Monthly Archives: January 2019

Brian Barr…author extra!

I’ve been working on a fantasy collaboration with my friend, Shawn Michael Vogt, and I would love to share the introduction with you. It’s set in a fantasy world I created called Akasha, and it features Shawn’s character Kitsune no Akuma, a swordsman who dons a living fox mask, and a bounty hunter character I created who is named Jacquin. The story is called Overkill in the Chaos Cathedral.

Excerpt:

Jacquin the Jackal cut through the final bandit’s throat at the bottom of the steps, then ascended towards the Chaos Cathedral.

Overhead, blood rain fell in scarlet summer tears, thunder cracked, and lightning crashed from the fuschia skies as the ancient constellations sparkled in their fabric. The storm added to the Chaos Cathedral’s already intimidating structure, strange and mystifying in sight with its ancient vermilion stone composition and obsidian spires. The Cathedral’s bell tower sung, as if announcing the bounty hunter’s arrival. Those stairs leading towards the Chaos Cathedral were archaic, decked with cracks and broken ends, shaky under Jacquin’s boots of gold.

As Jacquin placed his sword into its golden sheath, his brown eyes gazed from the gaping holes of his gold-plated half-skull mask, the cathedral proud on that hill. Jacquin the Jackal knew the chaote warlock, Lucius of Kane, was waiting for him there.

Lucius would know Jacquin as soon as the men met, Jacquin was sure, for the bounty hunter’s reputation preceded him just as much as the dark warlock he’d been hired to hunt. The Jackal was recognizable with that well-known skull mask that covered his shaved scalp, forehead, cheeks, and nose, with golden fangs hanging over his upper lip. He was also known from that blood-red cape that flowed behind his 6’1” frame, decked in golden armor, and the sharp spikes that lined his golden gauntlets and boots.

Jacquan the Jackal was known, and feared, as the greatest bounty hunter on the entire globe of Akasha. He liked to think that in Heaven and Hell he would be a frightening force as well.

Behind Jacquin were the corpses of the bandits he slain, littering the cathedral’s courtyard of sand and stone. They were great fighters, but not worthy, well-trained for robbery but lacking in strategic swordplay. Lucius of Kane, the necromantic mage, was an idiot for hiring them as sentinels to serve vigil at the cathedral’s gates. He should have stuck with more undead swordsmen like the skeletal bastards he sicced on Jacquin ten miles down the road, or the vicious hellhounds and violent winds he summoned to slow down the bounty hunter in his trek five nights before.

No worries. Jacquin didn’t need to think about those failed opponents now, not anymore. He was done with them. Lucius was all that was left. If the chaote was smart, he conserved enough of his magic power for Jacquin’s arrival.

Now that mighty cathedral waited, with its iron gates open, calling to Jacquin, the ringing bell in its highest tower mocking him. The skulls resting atop spikes were the only sentinels to serve vigil now, with the remainder of rotting meat cursing the air with a putrid stench. They grinned as skies of violet stretched overhead, clouds spinning in circular rings above the unholy place.

Jacquin stepped past the threshold of the ebony, scale-patterned double doors, which were already open for him.

In the darkness of that evil place, with its stained windows and empty hues, Jacquin could make the outline of Lucius at the alter. There was his man, his target, his coin, the warlock who committed the sin of dream murder. Lucius of Kane had entered Coral Deinera’s dream with the aid of his puissant chaos magic, depleting her essence to oblivion while she slept—Coral Deinera, the princess of Thorinia.

A death mage hiding under the protection of roughians, Lucius needed to die.

Jacquin was from the Micante islands, black as obsidian, wild as fire within his very being. He’d been raised in the ways of slaying sinners, those who felt above the law of the Joint Kingdoms. He answered to both the Kings of Thorinia and Drakia, on call whenever they needed a scoundrel to be punished, even to the point of disposal. Jacquin had no problem with getting his golden gloves bloody.

*

The man in the fox mask cocked his head, listening to the sounds of battle echoing up the stairwell. He looked down at the lifeless body laying at his feet, stabbed hundreds of times. There was no blood, but then, there never was.

