From a cosmopolitan family are beget descendants who are stolen for
slavery in the American South, bringing dear reader to Fammy, who
begets Clora by a black man because she wanted a black baby for her
own, after enduring her master’s rapes and the selling of her
children. She takes her life, as does Clora, when she envisions the
future of her daughter Always. Yet Clora persists as a spiritual
entity, watching her family throughout their lives. This is the story
of Always, unable to follow her siblings in their escape by passing
for white, who rises above her veneer of subjugation, fully prepared
to live free after emancipation. Clora witnesses her family branch
out again across the globe.
presents the vicarious existence of slaves, and the various ways that
could procure a safer passage, as well as the intricately convoluted
familial connections betwixt white masters / mistresses and slaves.
The hint of dialect bumps through both races, showing the blending of
cultures based on proximity, and religion also bleeds across the
barriers, represented by Clora’s routine references to the
Christian God. This novel offers a valuable lesson in how the
foundation for systemic racism was laid and on what our country was
built, in spite of the whitewashed American dream. Read it with a
careful eye toward the small references and unspoken understandings
Anna Roux’s life changed drastically when her husband moved them
from Paris to the American Midwest. Her profession as a dancer fades
to history, and she disappears inside herself, despair manifesting as
anorexia. In a holiday visit home, her family’s shocked reaction to
her appearance prompts her husband to commit her to a strict program
at 17 Swann Street, where Anna learns the hard way to eat again.
There’s so much more going on than Anna feeling fat, so much
involved in succumbing to an insidious disease. Zgheib carefully
maneuvers through the complexity of her character’s inner turmoil.
As a contributing factor as well as an integral part of Anna’s
support system, her husband is explored through his emotional roller
coaster, denial, and finally, tough love response to her illness.
This story paints a
detailed description of a unique life with an unfortunately common
disease, where one cannot point to any one action as a causation.
Readers with no connection to this illness still will reel from the
pain of a young woman who feels out of control of her own life, who
cannot reconcile her less than desirable circumstances with the love
she feels for her husband, sympathizing with her as she is forced to
confront the voice of anorexia telling her that she is not enough.
The slow, challenging journey is well told by a talented writer. This
is a must-read for the awareness and understanding it brings. If
anorexia has touched your life in any way, offer this story to
friends and family. Even if it hasn’t, read and share for the
Yara Zgheib’s poetic and poignant debut novel is a haunting portrait of a young woman’s struggle with anorexia on an intimate journey to reclaim her life.
The chocolate went first, then the cheese, the fries, the ice cream. The bread was more difficult, but if she could just lose a little more weight, perhaps she would make the soloists’ list. Perhaps if she were lighter, danced better, tried harder, she would be good enough. Perhaps if she just ran for one more mile, lost just one more pound.
Anna Roux was a professional dancer who followed the man of her dreams from Paris to Missouri. There, alone with her biggest fears—imperfection, failure, loneliness—she spirals down anorexia and depression till she weighs a mere eighty-eight pounds. Forced to seek treatment, she is admitted as a patient at 17 Swann Street, a peach pink house where pale, fragile women with life-threatening eating disorders live: women like Emm, the veteran; quiet Valerie; Julia, always hungry. Together, they must fight their diseases and face six meals a day. Every bite causes anxiety. Every flavor induces guilt. And every step Anna takes toward recovery will require strength, endurance, and the support of the girls at 17 Swann Street.
Yara Zgheib is a Fulbright scholar with a Masters degree in Security Studies from Georgetown University and a PhD in International Affairs in Diplomacy from Centre D’études Diplomatiques et Stratégiques in Paris. She is fluent in English, Arabic, French, and Spanish. Yara is a writer for several US and European magazines, including The Huffington Post, The Four Seasons Magazine, A Woman’s Paris, The Idea List, and Holiday Magazine. She writes on culture, art, travel, and philosophy on her blog, “Aristotle at Afternoon Tea” (http://www.aristotleatafternoontea.com/).
Amber goes on a blind date. Her date is blind. Literally blind. This
she knows. What she learns is that he’s in trouble, and she gets
pulled into it, dragging her two friends along by texting. At first,
she desires advice from two friends with wildly different
personalities. As the evening takes her to shady places she’d never
otherwise be, the story turns into a narration of unexpected events,
including druggie roommates, pill parties, and police evasion—all
through texts. It’s funnier still when the two friends argue via
texts. This is a clever story portraying the ubiquitous nature of
current technology use by those who grew up with it. It’s a fun
read for a little respite from the tedium (or tragedy) of life.
Eve’s mom, Brady’s wife, killed herself, imbuing them both with an onslaught of guilt, but also forcing them to examine and restructure their relationship. Fabiaschi drizzles clues to a twist that leaves the reader sitting back watching these beloved characters come to terms with the information. She lays out the complexities of familial dynamics and how suicide exposes cracks in the foundation of relationships. The chaos and isolation of innocence lost is portrayed well for teenage Eve. The best part of this book is the point of view told by Madeline, or Maddy to her friends and family, the mom who died before the opening chapter narrated by her. I love how real the emotions of the characters feel and how the perspectives of each play off the others. All three members of this family keep returning from their various emotions and misunderstandings to the love they have for each other, and it all reads true.
Blackbird House witnesses unusual love stories throughout its lifetime, from the young wife waiting for her husband to return from the sea to the orphaned young woman who had no home coming to live with the disfigured man who believed he would never feel the warmth of a woman. Often the yearning is only fulfilled when it can later refuse to be acknowledged. The townspeople care for the inhabitants of the isolated home.
The characters’ circumstances are nearly as tangible as the people themselves and Hoffman has carefully shown these influences in every interaction. Each resident connects somehow with previous owners of the house, often as a relation, but always in spirit, sharing the strength to live in a harsh environment. The gorgeous prose draws the reader into the stories easily.
Rupi Kaur divided her poetry collection into five sections. Wilting begins…on the last day of love…my heart cracked inside my body…and continues this part of the story throughout the following poems. Falling exposes the self in an introspection of negativity, moving from grief to the numbness of sudden aloneness. Rooting reaches the stage of connecting with community, recognizing pain and fear, power and strength on a larger scale. Rising expands and contract the self, bringing the strength inward…i will welcome…a partner…who is my equal…celebrating the self and being proud of ancestry. Blooming shares the fruits of the labors of those who have gone before…i am the first woman in my lineage with freedom of choice…praising her parents’ decision to immigrate and allow daughters to fully become themselves. Kaur’s poetry has been derided for being so accessible to the masses, which is a shame, because what then is the point of exclusivity of art…
This is a beautiful collection of poetry on many ideas, including love, family, immigration, and feminism. Kaur’s work is succinct and deep, thought-provoking, and conversation-inducing.
Erica excels as a publicist in NYC. Her love Warren is under contract in DC, while pursuing his true love of jazz whenever he can. They vow their weekends to each other in good faith, but family and work overspill their boundaries. Erica’s alcoholic mother is an emotional vampire, constantly requesting her time and money. Warren’s father is an emotionally inaccessible, strict disciplinarian, whose second marriage exposes a family secret that rips Warren out of time and space. As Erica tries to move up the ladder in her company, special projects snatch her away from her special time with Warren, who renews his contract in DC without discussing it with her. He breaks up with her, setting Erica on a downward spiral. She confronts her mother about her childhood, prompting her mother to reveal her own tragic background. She and Warren must come to terms with the families that they have and find their way back to each other.
This is so much more than a long-distance romance novel. Both main characters are well-developed, complex individuals placed in impossible situations with no clear resolutions. They learn more about their families than they wanted to know, but this helps them to evolve and move toward each other.