tragic twist of fate destroyed Braden Healey’s hands, his musical
career, and his family. Now, unable to play, adrift in an alcoholic
daze, and with only fragmented memories of his past, all Braden wants
is to escape the darkness of the last eleven years.
When his ex-wife and son are killed in car accident, Braden
returns home hoping to forge a relationship with his troubled
seventeen-year-old daughter, Allie. But how can he hope to rescue her
from the curse that seems to be shadowing his family?
Ophelia “Phee” MacPhee, granddaughter of the eccentric old man
who sold Braden his cello, believes the curse is real. She swore an
oath to her dying grandfather that she would ensure that Braden plays
the cello as long as he lives. But he can’t play, and as the
shadows deepen and Phee finds herself falling for Braden, she’ll do
anything to save him. It will take a miracle of forgiveness and love
to bring all three of them back to the healing power of music.
Kerry Anne King lives with her Viking in a little house surrounded by
trees, the perfect place for writing books and daylight dreaming.
She spends her days working as an RN in a clinic, spinning her
tales early in the morning and in the evenings after work. She
believes passionately in the idea of the “whole self” and
is ever in pursuit of balancing mind, body, and spirit. She also
writes fantasy and mystery novels as Kerry
Schafer and provides coaching
services to creatives who are experiencing procrastination,
overwhelm, and other blocks that get in the way of their important
bestselling and award-winning authors bring to life a breathtaking
epic novel illuminating the hopes, desires, and destinies of
princesses and peasants, harlots and wives, fanatics and
philosophers—six unforgettable women whose paths cross during one
of the most tumultuous and transformative events in history: the
OF SCARLET: A Novel of the French Revolution, releases October 1st,
2019! Check out the amazing cover below and pre-order your copy
RIBBONS OF SCARLET: A Novel of the French Revolution (Coming
October 1, 2019)
of Scarlet is a timely story of the power of women to start a
revolution—and change the world.
late eighteenth-century France, women do not have a place in
politics. But as the tide of revolution rises, women from gilded
salons to the streets of Paris decide otherwise—upending a world
order that has long oppressed them.
Sophie de Grouchy believes in democracy, education, and equal rights
for women, and marries the only man in Paris who agrees. Emboldened
to fight the injustices of King Louis XVI, Sophie aims to prove that
an educated populace can govern itself–but one of her students,
fruit-seller Louise Audu, is hungrier for bread and vengeance than
learning. When the Bastille falls and Louise leads a women’s march
to Versailles, the monarchy is forced to bend, but not without a
fight. The king’s pious sister Princess Elisabeth takes a stand to
defend her brother, spirit her family to safety, and restore the old
order, even at the risk of her head.
when fanatics use the newspapers to twist the revolution’s ideals
into a new tyranny, even the women who toppled the monarchy are
threatened by the guillotine. Putting her faith in the pen, brilliant
political wife Manon Roland tries to write a way out of France’s
blood-soaked Reign of Terror while pike-bearing Pauline Leon and
steely Charlotte Corday embrace violence as the only way to save the
nation. With justice corrupted by revenge, all the women must make
impossible choices to survive–unless unlikely heroine and
courtesan’s daughter Emilie de Sainte-Amaranthe can sway the man
who controls France’s fate: the fearsome Robespierre.
bestselling author of historical fiction. A native of southern
California, she attended Boston University where she earned a
Bachelor’s and Master’s degree in Classical Voice. She has written
four novels in the Empress of Rome Saga, and two books in the Italian
Renaissance, before turning to the 20th century with “The Alice
Network” and “The Huntress.” All have been translated
into multiple languages. Kate and her husband now live in San Diego
with two rescue dogs named Caesar and Calpurnia, and her interests
include opera, action movies, cooking, and the Boston Red Sox.
bestselling author of historical women’s fiction. Her award-winning
work has been translated into eight languages and tops lists for the
most anticipated reads of the year. She lives near the nation’s
capital with her husband, cats, and history books.