His friends were always hungry, and he liked to keep them happy.

He reached down, pulling the last of his soul-daggers from the body, tapping it absently against the fox mask that covered his face. “Well, this is rather awkward,” the man in the fox mask said, seemingly to no one. And yet… “The bounty hunter made better time than I had expected. What to do, what to do?” He paced back and forth, only stopping to kick the body of the death mage.

“I have no wish to kill the fool,” the man in the fox mask continued. “He’s only doing his job. But I’ve slaughtered his target, and he won’t be at all happy about that, nor about the bounty that I’ve robbed him of. Perhaps, it’s best to just leave and let him sort things out.” His mind made up, he turned to leave, pressing the soul-dagger against his chest, the flesh yielding as the blade slid through, disappearing back into his body.

As his fingers began to trace through the air, carving a door out of the aether, his mask writhed into life, baring its teeth. Whispers filled his head, and he slowly dropped his hands, listening intently.  

He chuckled, shaking his head in amusement. “I like it, my love. But will it work?” The mask, his audience, mewled and the man nodded. “Fine, we’ll try it. I can always kill him if things don’t work out, I suppose…”

A growl from the fox mask was the only response its wearer received. The man stroked his fingers along the mask, and stepped back into the shadows, patiently waiting for Jacquin’s arrival.

Be on the lookout for the second book of my Carolina Daemonic series, Rebel Hell. It should be out this year.

The Other Boy by Ian and Rosi Taylor

Toby disappears in front of his father’s eyes as they explore the overgrown path to the pond near their new home in the country. With parents fighting to salvage their marriage, Toby struggles to rescue himself from another boy whose soul resided in that pond. His mother inexplicably attributes frightful incidents to the other woman…until she sees the other boy in her son’s face. Through dubious grammar and awkward phrasing, the story holds its own as a classic horror tale of possession based on location and opportunity, with unwitting recipients focused elsewhere. Fans of scary stories with creepy kids, wild English countryside, and ghostly bodysnatchers will appreciate this book. I was fortunate to win it in a contest from the publisher Dark Chapter Press.

Lethal White by Robert Galbraith

PI Cormoran Strike and Robin Ellacott share a moment right after her vows to Matthew, coloring their detective partnership. A disturbed young man caroms into Strike’s office to exclaim about a child murder committed decades ago. Being hired by a politician to spy on a colleague distracts them, but the possibility weighs on Cormoran’s mind, as Robin goes undercover in Parliament. The non-case of the wild story becomes entangled within the political investigation and a dubious suicide. Meanwhile, Robin’s husband shows his true colors, but her desire to be independent only prolongs the sexual tension between partners.

Galbraith keeps a fast, at times frenetic, pace throughout the story, with the main characters exasperatingly and credibly human in their complexity. It’s fun to see inside the heads of the good guys when they have fleeting thoughts that are unrealistic / unreasonable, such as when Robin finds herself drawn in by the charm of their client’s tall, dark, and handsome “bad boy” son, a person of interest. Fourth in the Cormoran Strike series, it’s easily a standalone for the case story, but adds layers of nuance to the partnership. The inevitable transition in the nature of the relationship will change the dynamics and sadly may be the beginning of the end, unless Galbraith finds a way to pull it off. Let’s hope she…whoops, “he” can do so!

I received a copy of this latest release in the series from St. Martin’s Press for an honest review.

Brian Barr…professional story

I’ve always loved telling stories and writing since I was a kid. I would share ghost stories with my cousins and friends, write comics on lined paper, jot short stories, etc. I had a love for reading and fiction for as long as I can remember.

The first time I got interested in publishing or releasing my own work was when I saw my friend Matt Rowe releasing his own Xeroxed zines in a DIY punk fashion. I was impressed by Matt’s creativity in writing articles and poetry, and doing art; it awakened a need in me to create and put out my own work. At the time, I learned about different avenues, but it would be a while before I actually pursued serious publishing.

