Mangroves. She also contributes an amusing, garden-themed column to a local magazine called The Piedmont Virginian. Word on the street is she writes a pretty funny FB post on occasion.
Tell me about your writing process: schedule, environment, inspirations, etc. Does it differ for a novel versus essay?
If there was a gold medal for waking up early, I’d be on the podium. I get up between 4-5am, even on the weekends, even on vacation. I take the first dog out, and fix a cup of coffee. At that point, I sprinkle the fairy dust and the magic happens (meaning I open my computer). First I check to see if anyone left a review for Lily Barlow: The Mystery of Jane Dough on Amazon. It’s shocking the rush of adrenaline I get when I see that number tick up. I’ve been holding at 60 for the longest time, but I know #61 is out there!
After that, I delete all the junk mail from my inbox and fiddle around catching up on social media. I do check that stuff throughout the day, but it’s easier to get caught up first thing. I try to post something fresh for my Facebook friends who follow me there.
Then, I shift into the project of the day, which is generally either writing, editing, or promoting. It’s hard for me to multi-task. If I’m involved in an author takeover, I can’t write in between takeover posts. I try to interact with everyone who leaves a comment, and I like those days to include lots of threads so by the end a person has a sense of who I am both as a human being and as a writer. It takes my full attention to do that. So on those days, not much else gets done.
There’s no set schedule. I don’t know ahead of time that I’m writing on M/W/F. I let each week have a natural ebb and flow, and I just do what needs to get done on a day-to-day basis. So, some weeks I may write every single day, other weeks, not at all.
When the weather is cool, spring and fall, I love to write on the back porch. For a while, I worked on the kitchen table. Now I’m usually on the couch, with one dog laying behind my head and the other in the space beside me. When we travel, my husband sleeps a little later than I do, so I get up and write. I wrote large chunks of Book 1 in the lobby of a hotel in Charlottesville, Virginia, and in the living room of a rental home in Moab, Utah.
When I’m struggling with inspiration, I have to ask myself a tough question — Am I truly uninspired or just lazy? Sometimes the inspiration wears thin, and I need to charge it up with a hike, a camping trip, a visit with friends. Other times it really is the trap of laziness. I may be in a scene that’s taking a long time to write, and I say I’m not inspired, but what I mean is that the scene is kicking my butt and I’m getting tired. Those times I just have to power through and get words on the page.
This is true for all the things I’m writing now—novels, essays, blog entries, articles. And interestingly, when I find myself in the middle muddle of whatever Lily Barlow book I’m working on, it’s a real temptation to put the story down to write essays. I think it’s because the essay is short and there’s an end in sight. When I’m writing, and writing, and writing, sometimes it’s just a relief to finish something.
Walk me through your publishing process from “final” draft to final product, including who does what when, and marketing that you do as the author. I’m especially interested in how you chose your hybrid publisher, their responsiblities, and the cost.
My publishing process starts when I hand the final draft over to my publisher, Lifestyle Entrepreneurs Press. I work closely with an editor I adore because she does not sterilize the voice of my characters, even when their grammar is questionable. Funny story about the editing process…with a degree in language arts, writing and editing, I was quite full of myself when I made the statement to the publisher that they wouldn’t need to spend much time cleaning up my manuscript. HA! We probably found over 200 errors that were missed by me, my husband, and a rack of beta readers.
While we’re editing, the publisher has an artist working on the cover. I have pretty specific ideas when it comes to the visual representation, but my ability to explain it is sometimes lacking. The artist who did the first cover also did the second cover. Both are awesome. He listened very carefully to what I was trying to say and captured the feeling so incredibly well.
While all that’s going on, I work on blurbs and info for distributors, and eventually I start recording the audio version of the book. That was hilarious. I recorded the first book in our teardrop camper because it was the only place in the house that was quiet enough—no dog collars jangling, no phones ringing, no air conditioner clicking on and off. I padded the camper walls with yoga mats, and each morning I’d head out before the sun was up to record a chapter. That’s about all I could do before it got too hot to work in there.
Eventually, the publishing team and I shift gears and start prepping for the book launch. I reach out to people to encourage them to buy an introductory copy of the book and leave a review. Reviews are really important, and they’re surprisingly hard to get. I think people feel like they have to write some critical PhD thesis, but really a few simple sentences is all it takes. (As my husband is famous for saying, he only reads the short ones anyways!)
I have support from the publishing team, but I do a lot of marketing on my own. I’m out there pounding the pavement, working to get indie bookshops to carry the book. I try to get myself invited to author events where I can sign books. I look for opportunities to do interviews (like this one) and author takeovers. The next goal is to get on somebody’s podcast. My publisher turns up bigger opportunities like the chance to sign books at Book Expo in 2018 or the American Library Association in 2019. Those were both incredible opportunities for a new author with a debut novel.