bestselling author of historical fiction, Laura
always been fascinated by the people, stories, and physical presence
of the past, which led her to a lifetime of historical and
archaeological study and training. She holds a doctoral degree in
early American history from The College of William and Mary,
published two non-fiction books on early America, and most recently
held the position of Associate Professor of History at the U.S. Naval
Academy before transitioning to a full-time career writing genre
fiction. She is the author of AMERICA’S FIRST DAUGHTER and MY DEAR
HAMILTON, co-authored with Stephanie Dray, allowing her the exciting
opportunity to combine her love of history with her passion for
storytelling. Laura lives among the colonial charm of Annapolis,
Maryland with her husband and two daughters. www.LauraKamoie.com
an award-winning, multi-published author of female-centered
historical fiction, who holds both a Bachelors in History and a law
degree. With two previous books set in France—during the 13th and
16th centuries—Sophie has a passion for French history that began
more than thirty years ago when she first explored the storied
châteaux of the Loire Valley. She lives in the Washington DC
metropolitan area with her husband, children and a small menagerie of
the award-winning and international bestselling author of six
historical novels set in France, including the upcoming Meet
Me in Monaco, set
to the backdrop of Grace Kelly’s wedding releasing in summer 2019,
a novel of the French Revolution’s women in Oct 2019. In
selected as a Goodreads Top Pick, and in 2017, Last
Christmas in Paris became
& Mail bestseller
and also won the 2018 Women’s Fiction Writers Association STAR
Award. Her works have received national starred reviews, and have
been sold in over a dozen countries worldwide. When not writing, you
may find Heather collecting cookbooks or looking for excuses to
travel. She lives in New England with her family and one feisty
bestselling author of rip-your-heart-out historical women’s fiction
that crosses the landscapes of Europe. Her love of history began as a
young girl when she traipsed the halls of Versailles and ran through
the fields in Southern France. She can still remember standing before
the great golden palace, and imagining what life must have been like.
She is the owner of the acclaimed blog History Undressed. Eliza lives
in Maryland atop a small mountain with a knight, three princesses and
two very naughty newfies. Visit Eliza at www.eknightauthor.com/,
or her historical blog, History Undressed, www..
You can follow her on Twitter: @EKHistoricalFic,
Maddie fell hard for Ian, British security detail, when she taught
English in Bulgaria and her BFF Joanna was a humanitarian working in
Macedonia before and during their civil war. He’s hard to pin down,
even after she marries him despite Joanna’s inexplicable hostility
toward him. He insists on moving from NYC to her small, Kansas
hometown, though he spends much of his time in the Eastern bloc,
working in a security business he started with his brother after
leaving his government position. The story unfolds in layers as it
goes back and forth in time and around the globe to explain the
horrible murder. Ward does an excellent job evoking sympathy for
Maddie, who appears to be on the receiving end of Ian’s PTSD. This
novel portrays young American idealists who get caught up in tragedy,
differences in maturity levels of best friends, and how lack of
self-awareness contributes to obfuscation, as a mismatched romance
leads to its horrifying conclusion. I was fortunate to receive this
brilliant story from the publisher Park Row Books through NetGalley.
me about your writing process: schedule, environment, strategies /
techniques, and inspirations material and abstract.
an organic writer—I think a lot ahead of time about the characters
and what my story’s central questions will be, but don’t outline
in detail or swear by any particular tools or strategies, beyond
reading voraciously, as much as I’m able. I’m very disciplined,
with daily and weekly goals, and believe firmly in the power of
forward momentum once I get going on a manuscript.
wrote my first two novels by night, as my babies/toddlers slept,
while working a demanding day job as editorial director for Writer’s
Digest magazine. Not long after signing the contract for Forget
You Know Me, I scaled back my role at the magazine and shifted to
writing by day as my primary focus. A writing career involves a fair
amount of evenings and weekends for things like book clubs,
conferences and festivals, so this is a much more workable focus for
my family, which always comes first.
your publishing process, from final draft to final product, including
publishing team and timeline. How did your work in the industry
prepare you for the writing world as an author?
been a little different for every book, particularly as staffing
changes at my publisher have led to a few editorial team transitions,
but I’m working at the pace of about a book a year. I refine a
draft until I think (hope) it’s close to working as what I
envisioned for the story, then get feedback from a few trusted
readers and revise yet again before turning it over to my editor.
Then comes another round to incorporate the excellent suggestions
from her professional eye.
work in the industry taught me what a team effort publishing is; I
have enormous respect for my editors, having been one, and deep
gratitude for the efforts of the hardworking support teams—marketing,
publicity, design and beyond.
are your biggest cheerleaders online and IRL, and how did you get
into the Tall Poppies (beyond being an excellent storyteller)?
family and friends—who’ve seen firsthand my dedication to this
craft since long before I ever got published—are my biggest
cheerleaders, and their warm support means the world to me.