My books started to get published around 2014/2015. Carolina Daemonic was my first novel, released by J. Ellington Ashton Press, and I published Empress with Chuck Amadori through Comixology first. I published short stories, mostly horror, through a few small presses before my friend Jeff O’Brien got me into publishing stories on my own. I still publish with small presses and publishers, but I also like to release my own work. I mostly marketed on Facebook, where I was shocked to see so many writers, artists, and comic creators, and fans of horror, fantasy, and science fiction. I also did a little local promotion, and El Burrito, my favorite restaurant which is no longer in business, sported posters of my work and helped sell my book. I did a local showcase at Richland Library, and also collaborated with a bunch of local authors for a Make Your Own Adventure book the library hosted.

Doing Empress with Chuck Amadori has been a great learning experience for me. Chuck taught me how to write comics to the point, and how to best outline my scripts without clutter. We worked with the artist Marcelo Salaza and the colorist Matheus Bronca, who are amazing, and currently we work with artists Sullivan Suad, Zilson Costa, and Geraldo Filho. Matheus still colors a number of our covers and helps with flats, I believe. Without them, our comic would not exist.

I’ve learned that in order to be more successful, specifically in the areas you care about, you have to be true to yourself and connect to the right people. Not all audiences will appreciate your work, so you have to find the right audiences for what you like to do. You also have to engage with them, and be a fan yourself, loving, sharing, and appreciating their work genuinely. You can do this if you really care about what you do and the people you network with, and it comes to a great advantage without effort. I’ve also learned to know when an audience or direction doesn’t work and to keep moving.

My brain-saving technique is to listen to my brain when I’m writing. Basically, if I feel drained and uninspired, it’s time to rest. When I’m in the flow, it’s time to write down every idea that comes to me, to store it, and to get in the zone as I write. Just let it all come out, then revise and revise until I’m ready to send it to an editor and release a story as a finished project. But there are times when I need to recharge and it doesn’t help to push at that point. Sleep gives me the recharge I need.

Amber’s Blind Date by Casey Summers

Amber goes on a blind date. Her date is blind. Literally blind. This she knows. What she learns is that he’s in trouble, and she gets pulled into it, dragging her two friends along by texting. At first, she desires advice from two friends with wildly different personalities. As the evening takes her to shady places she’d never otherwise be, the story turns into a narration of unexpected events, including druggie roommates, pill parties, and police evasion—all through texts. It’s funnier still when the two friends argue via texts. This is a clever story portraying the ubiquitous nature of current technology use by those who grew up with it. It’s a fun read for a little respite from the tedium (or tragedy) of life.

Flash Fiction Friday: No One Knows for Sure

“She has a penis. I seen her naked. Why do you think she always wears skirts?”

“That’s stupid. Ain’t nobody got a penis and boobs. That don’t make sense.”

“You don’t make sense.”

“Shut up, stupid.”

Farmhands Larry and Darryl ogled Meredith Winters from the barn’s hay loft. She walked past every day, twice, on her way to town and back to her little house in the dell. Always they stopped to stare as she passed. Usually they spouted nonsensical rumors to entertain themselves. Every day, she waved at them just before going round the bend past the copse of trees at the edge of their boss Traynor’s land. This unnerved them each time; once Larry jumped away from the window so abruptly, he shoved Darryl, who stumbled several feet before falling from the loft. He walked now with a limp, and his left hand fell asleep randomly. Larry covered for his cousin when the hand affected his work. Family was family.

Miss Meredith giggled as she waved. Not only was her hearing superior to humans, they would never guess her secret in a gazillion years, when she would still be there, and all these silly, rumor-mongering humans gone.

Brian Barr . . . teasers

The 3 H’s Trilogy: A mix of comedic bizzaro romance horror, cosmic horror, and occult dark fantasy, The 3 H’s Trilogy begins when a gardener discovers a disembodied head in her mother’s garden. What starts as an absurd love story turns into a gruesome inter-dimensional nightmare. Consists of The Head, The House, and The Hell.