Like everybody, I have a story of how I went from an unpublished writer to a published author. First I tried the traditional path, but I couldn’t get a press interested in my story. Then I approached agents but had the same problem. Not interested. That left me with self publishing as my only option, but I was as interested in that process as I am in understanding the physics of inter-orbital space flight. In other words…well, you get it.
I found a hybrid publisher—basically I hired a company to be the “self” in my self-publishing initiative. I interviewed a series of candidates before I settled on Lifestyle Entrepreneurs. They offered the most complete package of services, but it came at the highest price. It was, however, an investment I was willing to make in building my brand as an author. I can say that not every author will realize a return on investment if you go this route. And it remains to be seen if I’ll fall into that category or not. But I am prepared to follow through because I believe in the Lily Barlow series.
Before I committed to LEP, I hired a literary attorney to review the contract, which is just good business sense. He asked that several small changes be made to protect my interests, and the company agreed.
What do I get for my investment? The publisher provides formatting and art. They print ARCs. They distribute to all outlets including Amazon, Barnes & Noble, and the independents so I don’t have to store or ship books. They produce the e-book and master the audio. They create opportunities for exposure. If I’m trying to reach a blogger or some other influencer but just can’t get in, they’ll take a swing at it. We’re working on a marketing plan now to help Book 1 gain traction and create a foundation for the release of Book 2. They created a “landing page” and are connecting it to my website.
Talk about your support system online and IRL; who are your biggest cheerleaders?
I’m fortunate that I have a lot of friends and family who cheer me on. My husband leads the parade with his love, praise and check book (let’s face it, this initiative has definitely been a considerable financial investment up to this point). In addition to Ricky, there are a few very close friends who always pick up when I call or text. I use these three or four people as sounding boards to keep me grounded on multiple fronts. First, since I’m my own biggest fan, I sometimes need a voice of reason who can tell me straight out “Nope, that’s not gonna work.” Secondly, while the writing part is definitely my specialty, all the other parts are most definitely not my specialties. That means the contracts and the sales and the promotion and the social platforms and the technology. My support team rises to the occasion where all this stuff is concerned.
I love learning about your life through your essays and the inspirations for your novel. How does your writing influence your life?
Like a lot of people, I write what I see and hear. Sure, I might tweak it, or jazz it up, but it all comes from a source out in the world. I spend a lot of energy gathering these tidbits, so, I’m kind of on safari all the time, hunting for the next thing I can incorporate. Sometimes these safaris take me to exotic destinations, like when we drive Jeeps off road in Moab, Utah or hike the Escalante Staircase, but sometimes they’re way more ordinary than that. It could be a greasy spoon on a road trip somewhere, or a market where I have a few minutes to talk with a farmer, or that six seconds of silent eye contact when I connect with a complete stranger pumping gas.
Since I’m always in search of these moments, I like to go places, even if it’s just up the street. My fear is that my next great idea is happening somewhere right now, and I’m not there to memorize it.
What do you love most about your creativity?
I like the freedom it gives me to explore. I’m a pantster, so I write from the seat of my pants. This is different from a plotter, who outlines a storyline and knows where it’s going from the first word. I like following the characters down rabbit holes, and I like being surprised when they do something I wasn’t expecting.
Connect with Carla:
Brooke Trapnell, the runaway bride in Save the Date, continues her story, having moved back to little town, Georgia, with her son, Henry. The resident wealthy socialite philanthropist of nearby Sea Island, Josephine Bettendorf Warrick, contacts Brooke to represent her against the state of Georgia, who wants her land for a state park. The secrets of nonagenarian Josephine slowly seep out as she lays out her plans to atone for her sins and defend her estate by passing it on to descendants of her long ago best friends. Brooke discovers a related family secret she would have never thought to guess.
Andrews’ description of friendships in the 50s deep South feels less like crossing a color line and more like pushing into an invisible, flexible barrier that they can’t quite break through. The re-emergence of The High Tide Club through the descendants of the original members is meant to be poignant, yet it’s hard to imagine the remaining original member at 95 walking naked into the ocean in chilly October. Though Andrews’ writing continues to be fully engaging, this novel seemed to go long, and it felt as though the author decided at one point to simply wrap up all the loose ends, with revelations coming fast and furious after the typical length of a novel, around 300 pages. There’s a contemporary would-be killer paralleling the murder mystery from decades past, and neither seems credible, nor true to character, even given the circumstances. Despite this, it’s an interesting story and worth it for a sandy good beach read.
I was fortunate to receive a pre-release copy from the publisher of one of my favorite authors.