This is an amazing story, following Inga from Nazi Germany, where her mentally ill sister gets caught up in the eugenics scheme of the Nazis, to modern day America, where she fights the same demons for her mentally ill granddaughter. Based on a true story from the authors own family history, it’s filled with flawed characters whose quiet strength belie the horrid secrets they must keep, which sometimes hide their love beneath a harsh appearance. I was fortunate to receive a digital copy from the publisher Top Hat Books through NetGalley.
After leaving a California psychiatric prison, Sean Suh relocates to Austin, Texas, where he spends his days drawing people and their auras at a local Disneyland knockoff. A girl with a copper aura tempts him despite his understanding that he need protect her from himself. He witnesses her kidnapping, but no one believes him based on his mental health and conviction record, and suspicion falls more heavily on him as he conducts his own investigation. He learns interesting things about this girl he has immediately fallen for, but he could not have foreseen who did it. Heard brilliantly leads the reader through Sean’s emotional turmoil at each new piece of information; this could well be a manual for becoming a serial killer. Flashbacks from Annabelle’s point of view would have given her more depth. Being privy to Sean’s thoughts exposed his internal struggle, a fascinating insight that almost (but not quite) invokes compassion. Fans of Liane Moriarty and Gillian Flynn will appreciate this novel. I was fortunate to receive a digital copy of this fantastic thriller from the publisher through NetGalley.
Katie suffers post-partum OCD in silence for fear of destroying her life, but loses that life when her husband Callum realizes that he’s ignored her problem too long and feels their marriage is irreparable and their daughter is in danger. She disappears and he raises Maisie alone, with support from his best friend Jake, cutting out Katie’s sister Delaney also. In a jarring coincidence, Katie’s artistry brings her in contact with her daughter, who believes her mother died, and she sees evidence of inherited OCD. She must convince Callum, a man whose past blinds him to his family’s needs. With Callum’s pregnant second wife included in the family picture, alliances shift, romances are roused, and a little girl teaches adults how to behave. Though the repetition can be nettlesome to the reader, Katie’s constant fears and reminders demonstrate the experience of OCD. There may have been a bit much to the back and forth of convincing Callum, since Katie’s argument never really shifts. Persistence seems to be the key to OCD. It’s clear the author did her research and she acknowledges her resources. This is a good story to read for a sympathetic, but not pitying, representation of living with a mental illness.
Finn told police the half-truth about Layla disappearing from a rest stop on their vacation in Fonches, France. More than a dozen years later, strange happenings at home in England make Finn believe that Layla is alive and upset that he is about to marry her sister. Paris leads the reader on a wild adventure, implicating culprits right and left, with Finn alternately dismissing suspicions and accusing friends aggressively. Hints of Layla show up in objects significant to her life and emails with information only she would know, causing Finn dreadful hope. The author brilliantly traverses through the landscape of a troubled mind, then reverts to a trope of spelling out the resolution in a lengthy letter, a bit disappointing after such magnificent writing. The resolution itself may astonish the most clever reader in its unique take on the concept. It’s a definite must read. I was fortunate to receive an ARC of this fantastic thriller from the publisher through NetGalley.
Anna “Bencke” Grieve’s life changed after Tsar Alexander II’s assassination. In fear for their lives as Jews, her mother, a privileged servant, asked her employers Count and Countess Chernovski to take Bencke and her older sister Esther with them to Canada. The Chernovski’s later adopt them, believing their parents to be dead. Bencke does her best to care for Esther, who suffers episodes from traumatic memories that incapacitate her at times, as she herself tries to fit her eccentric personality into Countess Chernovski’s picture perfect household. Decades later, Anna receives a phone call from the Winnipeg police informing her that her sister has committed suicide by stepping in front of a train. She heads to Canada seeking the truth. The story alternates between this investigation and a backstory of a life fully lived, from Anna’s forced relocation to NYC, to circumstances causing her to be deported to Russia during WWI. In the investigation, Anna learns her sister’s secrets and must live with them now.
Patricia sacrifices her social life and romance to care for her mother, whom everyone assumes is going through “the change.” Patty knows better, but doesn’t know how to help her mother find herself after accommodating her husband their entire marriage. As she and her siblings come of age, they move on and away from their parents, becoming distinctly different individuals who come together in the end for Patty’s wedding. Told in short story form, going back generations, the women in Patty’s ancestry lay a foundation of accommodation and depression that she is determined to escape. The women in these stories are strong, but historical convention keeps them in check, and they don’t have the tools to continually fight social mores of gender expectations. The writing flows so well that the stories lead right into each other, though they can, and have (and won prizes), stand alone. Together, they show the pattern repeated by each generation of women in choosing partners to “save” them from their families, judging poorly based on immediate escape. That they stay with their ill choices is more a matter of their time in history, as shown by Patty’s mother being unable to get a driver’s license without her husband’s or father’s permission.