The Head

The Head Excerpt

Elizabeth looked back at the house, the phone firmly in her mind. She needed to call 911. This was the authorities’ problem. Whoever placed this head there, whatever force possessed it with the power to speak, after death…

Elizabeth looked back at the house, the phone firmly in her mind. She needed to call 911. This was the authorities’ problem. Whoever placed this head there, whatever force possessed it with the power to speak, after death…

Elizabeth walked up to the head and picked it up in her pink gloves. She stared at it for a moment, before taking it into the house with her.

Carolina Daemonic: Confederate Shadows: The first novel of Brian Barr’s Carolina Daemonic series released in 2015, Confederate Shadows is an occult urban horror fantasy with steampunk elements set in an alternative dystopian world where the Confederacy rules America. Uncompromising and raw, Confederate Shadows takes us into a world of grotesque monsters, dark magic, and chaos.

Carolina Daemonic: Confederate Shadows

Carolina Daemonic: Confederate Shadows Excerpt

The redhead looked up at the skies, coaxing Wei to look upwards as well. Far off dark bodies could be seen, flapping and soaring like wild birds, closer and closer. Behind them, far off into the distance, Wei could see what looked like a weird blue portal, opened with lightning bolts dancing within its womb.

“My sisters come,” the beautiful porcelain skinned woman continued. “Migrating Madonnas. You awoke us.”

Wei slowly stood up, shaking uncontrollably. She didn’t know what to say.

The woman gazed back and stared with a smile. “You will join us in our realm. This place reeks of mundane and disgusting men. It is no place for those like us.

“Wh…who are you then?” Wei asked, truly curious, but afraid to really know the answer.

“I am Celeste, one of the Lilin.”

Carolina Daemonic: Confederate Shadows Excerpt

Descending from the heavens in the black pool of night, something came. Something more foreign, more of an “other,” an outsider, than any societal scapegoat could have dreamed of being in the eyes of a fearful oppressor. Something further removed from the normality of society, from the expected nature of life and existence in general. The creature was humanoid in shape, recognizable mostly in the fact that it bore a head and neck with extended fins, torso and limbs. The composition of this thing seemed flesh-like, if flesh were turned inside out, pinkish and vein-ridden, muscle spasming and pus fizzling with what looked like the result of viral diseases. Its eyes were round and popping out, the pupils dilated. Bizarre and uncanny, it seemed to glide with ease from the heights of the sky. It fell onto the back of the unsuspecting sailor, wrapping its legs around the gasping man’s torso. A strange black collar flashed with rainbow lights around the demonic thing’s neck. Its hands were outstretched with sharp, shiny nails, its jaws open as a long tongue licked the air with insatiable delight.

The woman watched the thing fall for probably three seconds, astonished by the sight, left thoughtless. Had the thing taken an extra second to descend, or even an extra millisecond, the strange drunk’s foot would have found its way to her gut. That cruel show would’ve kicked her pregnant stomach, risked the life or welfare of the living organism, or organisms, incubating inside her. For its timing, the unintelligible thing was a savior in some way, a knight in flesh tissue and demonic extensions of tongue and nail. A holy savage fiend, a living oxymoron of the highest degree. She couldn’t pinpoint what to call this angelic demon, feeling both awe and dread in one shattering moment.

She still screamed. Still screamed as the ravaging thing grabbed her assailant.

Empress: Co-created and co-written by Chuck Amadori and Brian Barr, Empress is a comic book series that centers around Zia, a famous Hollywood actress who goes missing in the early 20th century. She  returns to America as the embodiment of the chthonic goddess Hekate and ushers in a new age for the same world that oppressed her spirit and legacy.

Empress volume 2

Lazaretto by Diane McKinney-Whetstone

After Sylvia helps deliver her first baby as an apprentice midwife, Meda, the mother, leaves believing the baby died at the request of the father, her wealthy, white employer. Meda tends to her grief by volunteering at an orphanage, where she takes on the care of two babies and helps raise them. Sylvia assuages her guilt by throwing herself into nursing, obtaining a post at Lazaretto, the first quarantine hospital in the U.S. Though from different socio-economic levels, Sylvia and Meda’s lives brush upon each other slightly throughout the years, though both women are unaware. A wedding party composed of black employees at the Lazaretto is quarantined due to a yellow fever scare. Sylvia must take charge of the ensuing chaos of racial terrorism upon the group on the boat over to the island and deal with white policemen whose purpose is unknown, but who are also quarantined with the wedding party. Meda’s boys end up in the middle and learn the truth of their mother.