Also, at the start, were my colleagues at Writer’s Digest—we
were all writers with a genuine love for the work we were doing
there, and it was humbling to have them so enthusiastically in my
corner—as well as a debut author group called 17 Scribes—it was
invaluable to be tapped into a network of other authors publishing
their first novels in 2017, and many of us remain connected today.
met some of the Tall Poppy Writers through conferences, WD, the
Women’s Fiction Writers Association, and online, and had admired
their collaborative spirit and talented body of work for years; I was
elated when they invited me to join.
does your life influence your writing and vice versa? Please share
fun details about being the 2019 Writer-in-Residence for Public
Library of Cincinnati and Hamilton County.
I don’t write directly from life experiences, of course we all are
heavily influenced by the phases of life in which we find ourselves
and the beautiful (and not so beautiful) aspects of human nature that
turn our heads. I’d find it impossible to separate the two!
a wonderful honor to be serving as the newly minted
Writer-in-Residence for the Cincinnati library system this year; it
encompasses more than 40 branches, and I’ll doing community
engagement with local readers (visiting library branch book clubs and
hosting a podcast) as well as aspiring writers (teaching free
workshops and holding office hours, for instance).
do you love most about your creativity?
dreaming up a story from pure imagination, somehow, I end up feeling
more like me.
Liza witnesses, via
Skype, a masked man entering her friend’s home while her friend is
upstairs tending to a child. She drives all night to make sure she’s
okay after her friend doesn’t answer the phone, but Molly, the
friend, dismisses the idea that a man came into her house, and she
break’s Liza’s heart. Returning home to a life-changing event
sends Liza back to her hometown, where no investigation is proceeding
for the mystery man. Strawser digs deep into the fears of a married
couple in multitudes of trouble, the evolution of friendship, and a
reluctant return to one’s roots. She brilliantly intertwines the
consequences of the characters’ actions as they rush headlong into
premature conclusions. This novel is a great look into love
resurrected and the ability to access romantic love after a trauma.
Strawser is a talented storyteller. I was fortunate to receive a copy
of this wonderful book from the publisher Macmillan through
From a cosmopolitan family are beget descendants who are stolen for
slavery in the American South, bringing dear reader to Fammy, who
begets Clora by a black man because she wanted a black baby for her
own, after enduring her master’s rapes and the selling of her
children. She takes her life, as does Clora, when she envisions the
future of her daughter Always. Yet Clora persists as a spiritual
entity, watching her family throughout their lives. This is the story
of Always, unable to follow her siblings in their escape by passing
for white, who rises above her veneer of subjugation, fully prepared
to live free after emancipation. Clora witnesses her family branch
out again across the globe.
presents the vicarious existence of slaves, and the various ways that
could procure a safer passage, as well as the intricately convoluted
familial connections betwixt white masters / mistresses and slaves.
The hint of dialect bumps through both races, showing the blending of
cultures based on proximity, and religion also bleeds across the
barriers, represented by Clora’s routine references to the
Christian God. This novel offers a valuable lesson in how the
foundation for systemic racism was laid and on what our country was
built, in spite of the whitewashed American dream. Read it with a
careful eye toward the small references and unspoken understandings
inherits the yearbook that the class of 1969 dedicated to her mother,
their teacher. Attending every class reunion of that year’s class,
her mom dashed off judgment calls in that yearbook, while alienating
her family further. Daphne has no use for it and tosses it in
recycling, only to discover her neighbor has rescued it and has
documentary plans for it, focusing on her mother’s life. In her
attempt to repossess it, Daphne learns exactly how much she didn’t
know about her mother, and how much better her father knows her than
she realized. Secrets explode, Daphne explodes…romance ensues.
Lipman creates a
character whose complexity makes her less endearing than interesting,
leading dear reader to enjoy her ups and downs from outside the
emotions, yet still root for her as she makes terrible life
decisions. Choices made by all family members in the past reverberate
in the presence, causing confusion and offering challenging choices.
The integrity of the characters remains resolute as they fluffercate
over “9/10 of the law” and “right to know.” This is an
absolutely FUN story, whipping back and forth in allegiances, and up
and down in storyline. I was fortunate to receive a copy of this
fabulous book from the publisher Houghton Mifflin Harcourt through a
A sleeping sickness befalls the little college town of Santa Lora, CA, starting with Mei’s roommate Kara, prompting a quarantine of their dorm. Quickly overwhelmed, the hospital sets up the children who succumb in the public library. The patients wake up in random order with time span and chronology confusion, or they never wake up—dying or coming to consciousness days, weeks, months after succumbing. Mei becomes part of the relief effort by those immune to the illness. Thompson Walker brilliantly moves in and out of the epidemic containment through cordon sanitaire and the sleepers’ astonishingly realistic dreams. Graphic descriptions of virtual long lives lived for decades and anomalies that persist after awakening draw the reader into the deep wells of grief and confusion of those who wake to a lesser reality. The frustrated anger and desperation of family and friends prevented from contacting loved ones is credibly shown by such irrational actions as climbing the quarantine fence and rushing the police. The author references other such unusual occurrences, and how conspiracy theories can easily form from a frightening epidemic never diagnosed by doctors. It brings to mind the sleepy sickness brought on by the Spanish flu epidemic of the early 20th century, whose victims remained catatonic for decades. I was fortunate to receive a copy of this well-written, wonderfully told novel from the publisher Random House through a Goodreads giveaway.
