Victorian Brit Cora Seaborne tries to hide her relief at her wealthy tyrant husband’s death. She engages fully with the world now without fear, traveling to a small town on the coast in search of the mythological Essex serpent, who becomes a full-fledged, never seen character in its own right. She and the married parson of the town find themselves in a love-hate relationship, fueled by their intellect, curious natures, and singular predicaments. Side characters portray medicinal and surgical protocols and revelations of the time period interwoven through the story.
The characters are delightfully complex, with evolving relationships and growth spurts that are relatable to readers. I loved how the author kept the dreaded serpent always in the background of the story, factoring it into many of the various story lines, while feeding the idealogical argument about it between the main character and the parson. She did a brilliant job of weaving the history of surgery throughout the story as well, which fascinated me. There was also a bit of politics of the times regarding the treatment of poor Londoners based on a morality spectrum.
Readers who love historical fiction that counters advancements with their resistance from the old and established will like this story. Readers who like complicated love stories that aren’t wrapped up neatly in the end, but offer opportunity for reader speculation, will also like this novel.
A young doctor assisting in the Haag virus epidemic in Liberia brings home to her British nuclear family (mom, dad, sister) a week quarantine in their country home for Christmas. Secrets burst forth in the form of quarantine gatecrashers, long repressed feelings, and past indiscretions, transforming alliances and long-held opinions. Ultimately, they are closer after a life-changing event in the home.