McKinney-Whetstone deftly portrays the precarious position of characters in a society that considers them invisible at best, and how they must carefully balance dignity with always a thought toward self-preservation. Though the characters hold their integrity through actions, the dialogue alternates between formal, stiff language without contractions and colloquial dialect, seemingly randomly, and can be distracting from the story. Systemic racism is nearly its own character in the tale, as even refined, strong-willed Sylvia deems it important to pamper the stranded detectives based on their color. Readers of historical fiction, lovers of secrets, and fans of flawed, complex characters will appreciate this novel.


Brian Barr . . . bio and works

Born and raised in Hawaii, Arizona, and Maryland, Brian Barr resides in South Carolina and is the author of the Carolina Daemonic series, the 3 H’s Trilogy, the Nihon Cyberpunk collection (read my reviews of #2, #3, and #4), and the Brutal Bazaar collection. His stories meld fantasy, horror, and science fiction, with themes that range from the occult to the exploration of the human condition, art, music, societal issues and political concerns. As a small press and independent author, he is heavily influenced by DIY and punk culture when it comes to formatting and releasing his work. Brian has written novels, short stories, and comics. He co-created and co-writes the comic book Empress with Chuck Amadori, which features art by Sullivan Suad and Zilson Costa, colored by Geraldo Filho. Sullivan Suad and Zilson Costa have also collaborated with Brian to provide many of the art for his covers.

Follow Brian on his Amazon Author Page and purchase his works…

Carolina Daemonic– Novel One (Second Novel Rebel Hell Coming in 2019) and Short Story Collection

Carolina Daemonic: Confederate Shadows: The first novel of Brian Barr’s Carolina Daemonic series released in 2015, Confederate Shadows is an occult urban horror fantasy with steampunk elements set in an alternative dystopian world where the Confederacy rules America. Uncompromising and raw, Confederate Shadows takes us into a world of grotesque monsters, dark magic, and chaos.

Carolina Daemonomaniac I: The First Carolina Daemonic Short Stories Collection: This is the first collection of Carolina Daemonic short stories. Along with the steampunk war comic The Tamed Tiger, Carolina Daemonomaniac includes various tales of Voodoo/Vudon spirituality, necromancy, weird science and the undead.

The 3 H’s Trilogy: A mix of comedic bizzaro romance horror, cosmic horror, and occult dark fantasy, The 3 H’s Trilogy begins when a gardener discovers a disembodied head in her mother’s garden. What starts as an absurd love story turns into a gruesome inter-dimensional nightmare. Consists of The Head, The House, and The Hell.

Brutal Bazaar: A horror collection of short stories, Brutal Bazaar includes The 3 H’s Trilogy, The Bloody Writer’s Trilogy, Badlam Betty, and various other bloodcurdling tales penned by Brian Barr. From slashers to occult horror, these tales include gruesome scenes mixed with dark humor and existential dread.

Nihon Cyberpunk: Nihon Cyberpunk is a collection of science fiction stories set in Japan. Inspired by Black Mirror, The Twilight Zone,Akira, Ghost in the Shell, and various other sources, Nihon Cyberpunk explores the human condition and probes philosophical questions in a dark and dystopian Japan ruled by technology. Includes The Kage Majitsu Trilogy and An American Otaku in Neo-Nihon’s Underbelly as bonus stories.

Empress: Co-created and co-written by Chuck Amadori and Brian Barr, Empress is a comic book series that centers around Zia, a famous Hollywood actress who goes missing in the early 20th century. She  returns to America as the embodiment of the chthonic goddess Hekate and ushers in a new age for the same world that oppressed her spirit and legacy.