Anna Roux’s life changed drastically when her husband moved them
from Paris to the American Midwest. Her profession as a dancer fades
to history, and she disappears inside herself, despair manifesting as
anorexia. In a holiday visit home, her family’s shocked reaction to
her appearance prompts her husband to commit her to a strict program
at 17 Swann Street, where Anna learns the hard way to eat again.
There’s so much more going on than Anna feeling fat, so much
involved in succumbing to an insidious disease. Zgheib carefully
maneuvers through the complexity of her character’s inner turmoil.
As a contributing factor as well as an integral part of Anna’s
support system, her husband is explored through his emotional roller
coaster, denial, and finally, tough love response to her illness.
This story paints a
detailed description of a unique life with an unfortunately common
disease, where one cannot point to any one action as a causation.
Readers with no connection to this illness still will reel from the
pain of a young woman who feels out of control of her own life, who
cannot reconcile her less than desirable circumstances with the love
she feels for her husband, sympathizing with her as she is forced to
confront the voice of anorexia telling her that she is not enough.
The slow, challenging journey is well told by a talented writer. This
is a must-read for the awareness and understanding it brings. If
anorexia has touched your life in any way, offer this story to
friends and family. Even if it hasn’t, read and share for the
Yara Zgheib’s poetic and poignant debut novel is a haunting portrait of a young woman’s struggle with anorexia on an intimate journey to reclaim her life.
The chocolate went first, then the cheese, the fries, the ice cream. The bread was more difficult, but if she could just lose a little more weight, perhaps she would make the soloists’ list. Perhaps if she were lighter, danced better, tried harder, she would be good enough. Perhaps if she just ran for one more mile, lost just one more pound.
Anna Roux was a professional dancer who followed the man of her dreams from Paris to Missouri. There, alone with her biggest fears—imperfection, failure, loneliness—she spirals down anorexia and depression till she weighs a mere eighty-eight pounds. Forced to seek treatment, she is admitted as a patient at 17 Swann Street, a peach pink house where pale, fragile women with life-threatening eating disorders live: women like Emm, the veteran; quiet Valerie; Julia, always hungry. Together, they must fight their diseases and face six meals a day. Every bite causes anxiety. Every flavor induces guilt. And every step Anna takes toward recovery will require strength, endurance, and the support of the girls at 17 Swann Street.
Yara Zgheib is a Fulbright scholar with a Masters degree in Security Studies from Georgetown University and a PhD in International Affairs in Diplomacy from Centre D’études Diplomatiques et Stratégiques in Paris. She is fluent in English, Arabic, French, and Spanish. Yara is a writer for several US and European magazines, including The Huffington Post, The Four Seasons Magazine, A Woman’s Paris, The Idea List, and Holiday Magazine. She writes on culture, art, travel, and philosophy on her blog, “Aristotle at Afternoon Tea” (http://www.aristotleatafternoontea.com/).
In 1965, time travel ignites Barbara’s manic depression, and the other pioneers—ambitious Margaret, compassionate Lillian, and social butterfly Grace—leave her behind to form The Conclave, an autonomous organization commercializing time travel. Multiple storylines converge to determine the identity of the woman found dead of four bullet wounds in a locked room. The investigation for this unique whodunit plays out in various timelines with characters’ ages often not corresponding chronologically. There’s manipulation, subterfuge, and espionage afoot throughout the nation and throughout time. The time travel details are concrete, with the fuel posing a danger if not handled appropriately. There’s even a time travel glossary included at the end, which makes one try that much harder to buy into the concept. Macarenhas gives the reader glimpses into the thoughts of characters, providing more depth to a story that might easily go astray with so much time-hopping chapters. Readers who like speculative fiction with compelling characters and complex relationships will appreciate this story that readily lends oneself to suspend belief, a realistic time travel story, if you will. It’s definitely worth the time! Ha! I was fortunate to receive a copy from the publisher through Net Galley.